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Francis Sartorius
18th English painting of a dark bay horse in a paddock, signed and dated

1776

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  • 19th century English School, Bay Horse and a Terrier in a Landscape
    Located in Bath, Somerset
    A bay hunter and a black and white short haired dog (possibly a bull terrier) in an extensive English landscape. a rustic barn in the near distance. Indistinctly signed 'Br...' and d...
    Category

    Early 19th Century English School Animal Paintings

    Materials

    Canvas, Oil

  • A large English 18th century painting of a Chestnut horse
    By Thomas Beach
    Located in Bath, Somerset
    A saddled chestnut hunter tethered to a post at the entrance to stables with a wooded landscape and a hill beyond. Signed and dated lower left, 'T. Beach pt., 1785'. Provenance: Anonymous sale, London, Christie's 28 May 1999. lot 15 Thomas Beach was essentially known as a portrait artist and the present painting is a rare example of his skill as an animal painter. His ability to convey a sense of the character of his sitters is evident here in the remarkably sensitive portrayal of the horse's expression. Beach painted...
    Category

    18th Century English School Animal Paintings

    Materials

    Canvas, Oil

  • English late 19th century painting of a fox with a rabbit
    By George William Horlor
    Located in Bath, Somerset
    A fox and a rabbit by a rabbit hole in woodland undergrowth, Circle of George William Horlor (1849-1895) Oil on canvas in a giltwood frame. Canvas size: 46 x 71cm In frame: 59x 83cm ...
    Category

    Late 19th Century English School Animal Paintings

    Materials

    Canvas, Oil

  • English early 19th century painting of a chestnut hunter in a landscape
    By John Ferneley Senior
    Located in Bath, Somerset
    A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...
    Category

    Early 19th Century English School Animal Paintings

    Materials

    Canvas, Oil

  • English 19th century portrait of Lord Methuen's favourite dogs
    By William Barraud
    Located in Bath, Somerset
    A painting of Lord Methuen’s Spaniels Gipsy and Fairy, by William Barraud, standing beside a classical urn in a landscape by a lake, probably in the grounds of Corsham Court in Wiltshire, the Methuen family country seat. Signed and dated 'W Barraud...
    Category

    19th Century English School Animal Paintings

    Materials

    Canvas, Oil

  • English 18th century portrait of a water spaniel dog standing in a landscape
    By George Stubbs
    Located in Bath, Somerset
    Circle of George Stubbs (1724-1806). English 18th century portrait of a water spaniel standing in a wooded landscape. This charming painting is a wonderful example of the style of English dog painting made popular by artists such as George Stubbs and other sporting artists working in England in the 18th century who painted the dogs and horses of the aristocracy and wealthier classes. It follows in the ancient tradition of celebrating and commemorating our faithful canine companions through portraiture. Oil on canvas in a giltwood frame Provenance: Private collection, Somerset George Stubbs (1724-1806) was classified in his lifetime as a sporting painter, and as such was excluded from full membership of the Royal Academy. He is best remembered for his paintings of horses and his conversation pieces. Having studied anatomy, Stubbs's pictures of horses are among the most accurate ever painted. Stubbs was born in Liverpool, the son of a leather worker...
    Category

    18th Century English School Animal Paintings

    Materials

    Canvas, Oil

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    By John Gifford
    Located in Hillsborough, NC
    Scottish/British artist John Gifford is best known for his paintings of Setters, Spaniels and Ponies in the Scottish countryside and highlands. Sought after for his sporting artwor...
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    19th Century English School Animal Paintings

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  • A Sulky on the Road
    Located in Hillsborough, NC
    Horse and Sulky reminiscent of Currier and Ives by George Christopher Horner (1821-1881), British artist, imported by Saltire Gallerie. Signed and dated 1846, the painting is titled...
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    1840s English School Animal Paintings

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  • Original 1940's MID CENTURY Horses stylised oil painting listed English Painter
    By Frederick Charles Herrick
    Located in Cirencester, GB
    ARTIST: Frederick Charles Herrick (1887-1970) English TITLE: "Stylised Horses In A Landscape" SIGNED: verso MEDIUM: oil on SIZE: 73cm x 57cm inc frame CONDITION: very good DETAIL...
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    Mid-20th Century English School Landscape Paintings

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    Oil

  • A farmstead in a landscape
    By George Morland
    Located in Stoke, Hampshire
    George Morland (1763-1804) A farmstead in a landscape Oil on canvas Signed 'Morland' lower right Painting Size - 18 1/2 x 24 in Framed Size - 22 x 28 in George Morland was born in J...
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    18th Century English School Animal Paintings

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  • Norwegian landscape Windmill and shepherd boy Collaboration two famous artists
    Located in Stockholm, SE
    Сollaboration work by two Norwegian artists: Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895). Painted approximately in late 19th century (ca. 1870 - 1880). And this rare and awesome work of art should be considered for museum collection as well. Both painters presented in National Museum Oslo, Norway. Contrast picture of light and shadow, calm pastoral below and sky drama above. Oil painting on canvas, framed. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller - was born by the Christianiafjord at Holmestrand, in Vestfold County, Norway. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...
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  • "Linda Holt: Recent Koi & Abstractions"
    By Linda Holt
    Located in Wellesley, MA
    NOTE: The painting on the left of this diptych has been sold however it can be replaced with the 30" x 40" ("Two Koi June") pictured individually as an added image. It's the one w...
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    2010s Expressionist Landscape Paintings

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