Oil Landscape Paintings

Marinas No. 12, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

Introducing "Am I Dreaming," an extra-large and captivating mountain landscape by contemporary artist Sophie Pollock. With each brushstroke, she captures the feel of dreamy mountains...

Marinas No. 29, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

The Event V is abstract painting reminiscent of a landscape by contemporary artist Joachim van der Vlugt. Together with a voluntarily restricted palette of colors and sombre, black a...

Marinas No. 18, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

The setting sun casts it reflection off the clouds turning them a beautiful shade of purple over the marshy waters of this romantic landscape. The golden tones envelop the scene in a warmth that one can almost feel upon ones skin. Loose brush strokes and layers of paint give this scene depth and dimension. This piece is framed in an ornate wooden frame measuring 15 x 27 inches. Rose Freymuth-Frazier Origin Story oil on panel 12h x 24w in 30.48h x 60.96w cm RFF050 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker for seven years. Amid this exotic island milieu, my mother was born. Similarly, my fraternal grandparents, he being a US medic stationed in New Zealand and she, a seventeen year old Kiwi, met just long enough in the back of an ambulance in the early 1940's for her to come to the US on a steamer eighteen months later with their nine-month-old baby boy: my father. My eventual parents found each other in Nevada City, California, a small Gold Rush town flanked by a river and nestled in the foothills of the Sierra Nevada Mountains. There they fashioned a life according to their own rules and beliefs, free from the rigid standards of mainstream society. I was born on the floor of an old miner's cabin on a frigid November night in 1977. The midwife, who had learned the art of delivering babies while assisting her grandfather across the moors of Scotland, lived atop an icy ridge, did not own a telephone, and was summoned just in time. She made her living as a welder and considered her midwifery skill a gift. She refused to take money for her services. As payment, my mother, a ceramic sculptor, crafted her a large salad bowl with which to catch future placentas. So for the price of a handcrafted, multi-use salad bowl, (my first brush with art), I came into the world. I grew up in a free-spirited, idyllic wilderness until my existence was reported to the authorities in the form of a birth certificate. At eight years old, after some home schooling and experimental education, I was finally sent to public school. By sixteen I left the small town and moved in with my older brother who lived by the sea. A year later I applied and was accepted to the Interlochen Arts Academy in Northern Michigan where I spent my senior year of high school. At eighteen years old, I came to New York City on a scholarship to study theater. The city dazzled me, but after completing the term of study-and perhaps echoing my mother's flight from Barnard on a motorcycle years before-I headed back west, this time to Los Angeles where I landed in a Hollywood Boulevard youth hostel. It was in the culturally diverse atmosphere of Southern California, amid the palms, cars, and birds of paradise that I began to paint. In a twist of fate that only Hollywood could deliver, I was "discovered" stuck in traffic on Ventura Boulevard and given a record deal, (although I was not a singer). For six months I was under contract as "Ruby Blonde" and was paid to do nothing. Mercifully, the album was never made but I chose to use the free time and money to paint. Inspired by trips through Mexico and Guatemala, I fashioned giant faces from memory, which I painted on oversized pieces of scavenged plywood. I found the act of painting both hypnotic and meditative. So I returned to New York, (via Argentina), to further pursue the serious study of figurative painting technique. We know that in the past realism was discredited as kitsch and blamed for it's ability to appeal to and affect the masses. This inherent accessibility is the reason I choose to paint in the realist tradition. Education Private Study with and assistant to Steven Assael, New York City, 2004-2006 Private Study with and assistant to Odd Nerdrum, Norway, 2005 Independent Study in Europe, Summer 2005 New York Academy of Art, Master Class with Steven Assael, 2004 The Art Students League of New York, Gregg Kreutz, 2002-2004 American Musical and Dramatic Academy, New York City, 