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Chuck CloseTavern, Abstract (1960)1960
1960
About the Item
Artist: Chuck Close
Title: Tavern
Year of Work: 1960
Medium: Oil on Canvas
Signature: Signed & Dated Upper Left
Dimensions: framed 31 x 25 unframed 30 x 24
Provenance: Chuck Close, Marjorie Dalton (Dear friend of Chuck), Private Collection.
Tavern, is truly a rare find, an original oil on canvas, in compelling blues and grays with a touch of gold and orange. This work reveals more imagery and detail the longer one enjoys it. This painting was created during his years studying in Yale Art School, and draws different qualities to each new viewer similar to a Rorschach. Close's work is in the collections of most of the great international museums of contemporary art, including the Centre Georges Pompidou in Paris, the Metropolitan Museum of Art New York City. and the Tate Modern in London.
Artist Bio:
Chuck Close – (1940-2021) an American painter, artist and photographer born in Monroe, Washington. Early childhood illnesses including a neuromuscular condition, nephritis and dyslexia were compounded later in life by a condition known as prosopagnosia (face blindness), which may have inspired him to do portraits. Most of his early, large-format portraits are based on photographs, using photorealism or hyperrealism, of family and friends, often other artists. Close often painted abstract portraits of himself and others, which hang in collections internationally. Even though a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he continued to paint inspired by artists like Jackson Pollock and Willem de Kooning. Close's first solo exhibition, held in 1967 at the University of Massachusetts Art Gallery, Amherst, featured paintings, painted reliefs, and drawings based on photographs of record covers. Being much in the mainstream of pop art, a fragment of Close's portrait of singer-songwriter Paul Simon was used as the cover art for his 2016 album Stranger to Stranger. The right eye appears on the cover; the entire portrait is in the liner notes. Throughout his career, Chuck Close has expanded his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conté crayon, finger painting, and stamp-pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, daguerreotypes, and jacquard tapestries. His major works are featured in The Metropolitan Museum of Art.
Catalogue Raisonné: Editor, Carina Evangelista, Chuck Close
Carina has been an art professional since 1991 with research, curatorial and publishing work. She has been a contributory author on monographs for artists Constancio Bernardo and Roberto Chabet as has worked with Chuck Close for years. She is currently the editor of Artifex in New York.
- Creator:Chuck Close (1940, American)
- Creation Year:1960
- Dimensions:Height: 31 in (78.74 cm)Width: 25 in (63.5 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU136326310842
Chuck Close
Chuck Close was renowned for his highly inventive techniques of painting the human face and was best known for his large-scale, photo-based portrait paintings.
After earning his MFA from Yale in 1964, Close took his place atop the American art world by creating large-scale, Photorealistic portraits that have creatively blurred the distinction between photography and painting. In 1988, Close was paralyzed following a rare spinal artery collapse; despite the physical limitations, the artist pressed forward with his work. With a brush taped to his wrist, he continued to paint.
In 2000, Close was presented with the prestigious National Medal of Arts by President Clinton and was appointed by President Obama to serve on the President’s Committee on the Arts and the Humanities.
"Yes, it is hard to paint blur," Close said. "There are some works I made by using a grid of string to help me perceive changes in depth of focus — something artists have done for centuries. The depth of field in the daguerreotypes is a function of the process of making an image that way, with a very short, very bright flash of light."
Although Close had employed various painterly styles throughout his career, he is perhaps best known for his grid set on the diagonal. Close’s paintings are all-over images where the background of the picture – the negative space – is as important as the face itself, and one cannot exist without the other.
Close often took his family and friends as models, making monumental and classical works that are bold in their simplicity. His work has been the subject of more than 200 solo exhibitions in more than 20 countries, including major retrospective exhibitions at New York's Museum of Modern Art, the Metropolitan Museum of Art, the State Hermitage Museum in St. Petersburg, the Museo Nacional Centro de Arte Reina Sofia de Madrid and the San Francisco Museum of Modern Art.
(Biography provided by Weng Contemporary – ArtXX AG)
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