Sanatan Dinda

Yugpurush, Buddha, Conte & Dry Pastel on Paper, by Indian Artist "In Stock"

2016

Sanatan Dinda - Yugpurush - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dil...

Sanatan Dinda - Yugpurush - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins o...

Sanatan Dinda - Yugpurush - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins o...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...

Sanatan Dinda - Ganesha - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authent...

"Houses at Night" is an original mixed media painting by Dan Muller. The artist signed the piece lower right. The artist used cut & pasted paper, waterc...

"Sledding by the Big Tree" is an original mixed media piece by Dan Muller. The artist used cut & pasted paper, watercolor, and pastel to create this colorful work. The artist signed the piece lower left. This artwork features four children sledding...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

The Three Wisemen, 2022 by Carl Karni-Bain (Bai) is a contemporary mixed-media fabric work. The piece 3 wisemen, portraits on watercolor paper, are embellished with pastel and charcoal, acrylic paint, and layers of painted fabric. The piece is installed in a clear plexi shadow box. The 46" x 42" work is mounted on archival board and installed in a clear acrylic box frame: 48" x 44” depth: 2” In the artist's words: "I have been painting faces and figures throughout my career as they are part of an ongoing journey of which neither I nor the viewer will ever tire. The foundation for my portraits comes from the African Mask. As a child, I remember the visual impact it had on me and remains strong in my retained memory to this day. The mask forces a response from the viewer, whether a primitive or contemporary response." ~Carl Karni-Bain (BAI) ***** Artist's Bio: For three decades BAI (Carl Karni-Bain) 1959- has exhibited regularly in the San Francisco Bay Area, North Carolina, and New York City. As an artist in over two dozen international art fairs since 2003, BAI has garnered an audience worldwide. In 2013 Thelma Golden, Director of The Studio Museum...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...