Josh Talbott

"Go, " Acrylic painting

2020

Shan Fannin's (US based) "1972 Pontiac Firebird Formula 400 M22" is an acrylic painting that depicts a closeup view of the grill of a baby blue 1972 Ponti...

Patrick Maxcy's "Refuge" is an original, handmade acrylic painting that depicts a night time landscape of a wooden birdhouse on the ground among sprouting mushrooms

Rebecca Mason Adams' "Hand Study #1" is an original, handmade acrylic painting that depicts a monochromatic hand grasping fabric that is full of cascading ...

Josh Talbott's (US based) "Untitled at Sea" is an acrylic painting that depicts a small toy red piano floating suspended in a light blue sea background. Bio: Josh Talbott grew up in suburban/rural Georgia in the southern US. His first work as a professional artist was in scenic painting and murals for various production companies. An attempt to deepen his well of possibilities led to New Orleans where as a street artist he sold works to people from all over the world before loosing everything in hurricane Katrina. With short stints in Santa Fe and then Los Angeles Josh arrived in the small coastal city of Los Osos, California where he lives and works today. His curiosity is voracious and interests are many, including scuba/ free diving, sailing, surfing, gardening, geology, rock hounding, rationality, AI, history, and philosophy. In his studio there is always an audiobook on, and outside of the studio there are all manner of activities making there way into his work. He has many private collectors scattered across the globe and murals in San Francisco. ARTIST STATEMENT We live in a time of extreme and accelerated change, growing complexity, and specialization. At every stage in our human trajectory from primitive beginnings crawling out of the sea to the present gauntlet of challenges, our thinking tools and their uses are central to the story of what it means to be human. My work is informed by a fascination with thinking tools and the effects of programming and environment through the different phases of life and our capacity for storytelling. My practice consists of constructing small-scale still life scenarios of toys and other artifacts of human development, then creating photorealistic acrylic paintings of these scenes. The work juxtaposes the familiar and playful with a contemporary, complex, adult world. While I am interested in the science of the mind, and what it means to be a human, my work seldom features the human form, focusing instead on the objects and items that are frequently left behind. As such, the subject of the painting becomes the viewer him or herself because their own humanity is ultimately what is revealed. My work honors toys as thinking tools for small people and the scenes depicted explore the ways in which the culture of our formative years leaves a lasting mark and continues to shape our storytelling. The plastic artifacts of my formative years carry memories of simultaneous confusion and wonder at the world around me. These are sensations and emotions still very much present in my life. What were your imaginings and dramas when you played with toys? Are you living them today? The multileveled still life paintings of familiar toys are bright and accessible and connect to the viewer's nostalgia and playfulness while provoking deeper insights into our current evolutionary, cultural, and technological moment. I place each little curio with care into meaningful relationship to their interlocutors and environment. The plastic dinosaurs often depicted are emblematic of childhood curiosities, of great wonder and speculation at past worlds and the depth of evolutionary time, and yet they are made of a material that illustrates our shortsightedness, a quintessential human quality that makes it quite possible that these plastic creations will outlast us all. I do my best to draw inspiration and resources from everywhere to build a visual language. In my divergent path I find the musical compositions and the story of composer, Philip Glass inspiring. The story of his devotion to his craft and his subsequent successes have encouraged and inspired me. I'm influenced by writers such as Kurt Vonnegut, Robert Sapolsky, and Yuval Noah Harari, the many books by Simon Winchester, Daniel Dennet, Robert Wright...

Shan Fannin's (US based) "2015 Lamborghini Giallo Evros Aventador" is an acrylic painting that depicts a banana yellow angles and form of a Lamborghini Giallo Evros Aventador Born ...

