Hans Arp

Variable Picture (3 x 7 = 21 Shapes)

1964

SAMUEL BAK b. 1933 Born in Vilna, Poland 1933 (Israeli/American) Title: Surrealistic Landscape Technique: Original Signed Oil Painting on canvas size: 46 x 55 cm / 18.1 x 21.7 in...

GREGOIRE MICHONZE 1902-1982 KiChinev (Bessarabia) 1902-1982 Paris (Russian / French) Title:Pique Nique beside the Lake, 1957 Technique: Original Si...

JACOB GILDOR b. 1948 (German / Israeli) Title: Taurus II, 2003 Technique: Original Hand Signed Tempera and Collage and Ink on cardboard Size: 25.3 x 35.2 cm / 9.9 x 13.8 in Additional Information: It is hand signed in black pen "Gildor" at the lower left of the paper. It was realised in 2003. This work is recorded in the artist archive with reference no. 2003-12 Exhibited: 1. Forward and Backward, paintings 1966-2003, Sara Kishon Gallery, Tel Aviv, January 2003. No. 6, illustrated pages 10-11. 2. Art Budapst, Antik Enterior, 2006 3. Belvedere Gallery, Budapest , Winter Collection, 2007 Literaute: Jacob Gildor, Segments of Creation, Vol. I, 2009, Israeli Art Museum...

JACOB GILDOR b. 1948 (German / Israeli) Title: Target (Esravos/Selves), 2006 Technique: Original Collage, Ink Paper, Sand on Industrial Cardboard. Size: 46.2 x 33.2 cm / 18...

JACOB GILDOR b. 1948 (German / Israeli) Title: Pocket Nudes, 2007 Technique: Original Hand Signed Collage with Watercolor on cardboard Size: 25.5 x 30 cm / 10 x 11.8 in Additional Information: This collage by the Israeli artist Jacob Gildor is hand signed in bleu pen "Gildor" at the lower left of the paper. It was realised in 2007. This work is recorded in the artist archive with reference no. 2007-7 Literaute: Jacob Gildor, Segments of Creation: Second Generation, Vol. III, 2009, Israeli Art Museum...

JACOB GILDOR b. 1948 (German / Israeli) Title: Boy with Panther, 2005 Technique: Original Hand Signed and Inscribed Gouache on cardboard Size: 35 x 27.8 cm / 13.7 x 10.9 in...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

elephant bat butterfly panda These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pas...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Epiphany 1987, paper, mixed technique, 24x29 cm "Epiphany" is a surreal figurative artwork created in 1987. Through its composition, the artwork invites viewers to contemplate the ...

LOOK FOR FREE SHIPPING AT CHECKOUT. The Virgin and Child - La Virgen y Nino was recently painted by the Cuban artist Brian Sanchez in 2023. It is oil and mi...

LOOK FOR FREE SHIPPING AT CHECKOUT. The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico was recently painted by the Cuban artist Brian Sanchez in 2023. It is oil and mixed media on linen . The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico by Brian Sanchez shows the hyperrealism of modern Cuban art that is now available to the world art market. The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico is one of many of the hyperrealism paintings by the artist. Other available paintings by the artist Brian Sanchez are in the image section. Brian Sanchez recently showed at the Art Fair in Dallas, Texas. The painting is gallery wrapped . The mechanical need of being human or to have a faith or a sacred creed in which to trust is the theme of this painting. Artist Statement: In a way, when I start a painting, it's like starting a journey. A journey that explores my past, philosophy and the human subconscious. My creations in my view are very symbolic. There are many elements in it that have latent meanings, whether collective or personal. They also have a strong philosophical and psychological charge, mainly delving into the subconscious and the dark part that we possess and repress, contrasting it with the pleasant or tender part that we want to simulate. The origin of things has a great meaning in me. This is how my inspiration arises in the world of childhood - as the origin of man - abstract symbols that simulate cells - origin of life -, the wheel - origin of civilization. I also use circles to symbolize cycles of time and life. Passage of time, nostalgia, pain, loneliness, human darkness, disturbing and perhaps bitter elements, I contrast them like enigmas in environments of apparent calm. Innocent figures with heartbreaking and enigmatic worlds. I exploit all the techniques, even sometimes I use unconventional materials until I reach the desired point of maximum expression. Influenced mainly by Klimt, Flemish medieval masters, Chagal, Pedro Pablo Oliva, Joan Miro...