1996-1998, Graduate Interlochen Arts Academy, Interlochen, Michigan, 1996, Graduate Solo Exhibitions Rose Freymuth-Frazier: The Virgin and the Unicorn, Ann Nathan Gallery, Chicago IL, December, 2012 Rose Freymuth-Frazier: Whispering Sisters and the Female Figurative Image, Cress Gallery, University of Tennessee at Chattanooga, 2010 Rose Freymuth-Frazier: Variation, Ann Nathan Gallery, Chicago IL, October 2007 Select Group Exhibitions On Adornment - Pen & Brush, New York City, 2018 Five and Under - Arcadia Contemporary, Pasadena, CA, 2018 35th Anniversary Show - AFA-NYC, New York City, 2018 Realism: Then and Now - Cavalier Galleries, New York City, 2018 Art on Paper Fair - Gallery Victor Armendariz booth, New York City, 2018 Figure 8 - Gallery Victor Armendariz, Chicago, IL, 2017 Coming Attractions - Gallery Victor Armendariz, Chicago, IL, 2017 Summer's Ghost - Parlor Gallery, Asbury Park, NJ, 2016 BeinArt Collective Surreal Art Show - Copro Gallery, Santa Monica, CA, 2016 American Realism: Past to Present - Cavalier Galleries, New York City, 2015 Les Petit Fours, International Group Exhibition, (co-curated by Beautiful Bizarre Magazine and Friend's of Leon Gallery) - Friends of Leon Gallery, Sydney, Australia, 2015 Inaugural Group Show - Haven Gallery, New York, 2015 In the Way of Beauty - Parlor Gallery, Asbury Park, NJ, 2015 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2015 Rose Freymuth-Frazier, “Prints” at Lay-Low Fine Art in Balearic Islands, Spain, 2015 Contemporary Realism - Cavalier Galleries, Greenwich, Connecticut, 2014 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2014 Contemporary Realism - Cavalier Galleries, New York City, 2014 Infusion - Roq La Rue Gallery, Seattle, Washington, 2014 Laluzapalooza - 28th Annual Group Show - La Luz De Jesus Gallery, Los Angeles, CA, 2014 20th Anniversary Group Show - Copro Gallery, Santa Monica, CA, 2013 Mums The Word, curated by Hilary Harkness, Mills Pond House Gallery, New York, NY, 2012 SOFA New York, Park Avenue Armory, New York 2012 Two Faces of Beauty, Ann Nathan Gallery, Chicago IL, 2010 Art Chicago, Chicago IL, 2010 SOFA New York, Park Avenue Armory, New York 2010 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Portraits, Ann Nathan Gallery, Chicago, IL, 2009 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Art Chicago, Chicago IL, 2008 Palm Beach III, Ann Nathan Gallery, Palm Beach, Florida, 2008 SOFA New York, Park Avenue Armory, New York, 2008 The Painters, Bill Lowe Gallery, Atlanta Georgia, 2007 SOFA New York, Park Avenue Armory, New York, 2007 Art Chicago, Chicago IL, 2007 Above & Beyond, Ann Nathan Gallery, Chicago IL, 2007 Select Publications and Press Playboy Magazine, Interview - March 30th, 2016 Ms. Magazine, Online Feature - March 10th, 2016 Beautiful Bizarre Magazine, Interview - November 5th, 2015 Featured in “Uno de los Nuestros”, Barcelona, 2015 Hi-Fructose, Online Feature - June 17th, 2014 Beautiful Bizarre Magazine, 12 page Feature, Issue 006, September, 2014 Beautiful Bizarre Magazine, Online Feature, April 18th, 2014 Line & Stylish Art Magazine, “Artist of the Month”, April, 2014 iARTistas Summer Nude Issue, 2014 The Nerdrum School - Orfeus Publishing, 2013 Huffinton Post - May 24th, 2013 The 22 Magazine - Feb. 8th, 2013 Combustus Magazine, December 15th, 2012 Poets and Artists, October, 2012 American Artist Magazine, September, 2012 Creative Quarterly, Winter 2011/2012 Direct Art Magazine, Fall, 2011 Art Papers, January, 2011 American Art Collector Magazine, September, 2010 American Art Collector Magazine - Second Annual Art of the Nude, 2010 Chattanooga Times Free Press, August 29th, 2010 ArtNews, October, 2007 Chicago Tribune, November 9th, 2007 Direct Art Magazine, Spring, 2007 Select Collections The Bennett Collection of Women Realists Seven Bridges Foundation, Greenwich, CT Diane and John Marek Collection, Chattanooga, TN Billy Hunt Collection, Chicago, IL Phil Burgess & Jim Nutter, Chicago, IL Rick Shoemaker & James Ruud, Chicago, IL Joan Berger, Chicago, IL Jack & Gail Witlin, Palm Desert, CA Bill & Tavi Flanagan, Irvine, CA Brian Westphal & Michael McVicker, Chicago, IL Awards and Honors Art Renewal Center’s International Salon - Figurative Category - Finalist, 2013/2014 European Museum of Modern Art, MEAM - Figurativas '13 - Barcelona, Spain - Finalist, 2013 The American Chinese Oil Painting League - Butler Museum Exhibition - Finalist, 2011 John and Diane Marek Visiting Artist Lecture Series, University of TN, Chattanooga, 2010 Chairman of the Board Award, Salmagundi Club, 2006 Al Barker...

