Art

Lioness is a modern artwork realized by Evert Louis van Muyden (Albano, Lazio 1853 - 1922 Orsay) in 1900 . Black and white etching. Signature and date on plate. Includes passe-pa...

Re-purposed Georgian scroll style decorative moldings are shaped into a large mask and cast in aluminum in this unique sculpture by Dale Dunning. The surface of the mask has an undulating quality reminiscent of the experience of playing Snakes and Ladders...

Original Lithograph by Jean Cocteau Title: He ! He! Toro 1961 Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de Diffusion Artistiq...

Image size: 24 x 12 inches Edition of 30

Norman Rockwell (1894-1978) First Airplane Ride/ Old Women Riding Airplane, 1938 Originally created as cover illustration for The Saturday Evening Post. Media print lithography on paper, this twelve-color lithograph was hand proofed and printed at Atelier Ettinger in December 1976. A/P Artist Proof impression on papier d'Arches. Hand signed in pencil by Norman Rockwell. hand editioned and with publishers blindstamp. Norman Percevel Rockwell (1894 – 1978) was an American author, painter and illustrator. His works have a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine in a modern folk art style over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem We All Live With, Saying Grace, and the Four Freedoms series. He is also noted for his 64-year relationship with the Boy Scouts of America (BSA), during which he produced covers for their publication Boys' Life, calendars, and other illustrations. These works include popular images that reflect the Scout Oath and Scout Law such as The Scoutmaster, A Scout is Reverent and A Guiding Hand, among many others. Rockwell was also commissioned to illustrate more than 40 books, including Tom Sawyer and Huckleberry Finn as well as painting the portraits for Presidents Eisenhower, Kennedy, Johnson, and Nixon, as well as those of foreign figures, including Gamal Abdel Nasser and Jawaharlal Nehru. His portrait subjects included Judy Garland. One of his last portraits was of Colonel Sanders in 1973. His most popular calendar works: the "Four Seasons" illustrations for Brown & Bigelow that were published for 17 years beginning in 1947 and reproduced in various styles and sizes since 1964. He painted six images of classic Americana for Coca-Cola advertising. Illustrations for booklets, catalogs, posters (particularly movie promotions...

An India sunrise over the foothills of the Himalayas. The lush landscape tickled by the sun, adorned by Tibetan Prayer Flags. This artwork is a l...

Sepia Tone, Water, contrast, wave, movement, action shot, photograph, photography, warm, barbados, black & white, b&w, black & white, sepia, vignette, high contrast, carribean, tropi...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Paper Size: 39.25 x 25.5 inches ( 99.695 x 64.77 cm ) Image Size: 18.5 x 23 inches ( 46.99 x 58.42 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible ma...

Leonard Tsuguharu FOUJITA Self Portrait With Children, 1960 Original woodcut On vellum 37 x 28 cm (c. 15 x 11 in) REFERENCES : Catalogue Raisonne Sylvie Buisson #60.109 Excellent ...

Offset Lithograph (poster) Edition of Unknown Size 27.56 x 19.68 in (70.0 x 50.0 cm) This is an original, authorised David Hockney poster, produced by the Kunsthalle Helsinki for t...

Two Pointers Hunting a Pheasant is an original color etching by the well known sporting artist Leon Danchin. Two Pointers, one black and white and...

Abstract Sky is an original oil on canvas on canvas realized by Giorgio Lo Fermo in the 2000s. Hand-signed by the artist on the back. The artwork represents an abstract landscape:...

Elizabeth Catlett - CHILDREN WITH FLOWERS 1995, limited edition lithograph printed in twelve colors using traditional hand lithography techniques on archival Arches paper, 100% acid free. CHILDREN WITH FLOWERS is a multicultural collage portrait of four children, each a different cultural heritage, wearing colorful print fabric clothing, gathered together behind a straw basket weave planter filled with a variety of pink impatiens and white daisies. The children's bodies, hands and flowers join together as a metaphor of unity and diversity of children throughout the world. A cheerful, socially aware composition by the renowned African American female...

