Art

Born in Philadelphia, Ben Wilson was a New York abstract expressionist painter. His work was exhibited frequently from the mid-thirties through sixties, and less frequently but consi...

just purchased more information to follow Cypher lower right Within a grey mount, 14cm high, 28cm long The gilded cavetto moulded frame 28 cm high, 41 cm long, 3.5cm deep

the painting is being offered with a work and authenticity certificate

Drawing on his extensive travels, Robert Kelly’s painted collages contain found print and material from around the world. Kelly has included antique botanical drawings...

Linda Blair starred in the 1973 horror film The Exorcist, one of the highest-grossing films of all time, when she was fifteen years old, and was nominated ...

A set of four. photographs by Andy Warhol. "Julian Schnabel 4 Polaroids" is a set of four Polaroids, Polacolor by pop artist Andy Warhol. The work is numbered FA05.01027, FA05.01022,...

"Amazing New Discovery" is written in the background. Signed Lower Right. Robert Patterson was born in Chicago and attended the Chicago Art Institute. Among his teachers there and later were Harvey Dunn, Walt Louderback, Ralph Barton...

The comedic actress Phyllis Diller was known throughout the 1960s and 70s for her offbeat stage persona and outlandish costumes. She appeared regularly ...

Medium: Pen and Ink on Illustration Board Signature: Signed in Various Positions Dimensions: Various different sizes, contact for exact dimensions of each illustration. (17) PEN & ...

Oil on vintage architecture magazine paper

TECHNICAL INFORMATION Salvador Dali Tristan Et Iseult - Tristan Wounded 1970 Etching Aquatint 18 x 12 1/2 in. Edition of 125 Pencil signed & n...

Balantu Woman, 2017. Cardboard Print on Paper, 3/3 Petrus Amuthenu was born in Swakopmund and grew up in northern Namibia in Uukwaludhi. In 2002 a chance encounter with the late art...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Center Caricature by George Wachsteter (1911-2004) of Comedian and Radio Broadcaster Will Rogers...

Receding Snow is an original oil onto canvas by Russian painter Victor Egorov. It depicts the turning of seasons as Egorov details the receding snow from...

Date: 1935 Medium: Charcoal and Ink on Board Dimensions: 19.25" x 20.25" Signature: Signed Lower Right

A co-founder of the National Women's Political Caucus in 1971 along with feminist leaders like Gloria Steinem, Shirley Chisholm, and Betty Friedan, Bella Abzug...

Meraud Guinness, 1930s - Cecil Beaton (Fashion Portrait Photography) Inkwash signature on mount Stamped with Sotheby's Cecil Beaton studio ink stamp on reverse Silver gelatin print m...

Colored ink marker on paper

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Pro...

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

Fisherfolk & Children On A Scottish Beach, 19th Century John Adam Houston RSA RI (British, 1812 - 1884) to $75,000 Large 19th Century Scottish beach scene with fisherfolk and child...

Medium: Ink, Watercolor, Gouache on Paper laid to Paperboad Signature: Inscribed Collier's Cover Weekly/Sept. 1914/Belgian Automobile Troops/Fighting German Dragoons (on the reverse)...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Drawing by George Wachsteter (1911-2004), Broadway cast of `Kathleen` by Michael Sayers, staged by Coby Ruski...

Medium: Watercolor, Gouache and Ink on Paper Signature: Signed Lower Right Magazine Advertisement Young woman in blue and black lace dress holding and looking at flowers.

Mrs Daisy Fellows, c.1930s - Cecil Beaton (Portrait Photography) Inscribed 'Mrs Reginald Fellowes' in unknown hand and stamped with Sotheby's Cecil Beat...

Image dimensions: 15 x 9.5 cm. Drapery is an original color serigraph on paper, realized around the 1970's by a German artist, whose signature is hard to read. Signed in pencil on ...

Medium: Pen & Ink, Watercolor Onionskin Overlay on Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for `The Dick Powell Show`, used as cover for The ...

Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed Lower Left Book cover, The Old Couple.

Medium: Pen and Ink on Cardstock Signature: Signed Lower Center Double Set of Caricatures by George Wachsteter (1911-2004) for 1957 Off-Broadway Hit Revivals `The Three Penny Opera` & `The Iceman Cometh`, at the Theatre de Lys & Circle in the Square...