Sailing from Leticia to Santa Rosa (Jungle series) is a large-scale oil painting by Spanish contemporary artist Calo Carratalá which is in the form of a tondo (diameter: 194 cm). Thi...

Souvenir of Castile is an oil painting by French contemporary Valérie de Sarrieu. Oil on canvas, H 73 cm x W 116 cm. Sold unframed. Painting from nature implies speed and discipline:...

"River's Bounty" Oil painting 24" x 47" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and has nota...

Benasque 2 (Snow series) is a painting by Spanish contemporary artist Calo Carratalá. Oil on canvas, 160 x 200 cm. This work of art represents a mountainous winter landscape in the P...

Taken from a statue of Julius Caesar by French sculptor Nicolas Coustou from 1669, artist John Hrehov places his copy in an elaborate labyrinth of greenery. The classical elements of sculpture, ionic column and greek temple are tied together by a bright green and blue palette in this perfectly balanced surreal scene. This piece is floated in a white wooden frame measuring 38h x 32w x 2d inches. John Hrehov Render to Caesar oil on canvas 36h x 30w in 91.44h x 76.20w cm JHR025 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street...

Desert cactus, in full bloom, sit atop a table scape while a squirrel leaps between snow covered pines in the background in John Hrehov's painting titled "Nexus". The saturated colors bring a liveliness and warmth to this surreal scene. This piece is floated in a white wooden frame measuring 32h x 25w x 2d inches. John Hrehov Nexus oil on canvas 30h x 24w in 76.20h x 60.96w cm JHR022 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street...

About the artist: Louis Wolchonok studied art at the National Academy of Design, City College of New York, Julian Academy in Paris, and the Brooklyn Academy of Fine Art. In addition ...

"Fellaha on Mule" Oil painting 20" x 20" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painti...