Artist: (after) Robert Motherwell (American, 1915-1992) Title: "Art 1981 Chicago" *Issued unsigned, though signed and dated by Motherwell in the plate (printed signature) upper right Year: 1981 Medium: Original Lithograph, Exhibition Poster on Dove paper Limited edition: 2,000. (There was also a signed and numbered edition of 150 on Arches Cover paper without margins or text) Printer: Roger Campbell and Lee Funderburg of Tyler Graphics Ltd., Mount Kisco, NY Publisher: Lakeside Group, Chicago, IL Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap No. 249, page 247; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 282; "Tyler Graphics - Catalogue Raisonné, 1974-1985" - Tyler No. 410:RM29, page 246 Sheet size: 39.5" x 27.5". Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Notes: Printed in four colors: light tan, orange, deep red, and black. Poster produced for a special exhibition of various artists' work at the Chicago International Art Exposition, Chicago, IL from May 14-19, 1981. The image featured on this poster is Motherwell's 1977 collage "Untitled". This poster was the official poster for the 1981 Chicago International Art Exposition. Printer's imprint and artist's copyright lower center. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Codex d'un visage is a b/w original etching realized by Romanian Surrealist artist Victor Brauner (1903-1966) in 1962. Signed, dated in pencil on lower margin. Numbered in Arabic nu...

This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition. Note: Framed image is for reference purposes only. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...

NEGRO ES BELLO II is an original limited edition lithograph created by the African-American woman printmaker and sculptor, Elizabeth Catlett using hand printmaking techniques on archival printmaking paper, 100% acid free. Pencil signed, titled, dated by Elizabeth Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. NEGRO ES BELLO II is a powerful graphic statement; a visual representation and social commentary on the Black Power movement's resilience, determination, strength, and beauty. The orange color circular badges with panther emblems on the lithograph are symbols (Black Panther Logo) from the Black Panther movement - one of their mottos being "Black Is Beautiful". Print size - 33.5 x 25.25 inches, unframed, mint condition, pencil signed by Elizabeth Catlett Image size - 27 1/2 × 21 inches Dated - 69'-01' , printed in 2001 at JK Fine Art Editions Co. Edition - 100 Elizabeth Catlett (1915-2012), a sculptor and printmaker, is widely considered one of the most important African American artists of the 20th century. Throughout her career Catlett used art in support of issues that mattered to her – feminism and maternalism, ethnicity, social justice, freedom against racism, class and gender inequality. An American and Mexican citizen, Catlett is best known for her depictions of African American women, the African American experience, and Mexican people...

Paper Size: 38.5 x 26.5 inches ( 97.79 x 67.31 cm ) Image Size: 38.5 x 26.5 inches ( 97.79 x 67.31 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional Details: Original Cyrk circus poster created by Jan Sawka...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

''Il Casanova - il teatro de Dresda'' (Casanova in the Theatre of Dresden) 'Il Casanova–il teatro di Dresda,' is a fine art limited edition color lithograp...

Stamped on top of deck: Made by Medicom Toy, Brandalism

Hand Signed. Etching and aquatint. Artist's Proof. Edition of 90 prints. Image Dimensions : 48 x 62 cm

Artist: Neal Doty (American, born 1941) Title: Man Sitting Year: 1979 Medium: Color serigraph Edition: Numbered 93/135 Size of image: 32.5 x 24 inches Size of paper: 39.25 x 30 inche...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Fiesta Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 130 Image Size: 18 x 26 inches Size: 22 x 30 in...

Image dimensions: 15 x 9.5 cm. Drapery is an original color serigraph on paper, realized around the 1970's by a German artist, whose signature is hard to read. Signed in pencil on ...

Laura Jordan Central Park NYC Limited Edition Print Edition 20 Image Size: H 49cm x W 54cm Sheet Size: H 59.5cm x W 59.5cm x D 0.1cm Sold Unframed Please note that in situ images ar...

ROY LICHTENSTEIN (1923-1997) This Lichtenstein 'Real Estate' print in blue is a 1969 lithograph on Arches paper. There was an edition of 100 produced (there were also approximately ...

Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been shown in Reina Sofía M...

Artist: Victor Vasarely (Hungarian-French, 1906-1997) Title: "E.T. (Fond Argent)" *Signed by Vasarely in pencil lower right Year: 1983 Medium: Original Screenprint on Arches paper Li...

"Popeye" Painting 20" x 20" inch by Antonio Pelayo Medium: Acrylic Ink & Paint on Animation Acetate Image size: 13" x 13" inch Size framed: 20" x 20" inch Artist Antonio Pelayo, born in Glendale, California, and yet raised for most of his childhood in the Mexican countryside, has never had his own country. Moving from an American suburb to a tiny village has kept his world unstable, yet that very instability has made him an artist. Antonio was born in 1973 in a comfortable, quintessentially American suburb: close neighbors, picket fences, movie theatres, malls, and English all around. At nine, his family sent him back to his father’s village in Mexico, where the environment radically changed: old broken down adobe churches replaced galleries and the trappings of suburbia. Some adjustments were difficult, like dealing with outdoor plumbing and the transition to a Spanish-speaking environment. Teased and ostracized by other kids, and unable to communicate with the adults, Antonio looked elsewhere for, if not companionship, at least solace. He found it with a pencil and in the pews. He snuck into the village church and stared up at the murals of martyrdom. He hid in the dark corners and sketched the artwork that covered the walls and altars. Antonio sought out the work of other Mexican artists, making them his mentors; his friends. Diego Rivera, Frida Kahlo, and Orozco, all revealed to Antonio the depth of Mexican art and its movement from the shadows of the Catholic Church into the modern world. He learned Spanish. He strove to master it, hoping to communicate with the folks of the village. Still, there was a gap; the language barrier between poor farmers and the middle class kept him from meeting people on an intimate level. Nevertheless, he now had three languages: English, Spanish, and his drawings. Years later his family brought him back to Glendale, which he now saw through the lens of Mexico. It looked unreal; it did not look like home. Nothing looked like home anymore; not Mexico, not Southern California. The one home he had was his art. Though his mastery of pencil and paper began in the nave of an old country church in Mexico...

Original vintage travel advertising poster issued by the Japan Travel Bureau - Autumn in Nikko - featuring two ladies wearing traditional kimono dresses with a bridge over a river vi...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Washing Machine)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 24" x 27" Image size: 19.25" x 23.5" Condition: Some faint surface marks in margins. One small nick upper left edge. It is otherwise in excellent condition with strong colors Very rare Notes: Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1961, 55.75" x 68", oil painting on canvas "Washing Machine" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweller Laurence Graff...

Artist: Pierre Marie Brisson (French, 1955-) Title: "Figure Sur Rouge (Figure on Red)" *Signed by Brisson lower right. It is also signed and dated on verso Year: 1983 Medium: Origina...

Artist: Pierre Marie Brisson (French, 1955-) Title: "Figure sur Fond Rouge (Figure on Red Background)" *Signed by Brisson lower right. It is also signed and dated on verso Year: 1983...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Beastie Boys "Licensed to Ill". Cassette Tape Created in 2019. Signed Limited Edition photograph. Signed by photographer

America Martin "The Caught Catfish" Oil & Acrylic on Canvas 72" x 36.5" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration fro...

Aerial Views, Adria 05 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions: H 60 x W 90 cm: edition of 10 H 80 x W 120 cm ...

"Kate Moss (DD pink)" Photography print 25.5 × 19 in Ed. AP/15 by Kate Garner Numbered and Signed in the front. High Quality Print on Hahnemuhle paper using archival ink fully cov...

Ohara Koson (1877-1945), 'Eagle on Snow Covered Pine', color woodblock print, c. 1905. Signed 'Koson' with the artist’s red seal 'Koson'. A very fine impression, with fresh colors on cream Japan paper; embossing in the snow-laden branches and the falling snow rendered with hand-splashed ‘gofun.' The full sheet in excellent condition; stamped 'MADE IN JAPAN' lower left, verso. Published by Nishinomiya Yosaku; a pre-WWII impression. Image size 13 11/16 x 7 7/16 inches (348 x 189 mm); sheet size 14 1/2 x 8 1/8 inches (368 x 206 mm). Archivally sleeved, unmatted. Literature: 'Crows, Cranes, and Camellias: The Natural World of Ohara Koson', Newland, Amy R.: Jan Perree & Robert Schaap, Leiden: Hotei Publishing, 2001. pg. 86, pl. 67. ABOUT THE ARTIST Koson Ohara...

