Ray Donley

The Mask, Baroque Art, Fictional Portraits, Oil, One-of-a-Kind, Illuminate

2001

Young Dreams 18 x 18, egg tempera on gold leaf panel is by E. Melinda Morrison a who lives in Fort Worth Texas. This painting was done of a young African woman who was visiting the United States from Zimbabwe and is wearing her native dress of her African country. The young African woman posed many hours for her portrait in the artist studio. The painting is egg tempera on gold leaf. Young Dreams was selected as a finalist in the non-commissioned portrait category in the 2020 Members Only Portrait Society of America Show. The paintings is gallery wrapped so there is no need for a frame. Look for the free shipping code...

Edgar's Cattle is an 7 x 10 " painting by Cuban-American artist Reynier Llanes who lives in Miami. it is framed and with the frame it is 11 x 14 x 2. It is oil painted on a wood p...

My Name is a 6 x 8" oil painting by Cuban-American artist Reynier Llanes who lives in Miami. It is framed and It is oil painted on a wood panel . My Name floats in the frame. His b...

Steve Parker is a Native Texan and has been painting for many years. He paint portraits and Texas landscapes. He teaches at the Art League of Houston and is collected by individuals and corporations around the world. Many people will buy a Steve parker landscape when they are leaving Texas and returning home to their native country after working for oil companies in Houston. Steve Parker has also done portraits of CEO's and sports players. The size of the framed oil painting of Regis Progaris is 28 x 24. This oil painting is of Regis Prograis, a young professional boxer. Regis Prograis' record currently stands at 27 wins, 1 loss and 0 draws. Of those 26 wins he has stopped 22 of his opponents, so his current knock-out ratio is 85%. In his only defeat, he lost on the scorecards. He's boxed a total of 119 rounds, meaning his professional fights last 4.4 rounds on average. This painting is done from a photograph from Mayumi Cabrera...

Holy Week in Antigua, Guatemala by Stacy Kamin was painted as a commission for the gallery. It is 16 x 15 unframed and 20 x 21 framed. It is a handmade w...

LOOK FOR FREE SHIPPING AT PAYOUT. IF NOT AVAILABLE GALLERY WILL PAY. The Evening Gown is an American Impressionistic painting by Stuart Fullerton. T...

At Doug's Place by Lu Haskew Oil 12x10" image size Plein Air artists sit by a river discussing on break from the day of painting. ABOUT THE ARTIST: Lu considered it a must to work...

"Take me Home" by Lu Haskew Oil 19x16" framed, 12x8" image size Signed lower left A young child very apparently ready to go home from their intense yet cute look. The child is weari...

Carl Nordell (1885 - 1957) The Pensive Beauty Oil on canvas 40 x 32 inches Signed lower left Nordell was born in Copenhagen on 23 September 1885. In 1892 the Nordell family settled in Westerly, New Jersey, where Carl Johan, one of several children, received his education. Reportedly, a local gambler and art collector, Richard Canfield was so impressed with young Nordell's talent that he assisted him to gain admittance to the Rhode Island School of Design. Carl was a tireless student and serious in his studies of art, literature, and philosophy. Friends nicknamed him "The American Frans Hals," as a result of his study of that Dutch master. After graduating from the school in 1905, Nordell continued his training at the Art Students League in New York City for the following two years. There he received criticism and instruction from George Bridgman (1864-1943), a noted teacher of anatomy, and Frank Vincent DuMond (1865-1951), a landscapist associated with Old Lyme. The popularity of Impressionism in America at this time had reached its peak, and the style was of paramount influence in Nordell's advanced studies. Around 1906, Nordell visited an exhibition of paintings by the Ten, most of whom were American Impressionists. Moved by the work of Tarbell and Joseph R. De Camp, he sought instruction from them at the School of the Museum of Fine Arts, Boston. Nordell worked diligently under Tarbell and experimented with the genre of women in interiors, or Intimism. In 1909, Nordell received the Paige Traveling Scholarship, which provided for two years of continued study in Europe. He became one of the hundreds of Americans to receive criticism from Jean-Paul Laurens at the Académie Julian in Paris. From this base, he made study trips to visit major museums and galleries in Italy, Holland, Spain and Germany and during this period Nordell's style reached a level of uniqueness, though he definitely remained under the general influence of French Impressionism. By the time of his return to Boston in 1911, Nordell had successfully incorporated the use of broken color, a high-keyed palette, and the practice of working en plein air to achieve an accurate representation of light and atmosphere. In October of that year, the Boston Art Club presented eighty-seven of Nordell's watercolors and oils to the viewing public. Some of the watercolors seem revolutionary in their spontaneity. Nordell continued his career in Boston at Fenway Studios and exhibited in national competitions, including the annuals of the National Academy of Design, the Art Institute of Chicago; at the 1912 biennial of the Corcoran Gallery he won the fourth Clarke Prize. Nordell's finances were augmented by portrait commissions of some of Boston's affluent citizens. The artist was so intent on recording the sitter's likeness that in this genre, he deviated from his usual impressionist technique. In the women-in-interior genre, he frequently depicted a fully draped woman seated in profile or at an oblique angle to the picture plane. These pensive and attractive young ladies usually gaze into space and become an integral part of the pleasant ambiance of the scene. In this way, Nordell remained within the Genteel Tradition as it was manifest in Boston. The artist exhibited several such works in the Panama-Pacific International Exposition in San Francisco in 1915, and won a silver medal for his efforts. In 1918, a one-man exhibition of fifty works was presented at the Boston Art Club. Nordell remained active in the Boston area art clubs and societies through the early 1920s. In the winter of 1921 Babcock Art Galleries presented him with yet another one-man show. During this period, Nordell increased the production of prints and won the Salmagundi Club's Shaw Prize for etching in 1923. Sometime after 1927 he began taking summer sketching trips to Chautauqua Lake...

Jim’s of Lambertville is proud to offer this artwork by: Joseph Newman (1890 - 1979) Joseph Newman was born in New York City in 1890. He attended the Pratt Institute and the Adelphi College Art School, and served in the U.S. Army during WWW1. After the war, he married and traveled to Europe. He returned to New York in the mid 1920's, and with a group of contemporaries formed The Fifteen Gallery in Manhattan. Newman painted a broad variety of subjects including genre scenes, landscapes, figurative works, and equestrian subjects. He worked in various styles ranging from academic realism to a looser, post-impressionist approach, and is best known for colorful, animated genre scenes painted in and around Rockport Harbor and as far west as Taos, New Mexico. He exhibited frequently at the Brooklyn Museum, The National Academy, The Carnegie Institute, The Whitney and The Society of Independent Artists. He was a member of the L.C. Tiffany Foundation, The Salmagundi Club, Rockport Art Association, and the American Watercolor Society. His work is represented in the collections of the Brooklyn Museum, The Newark Museum, the Boston Library...

Tea Time Figurative in Original Oil on Canvas Charming portrait of a young woman enjoying tea time by Patricia Gillfillan (American, 1924-2016). From a collection of her works. Unsig...

Mid century portrait of a clown by Marjorie Blake (American, 1920-1994). Signed "Blake" in the lower left corner. Unframed. Marjorie May Gulley Blake w...