The rising sun casts a reflective glow onto the puffy clouds hanging over a marshy landscape resulting in a sky that is awash in tones of blue and gold. This beautiful combination is reflected on the water below creating an enchanting romantic scene in Rose Freymuth Frazier's landscape painting entitled "Sunburst". Her technique of using loose brush strokes and layers of paint give this scene depth and dimension. The painting is framed with a decorative wooden frame measuring 17 x 21 inches. Rose Freymuth-Frazier Sunburst oil on panel 12h x 24w in 30.48h x 60.96w cm RFF051 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker for seven years. Amid this exotic island milieu, my mother was born. Similarly, my fraternal grandparents, he being a US medic stationed in New Zealand and she, a seventeen year old Kiwi, met just long enough in the back of an ambulance in the early 1940's for her to come to the US on a steamer eighteen months later with their nine-month-old baby boy: my father. My eventual parents found each other in Nevada City, California, a small Gold Rush town flanked by a river and nestled in the foothills of the Sierra Nevada Mountains. There they fashioned a life according to their own rules and beliefs, free from the rigid standards of mainstream society. I was born on the floor of an old miner's cabin on a frigid November night in 1977. The midwife, who had learned the art of delivering babies while assisting her grandfather across the moors of Scotland, lived atop an icy ridge, did not own a telephone, and was summoned just in time. She made her living as a welder and considered her midwifery skill a gift. She refused to take money for her services. As payment, my mother, a ceramic sculptor, crafted her a large salad bowl with which to catch future placentas. So for the price of a handcrafted, multi-use salad bowl, (my first brush with art), I came into the world. I grew up in a free-spirited, idyllic wilderness until my existence was reported to the authorities in the form of a birth certificate. At eight years old, after some home schooling and experimental education, I was finally sent to public school. By sixteen I left the small town and moved in with my older brother who lived by the sea. A year later I applied and was accepted to the Interlochen Arts Academy in Northern Michigan where I spent my senior year of high school. At eighteen years old, I came to New York City on a scholarship to study theater. The city dazzled me, but after completing the term of study-and perhaps echoing my mother's flight from Barnard on a motorcycle years before-I headed back west, this time to Los Angeles where I landed in a Hollywood Boulevard youth hostel. It was in the culturally diverse atmosphere of Southern California, amid the palms, cars, and birds of paradise that I began to paint. In a twist of fate that only Hollywood could deliver, I was "discovered" stuck in traffic on Ventura Boulevard and given a record deal, (although I was not a singer). For six months I was under contract as "Ruby Blonde" and was paid to do nothing. Mercifully, the album was never made but I chose to use the free time and money to paint. Inspired by trips through Mexico and Guatemala, I fashioned giant faces from memory, which I painted on oversized pieces of scavenged plywood. I found the act of painting both hypnotic and meditative. So I returned to New York, (via Argentina), to further pursue the serious study of figurative painting technique. We know that in the past realism was discredited as kitsch and blamed for it's ability to appeal to and affect the masses. This inherent accessibility is the reason I choose to paint in the realist tradition. Education Private Study with and assistant to Steven Assael, New York City, 2004-2006 Private Study with and assistant to Odd Nerdrum, Norway, 2005 Independent Study in Europe, Summer 2005 New York Academy of Art, Master Class with Steven Assael, 2004 The Art Students League of New York, Gregg Kreutz, 2002-2004 American Musical and Dramatic Academy, New York City, 1996-1998, Graduate Interlochen Arts Academy, Interlochen, Michigan, 1996, Graduate Solo Exhibitions Rose Freymuth-Frazier: The Virgin and the Unicorn, Ann Nathan Gallery, Chicago IL, December, 2012 Rose Freymuth-Frazier: Whispering Sisters and the Female