Josh Talbott's (US based) "Entropy" is an acrylic painting that depicts an overturned blue glass jar with clock hands spilling out onto a white background. Bio: Josh Talbott grew up in suburban/rural Georgia in the southern US. His first work as a professional artist was in scenic painting and murals for various production companies. An attempt to deepen his well of possibilities led to New Orleans where as a street artist he sold works to people from all over the world before loosing everything in hurricane Katrina. With short stints in Santa Fe and then Los Angeles Josh arrived in the small coastal city of Los Osos, California where he lives and works today. His curiosity is voracious and interests are many, including scuba/ free diving, sailing, surfing, gardening, geology, rock hounding, rationality, AI, history, and philosophy. In his studio there is always an audiobook on, and outside of the studio there are all manner of activities making there way into his work. He has many private collectors scattered across the globe and murals in San Francisco. ARTIST STATEMENT We live in a time of extreme and accelerated change, growing complexity, and specialization. At every stage in our human trajectory from primitive beginnings crawling out of the sea to the present gauntlet of challenges, our thinking tools and their uses are central to the story of what it means to be human. My work is informed by a fascination with thinking tools and the effects of programming and environment through the different phases of life and our capacity for storytelling. My practice consists of constructing small-scale still life scenarios of toys and other artifacts of human development, then creating photorealistic acrylic paintings of these scenes. The work juxtaposes the familiar and playful with a contemporary, complex, adult world. While I am interested in the science of the mind, and what it means to be a human, my work seldom features the human form, focusing instead on the objects and items that are frequently left behind. As such, the subject of the painting becomes the viewer him or herself because their own humanity is ultimately what is revealed. My work honors toys as thinking tools for small people and the scenes depicted explore the ways in which the culture of our formative years leaves a lasting mark and continues to shape our storytelling. The plastic artifacts of my formative years carry memories of simultaneous confusion and wonder at the world around me. These are sensations and emotions still very much present in my life. What were your imaginings and dramas when you played with toys? Are you living them today? The multileveled still life paintings of familiar toys are bright and accessible and connect to the viewer's nostalgia and playfulness while provoking deeper insights into our current evolutionary, cultural, and technological moment. I place each little curio with care into meaningful relationship to their interlocutors and environment. The plastic dinosaurs often depicted are emblematic of childhood curiosities, of great wonder and speculation at past worlds and the depth of evolutionary time, and yet they are made of a material that illustrates our shortsightedness, a quintessential human quality that makes it quite possible that these plastic creations will outlast us all. I do my best to draw inspiration and resources from everywhere to build a visual language. In my divergent path I find the musical compositions and the story of composer, Philip Glass inspiring. The story of his devotion to his craft and his subsequent successes have encouraged and inspired me. I'm influenced by writers such as Kurt Vonnegut, Robert Sapolsky, and Yuval Noah Harari, the many books by Simon Winchester, Daniel Dennet, Robert Wright...

MARZENA MISKIEWICZ She graduated from the Faculty of Fine Arts at UMCS in Lublin. She is a member of ZPAP (Association of Polish Artists and Designers). She is an author of more than...

Gemälde: Magnolien Thematisch befasst sich die Malerin Farzane Arvani mit Blumen und Räumen. Die Größe der Blumen verstärkt die Künstlerin und betont die Kraft dieser. Durch die For...

“People who love to eat are always the best people.” Julia Child This still life painting puts the spotlight on the dinner plate, a big part of our everyday lives. Emphasis is placed...

A minimal approach is taken in this floral landscape painting where emphasis is put on simplifying the composition. Textures, textile collage and lush brush strokes create visual dra...

This piece titled "Papaya Egg" is an original artwork by PJ Linden and is made from acrylic, dimensional paint on canvas. This piece measures 48" x 24"w and is signed en verso. The direction of PJ Linden’s current practice took root in the aughts. She quickly became known for her abstract, often three-dimensional work, painting with machine-like precision, creating microscopic patterns on found objects, fashion, and technology. She also became known for her street art under the name Wonderpuss Octopus, taking her career in multiple directions that have all come together again over the years. Linden's work has caught the eye of celebrity clients including Beyonce, Miley Cyrus, Willow Smith, Kelly Osborne, and Solange Knowles...

Pink Blossom on Linen II By Nicky Chubb [2021] original Acrylic on canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:3.5cm Sold Unframed Ple...