"Milla pink Uke" Photography 29" × 20" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Leo Castelli Gallery (Landscape with Red Sky)" Year: 1985 Medium: Original Offset-L...

Evelyne Ballestra expresses a unique movement in each painting with a very subtle sensuality and a juxtaposition of colors to reveal light and shadows, creating a synergy between the...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Hommage a Picasso (Cannes) (Cote d'Azur)" *Signed by Dali in pencil lower right Year: 1973 Medium: Original Drypoint Etching on Rives BFK paper Limited edition: L/CC (50/200) Printer: Atelier Rigal, Paris, France Publisher: Felicia, New York, NY and EGI, Beverly Hills, CA Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 73-5, page 84; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 719, page 252 Sheet size: 26" x 19.63" Image size: 19.88" x 14.5" Condition: In excellent condition Rare Notes: Provenance: private collection - Clearwater, FL. Numbered by Dali in pencil lower left. BFK Rives watermark lower right. Some dealer reference numbers pencil inscribed on verso. Dali executed this etching in Cannes, France when he learned of Picasso's death. We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental...

This piece represents a human figure with a tail and a headdress in feather. In this sculpture the birdcatcher, a man who is catching birds with nets and traps, seems to transform into a bird himself. In recent years, animals have taken an increasingly important place in the artist's production: "All sorts of animals and hybrid forms inhabit my work, chimeras, somewhere between animal and human figures." (Mémoires de Braise, by Cécile Raynal...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

"Pola Girls 5" Original Polaroid / Unique piece by Larsen Sotelo 4.2" x 3.5" inch - including white Polaroid frame 3.1" x 3,1" inch - image area Comes wi...

This portrait is part of a series of sculptures designed by the artist during an eight-week art residency at a private hospital in Lyon (France). During several stays, the artist immersed herself into maternity life, crisscrossing the corridors with her sketchbook or modeling there and then in clay the portraits of the people who she came across, health professionals as well as patients. These sessions, marked with sensitive exchanges, created clay figures caught within the very particular circumstances of these encounters: the expectation of a happy event, always tinged with uncertainty for the future parents; passion and tension, constantly linked in the healthcare teams work.

Woodblock print from the Edo period. The print was apart of a series that Hiroshige did titled, "One Hundred Famous Views of Edo". The woodblock print is printed on rice paper. The p...

Colourful Abstract Landscape & Sky Painting with Reds, Purples & Blues of Pendle Hill in the Northern English Countryside by leading British Urban Artist Angela Wakefield. Art measu...

Wait (with Carole), by contemporary French artist Cécile Raynal. Smoke-fired stoneware sculpture, pigments, cypress plinth, 155 cm × 36 cm × 60 cm. Dimensions of the woman : 30 cm H...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 5" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is ...

Artist: Florent Chade (French, 1896-1985) Title: Chamonix, le Mont Blanc Year: Circa 1950 Medium: Oil on canvas board board size: 15 x 18.25 inches Signature: Signed lower ...

50 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper, Year: 2022 Style: Realism, Subject: Bird, Size: 12 x 16 inch, ...

Jeanne Marguerite Frey-Surbek (Swiss, * 23.2.1886 Delémont, † 17.5.1981 Bern) Country Road near Gabés, Tunesia, North Africa • Etching • Platte, ca. 7 x 11 cm • Sheet, ca. 33 x 25.5 cm • Monogrammed lower right • Edition noted lower left 74/100 • Printed title lower right Looking through my stock, buyers will notice my liking of female artistes working in Switzerland and here I introduce you to another important heroine of Swiss artistes and present a sweet little Swiss School orientalist pre-war etching...