Figurative Image, Cress Gallery, University of Tennessee at Chattanooga, 2010 Rose Freymuth-Frazier: Variation, Ann Nathan Gallery, Chicago IL, October 2007 Select Group Exhibitions On Adornment - Pen & Brush, New York City, 2018 Five and Under - Arcadia Contemporary, Pasadena, CA, 2018 35th Anniversary Show - AFA-NYC, New York City, 2018 Realism: Then and Now - Cavalier Galleries, New York City, 2018 Art on Paper Fair - Gallery Victor Armendariz booth, New York City, 2018 Figure 8 - Gallery Victor Armendariz, Chicago, IL, 2017 Coming Attractions - Gallery Victor Armendariz, Chicago, IL, 2017 Summer's Ghost - Parlor Gallery, Asbury Park, NJ, 2016 BeinArt Collective Surreal Art Show - Copro Gallery, Santa Monica, CA, 2016 American Realism: Past to Present - Cavalier Galleries, New York City, 2015 Les Petit Fours, International Group Exhibition, (co-curated by Beautiful Bizarre Magazine and Friend's of Leon Gallery) - Friends of Leon Gallery, Sydney, Australia, 2015 Inaugural Group Show - Haven Gallery, New York, 2015 In the Way of Beauty - Parlor Gallery, Asbury Park, NJ, 2015 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2015 Rose Freymuth-Frazier, “Prints” at Lay-Low Fine Art in Balearic Islands, Spain, 2015 Contemporary Realism - Cavalier Galleries, Greenwich, Connecticut, 2014 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2014 Contemporary Realism - Cavalier Galleries, New York City, 2014 Infusion - Roq La Rue Gallery, Seattle, Washington, 2014 Laluzapalooza - 28th Annual Group Show - La Luz De Jesus Gallery, Los Angeles, CA, 2014 20th Anniversary Group Show - Copro Gallery, Santa Monica, CA, 2013 Mums The Word, curated by Hilary Harkness, Mills Pond House Gallery, New York, NY, 2012 SOFA New York, Park Avenue Armory, New York 2012 Two Faces of Beauty, Ann Nathan Gallery, Chicago IL, 2010 Art Chicago, Chicago IL, 2010 SOFA New York, Park Avenue Armory, New York 2010 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Portraits, Ann Nathan Gallery, Chicago, IL, 2009 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Art Chicago, Chicago IL, 2008 Palm Beach III, Ann Nathan Gallery, Palm Beach, Florida, 2008 SOFA New York, Park Avenue Armory, New York, 2008 The Painters, Bill Lowe Gallery, Atlanta Georgia, 2007 SOFA New York, Park Avenue Armory, New York, 2007 Art Chicago, Chicago IL, 2007 Above & Beyond, Ann Nathan Gallery, Chicago IL, 2007 Select Publications and Press Playboy Magazine, Interview - March 30th, 2016 Ms. Magazine, Online Feature - March 10th, 2016 Beautiful Bizarre Magazine, Interview - November 5th, 2015 Featured in “Uno de los Nuestros”, Barcelona, 2015 Hi-Fructose, Online Feature - June 17th, 2014 Beautiful Bizarre Magazine, 12 page Feature, Issue 006, September, 2014 Beautiful Bizarre Magazine, Online Feature, April 18th, 2014 Line & Stylish Art Magazine, “Artist of the Month”, April, 2014 iARTistas Summer Nude Issue, 2014 The Nerdrum School - Orfeus Publishing, 2013 Huffinton Post - May 24th, 2013 The 22 Magazine - Feb. 8th, 2013 Combustus Magazine, December 15th, 2012 Poets and Artists, October, 2012 American Artist Magazine, September, 2012 Creative Quarterly, Winter 2011/2012 Direct Art Magazine, Fall, 2011 Art Papers, January, 2011 American Art Collector Magazine, September, 2010 American Art Collector Magazine - Second Annual Art of the Nude, 2010 Chattanooga Times Free Press, August 29th, 2010 ArtNews, October, 2007 Chicago Tribune, November 9th, 2007 Direct Art Magazine, Spring, 2007 Select Collections The Bennett Collection of Women Realists Seven Bridges Foundation, Greenwich, CT Diane and John Marek Collection, Chattanooga, TN Billy Hunt Collection, Chicago, IL Phil Burgess & Jim Nutter, Chicago, IL Rick Shoemaker & James Ruud, Chicago, IL Joan Berger, Chicago, IL Jack & Gail Witlin, Palm Desert, CA Bill & Tavi Flanagan, Irvine, CA Brian Westphal & Michael McVicker, Chicago, IL Awards and Honors Art Renewal Center’s International Salon - Figurative Category - Finalist, 2013/2014 European Museum of Modern Art, MEAM - Figurativas '13 - Barcelona, Spain - Finalist, 2013 The American Chinese Oil Painting League - Butler Museum Exhibition - Finalist, 2011 John and Diane Marek Visiting Artist Lecture Series, University of TN, Chattanooga, 2010 Chairman of the Board Award, Salmagundi Club, 2006 Al Barker...