Medium: Gouache and Ink on Paper Dimensions: 17.50" x 10.75" Signature: Signed Lower Right

the painting is being offered with a work and authenticity certificate

Medium: Oil on Canvas Dimensions: 24.00" x 60.00" Signature: Signed Lower Left

Ladies (2017), oil on canvas stretched over wooden frame, 50x70 cm, by Italian contemporary artist ©Annemarie Ambrosoli (ICA - International Certified Artist) Hand-signed by the Art...

51 x 64.5 cms (20 1/8 x 25 3/8 ins) Edition of 75 Signed and dated '67 in pencil, lower right Edition of 75, with 14 artist's proofs, 1 trial proof, 1 printer's proof, 1 B.A.T...

Adhesives on galvanized sheet 3 layers satin varnish Thickness 4cm Signed on the back

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

Encaustic and oil on canvas

2 Pieces in this lot --- PEN & INK ILLUSTRATION - Caricature by George Wachsteter (1911-2004) for NBC-TV's color spectacular 'Arthur Freed's Hollywood Melody' with Shirley Jones, Donald O'Connor & Nanette Fabray, 14" x 9 1/2" image. Caricature by George Wachsteter (1911-2004) for NBC-TV`s color spectacular `Arthur Freed`s Hollywood Melody` with Shirley Jones, Donald O`Connor & Nanette Fabray, in a salute to the veteran producer of MGM`s greatest musicals. The splashy, show stopping special aired on Monday, March 19, 1962. Art rendered for Sunday March 18, 1962 cover of The New York Journal-American TView Magazine. Other top name stars featured in the program paying homage to Freed were Howard Keel, Richard Chamberlain, Juliet Prowse, Yvette Mimieux...

This cut out aluminum hand painted sculpture hangs on the wall functioning as both a painting, with the wall as a see through background, and a sculpture. It hangs on several small ...

Date: 1950s Medium: Gouache and Watercolor on Board Dimensions: 13.75" x 12.00" Signature: Signed Center Left Yankee Storekeeper Cover, Written by R.E Gould, Bantam Books

Signed (at lower right): FJK

Medium: Pen & Ink, Watercolor Paper Overlay on Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) of Steve Allen and a personalized jester stick for `Th...

Artist: Herta Ottolenghi Wedekind Title: Embroidery Bibliography: Herta Ottolenghi Wedekind. The dream of the total artwork, exhibition catalogue edited by G. Gomiero, E. Lago, ...

Medium: Pen & Ink, (2) Color Comps on Illustration Board Signature: Unsigned, Lower Left and Lower Right This piece is on 15.00" x 20.00" illustration board, with an image that measures to 14.00" x 9.50." Includes two different color versions in watercolor on board, preliminary sketch. Includes original copies of the magazine. (3) Versions Caricatures by George Wachsteter (1911-2004) of Shirley Booth...

Born in 1974 in Westfield, Massachusetts, David Colton began his career as an artist while attending the University of Colorado in Boulder. Heavily influenced by the rise of graffiti in America throughout the 1980s and 1990s, he chose to create his own twist on the movement with sculpture. Using glass as his chosen medium, Colton is widely recognized by his peers for the distinct organic style he has developed since he first started in 1995. Recent accolades include being featured in The New York Times Magazine and the Corning Museum of Glass’s annual peer-reviewed journal New Glass Review in 2017. Notable exhibitions include the Architectural Digest Design Show with Chesterfield Gallery...

This Blue Dog work consists of a single dog at the bottom left of a background of various pale shades of gray, blue, pink, orange and yellow. There are 6 cars alternating green and ...

Cut Paper Collage Jim’s of Lambertville is proud to offer this artwork by: Josef Zenk (1904 – 2000) Josef Zenk was born in New York City in 1904. After graduating from high school...