Josep Puigdengolas Barrella (Barcelona (1906 - 1987), was a Spanish landscape painter of the 20th century. The Marqués de Lozoya said of Puigdengolas that ...

Elysium II (2020), by contemporary artist Joachim van der Vlugt. Oil on canvas, 130 cm × 180 cm. Challenging the boundaries between figuration and abstraction, the artist creates...

A meadow in Tuscany on a summer's evening at my friend's house, near Sestina. The heat of the day has left a balmy warmth and the low sun is casting long deep shadows across the wild...

The sky is ablaze with yellow and gold as the setting sun reflects its rays upon the cloud covered sky. Swaths of color envelop this romantic marsh setting. The golden tones surround the scene in a warmth that one can almost feel upon ones skin. Loose brush strokes and layers of paint give this scene depth and dimension. This piece is framed in an ornate wooden frame measuring 21 x 27 inches. Rose Freymuth-Frazier Sacred Space oil on panel 18h x 24w in 45.72h x 60.96w cm RFF049 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker for seven years. Amid this exotic island milieu, my mother was born. Similarly, my fraternal grandparents, he being a US medic stationed in New Zealand and she, a seventeen year old Kiwi, met just long enough in the back of an ambulance in the early 1940's for her to come to the US on a steamer eighteen months later with their nine-month-old baby boy: my father. My eventual parents found each other in Nevada City, California, a small Gold Rush town flanked by a river and nestled in the foothills of the Sierra Nevada Mountains. There they fashioned a life according to their own rules and beliefs, free from the rigid standards of mainstream society. I was born on the floor of an old miner's cabin on a frigid November night in 1977. The midwife, who had learned the art of delivering babies while assisting her grandfather across the moors of Scotland, lived atop an icy ridge, did not own a telephone, and was summoned just in time. She made her living as a welder and considered her midwifery skill a gift. She refused to take money for her services. As payment, my mother, a ceramic sculptor, crafted her a large salad bowl with which to catch future placentas. So for the price of a handcrafted, multi-use salad bowl, (my first brush with art), I came into the world. I grew up in a free-spirited, idyllic wilderness until my existence was reported to the authorities in the form of a birth certificate. At eight years old, after some home schooling and experimental education, I was finally sent to public school. By sixteen I left the small town and moved in with my older brother who lived by the sea. A year later I applied and was accepted to the Interlochen Arts Academy in Northern Michigan where I spent my senior year of high school. At eighteen years old, I came to New York City on a scholarship to study theater. The city dazzled me, but after completing the term of study-and perhaps echoing my mother's flight from Barnard on a motorcycle years before-I headed back west, this time to Los Angeles where I landed in a Hollywood Boulevard youth hostel. It was in the culturally diverse atmosphere of Southern California, amid the palms, cars, and birds of paradise that I began to paint. In a twist of fate that only Hollywood could deliver, I was "discovered" stuck in traffic on Ventura Boulevard and given a record deal, (although I was not a singer). For six months I was under contract as "Ruby Blonde" and was paid to do nothing. Mercifully, the album was never made but I chose to use the free time and money to paint. Inspired by trips through Mexico and Guatemala, I fashioned giant faces from memory, which I painted on oversized pieces of scavenged plywood. I found the act of painting both hypnotic and meditative. So I returned to New York, (via Argentina), to further pursue the serious study of figurative painting technique. We know that in the past realism was discredited as kitsch and blamed for it's ability to appeal to and affect the masses. This inherent accessibility is the reason I choose to paint in the realist tradition. Education Private Study with and assistant to Steven Assael, New York City, 2004-2006 Private Study with and assistant to Odd Nerdrum, Norway, 2005 Independent Study in Europe, Summer 2005 New York Academy of Art, Master Class with Steven Assael, 2004 The Art Students League of New York, Gregg Kreutz, 2002-2004 American Musical and Dramatic Academy, New York City, 1996-1998, Graduate Interlochen Arts Academy, Interlochen, Michigan, 1996, Graduate Solo Exhibitions Rose Freymuth-Frazier: The Virgin and the Unicorn, Ann Nathan Gallery, Chicago IL, December, 2012 Rose Freymuth-Frazier: Whispering Sisters and the Female Figurative Image, Cress Gallery, University of Tennessee at Chattanooga, 2010 Rose Freymuth-Frazier: Variation, Ann Nathan