Shortly before Walt Esslinger died a few years ago, we talked in his small yellow painted studio in Bakersfield. Sixteen years my senior, he’d been my close friend, mentor and running mate since 1960. “You still writing?” he asked. “Yes,” I answered, taking in the space’s renovations he’d recently sub-contracted. Ninety one years old, and he was thinking ahead. “Do me a favor,” he said. “Write the Andy Warhol story.” Walt was a Central Valley guy, an L.A. guy, a Las Vegas guy. A man who knew his way around. “I want you to put on record what happened back then when I bought the soup can painting.” Back then was the fall of 1962. The two of us had been exhibiting our paintings in the L.A. Art Institute’s gallery for locals only. Walt had given legendary Ad Rhinehardt a story about how he and I had been working in both Edward Kienholz’s and John Altoon’s studios (false—we’d only been visiting). One morning, the Institute’s Director, who hadn’t suspected us to be charlatans yet, introduced us to a reed thin, tow headed young man leaning against the main gallery’s wall. “Meet Andy Warhola,” he said. “Andy is from New York.” “Warhol,” the boy/man said. “Painter?” Walt asked him. “Shoe Illustrator.” The director made a snorting noise I took to mean that Warhola or Warhol’s modesty was posed. He mentioned something about Andy having a show on the La Cienega strip of galleries. We exchanged mumbles about how the art world was in flux, nothing more than that, and Walt and I moved on. If this strange cat had anything to look at, we’d see it. It was a Monday, and La Cienega’s twenty some galleries would be opening new shows and serving champagne that evening. North La Cienega Avenue, laid over a network of oil veins decades before, had become the street for the Cool School, a group of artists and gallery people trying to bring Los Angeles’s art scene to life. The galleries were small but proud. Sure, Jazz was born on the Delta and raised in New Orleans, St, Luis and Chicago, but L.A. had fifty-three jazz joints according to Chet Baker, who’d blown with the best. Why then should the West Coast be lagging behind New York in the other truly American expression, abstract art? At the Ferus Gallery that night we found Warhol’s exhibit. “Shit,” I said. Walt grinned. “You no like?” “Not exactly my can of soup,” I said, peeking into the small space, loaded now wall to wall with paintings of Campbell’s Tomato Soup. Walt stepped into the space. “How about the idea of it?” I made my way through spectators looking at once to be confused, amused, enthused and abused. When I came back to Walt he was still smiling. “Why didn’t he silk screen ‘em?” I asked. “That’s probably his next move,” Walt said. “You wanna stay?” Walt’s keen eyes cased the joint. “I see Irving Bloom over there,” he said. “Believe I’ll stick around and talk with him.” Bloom had been operating this popular gallery for some time now. “One hundred a month,” he’d told me. “It’s not like I’m getting rich.” I stood around for a bit, heard a fellow abstract expressionist I’d met tell a young lady who looked to be lost, “Okay that’s the soup. Come with me, baby, and I’ll show you the juice.” Two doors down I stopped at the Primus-Stuart Gallery. A group of people had gathered around a display of soup cans, stacked grocer’s pyramid style in the window. All Campbell’s. All Tomato. A sign leaning against the grouping stated: “Get the real thing. Thirty cents each.” That’s the way it was. Twenty-four galleries forming a gauntlet between La Cienega’s 300 block, all the way up to Barney’s Beanery at the corner of Santa Monica. Hollywood types dressed to the nines, Beats dressed for the times just gone. Champagne popping...

Description: Liu Gang(b.1965) 480309102 water-based and oil-based pigments on rice paper 146.5 by 145.2 cm Dated 2019 mounted and framed The artwork comes ...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Original vintage watercolor painting by twentieth century San Francisco woman artist, Hildegarde Haas (1926-2002). "Bach - English Suite No.2 in A Minor...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original gouache, watercolor and pencil on paper, signed and dated in the plate by the artist in middle right: ...

Stamped on top of deck: Made by Medicom Toy, Brandalism

Abstract Sky is an original oil on canvas on canvas realized by Giorgio Lo Fermo in the 2000s. Hand-signed by the artist on the back. The artwork represents an abstract landscape:...

''Il Casanova - il teatro de Dresda'' (Casanova in the Theatre of Dresden) 'Il Casanova–il teatro di Dresda,' is a fine art limited edition color lithograp...

Beautiful tonalist oil on canvas painting by the well known American artist, Royal Hill Milleson. Signed lower right. Milleson moved to Boston in 1...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Ya...