Gallery, Chicago IL, October 2007 Select Group Exhibitions On Adornment - Pen & Brush, New York City, 2018 Five and Under - Arcadia Contemporary, Pasadena, CA, 2018 35th Anniversary Show - AFA-NYC, New York City, 2018 Realism: Then and Now - Cavalier Galleries, New York City, 2018 Art on Paper Fair - Gallery Victor Armendariz booth, New York City, 2018 Figure 8 - Gallery Victor Armendariz, Chicago, IL, 2017 Coming Attractions - Gallery Victor Armendariz, Chicago, IL, 2017 Summer's Ghost - Parlor Gallery, Asbury Park, NJ, 2016 BeinArt Collective Surreal Art Show - Copro Gallery, Santa Monica, CA, 2016 American Realism: Past to Present - Cavalier Galleries, New York City, 2015 Les Petit Fours, International Group Exhibition, (co-curated by Beautiful Bizarre Magazine and Friend's of Leon Gallery) - Friends of Leon Gallery, Sydney, Australia, 2015 Inaugural Group Show - Haven Gallery, New York, 2015 In the Way of Beauty - Parlor Gallery, Asbury Park, NJ, 2015 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2015 Rose Freymuth-Frazier, “Prints” at Lay-Low Fine Art in Balearic Islands, Spain, 2015 Contemporary Realism - Cavalier Galleries, Greenwich, Connecticut, 2014 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2014 Contemporary Realism - Cavalier Galleries, New York City, 2014 Infusion - Roq La Rue Gallery, Seattle, Washington, 2014 Laluzapalooza - 28th Annual Group Show - La Luz De Jesus Gallery, Los Angeles, CA, 2014 20th Anniversary Group Show - Copro Gallery, Santa Monica, CA, 2013 Mums The Word, curated by Hilary Harkness, Mills Pond House Gallery, New York, NY, 2012 SOFA New York, Park Avenue Armory, New York 2012 Two Faces of Beauty, Ann Nathan Gallery, Chicago IL, 2010 Art Chicago, Chicago IL, 2010 SOFA New York, Park Avenue Armory, New York 2010 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Portraits, Ann Nathan Gallery, Chicago, IL, 2009 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Art Chicago, Chicago IL, 2008 Palm Beach III, Ann Nathan Gallery, Palm Beach, Florida, 2008 SOFA New York, Park Avenue Armory, New York, 2008 The Painters, Bill Lowe Gallery, Atlanta Georgia, 2007 SOFA New York, Park Avenue Armory, New York, 2007 Art Chicago, Chicago IL, 2007 Above & Beyond, Ann Nathan Gallery, Chicago IL, 2007 Select Publications and Press Playboy Magazine, Interview - March 30th, 2016 Ms. Magazine, Online Feature - March 10th, 2016 Beautiful Bizarre Magazine, Interview - November 5th, 2015 Featured in “Uno de los Nuestros”, Barcelona, 2015 Hi-Fructose, Online Feature - June 17th, 2014 Beautiful Bizarre Magazine, 12 page Feature, Issue 006, September, 2014 Beautiful Bizarre Magazine, Online Feature, April 18th, 2014 Line & Stylish Art Magazine, “Artist of the Month”, April, 2014 iARTistas Summer Nude Issue, 2014 The Nerdrum School - Orfeus Publishing, 2013 Huffinton Post - May 24th, 2013 The 22 Magazine - Feb. 8th, 2013 Combustus Magazine, December 15th, 2012 Poets and Artists, October, 2012 American Artist Magazine, September, 2012 Creative Quarterly, Winter 2011/2012 Direct Art Magazine, Fall, 2011 Art Papers, January, 2011 American Art Collector Magazine, September, 2010 American Art Collector Magazine - Second Annual Art of the Nude, 2010 Chattanooga Times Free Press, August 29th, 2010 ArtNews, October, 2007 Chicago Tribune, November 9th, 2007 Direct Art Magazine, Spring, 2007 Select Collections The Bennett Collection of Women Realists Seven Bridges Foundation, Greenwich, CT Diane and John Marek Collection, Chattanooga, TN Billy Hunt Collection, Chicago, IL Phil Burgess & Jim Nutter, Chicago, IL Rick Shoemaker & James Ruud, Chicago, IL Joan Berger, Chicago, IL Jack & Gail Witlin, Palm Desert, CA Bill & Tavi Flanagan, Irvine, CA Brian Westphal & Michael McVicker, Chicago, IL Awards and Honors Art Renewal Center’s International Salon - Figurative Category - Finalist, 2013/2014 European Museum of Modern Art, MEAM - Figurativas '13 - Barcelona, Spain - Finalist, 2013 The American Chinese Oil Painting League - Butler Museum Exhibition - Finalist, 2011 John and Diane Marek Visiting Artist Lecture Series, University of TN, Chattanooga, 2010 Chairman of the Board Award, Salmagundi Club, 2006 Al Barker...

"Across the Lake" is a minimalist landscape painting depicting subtle shifts of color, from moody tones of blue and grey in the sky and clouds to pink, lavender and gold in the refle...

Alfred Ekstam, a renowned artist from Mangskog, Sweden, is known for his exquisite landscape paintings. We are excited to present this painting by Ekstam, which is extra special because it is painted on both sides, offering two beautiful landscapes in one, with a reversible frame that can be turned over without having to take it down from the wall. On one side, you will be mesmerized by a stunning Art Nouveau landscape with a purple tone, featuring a mountain in the background, a lake, and trees in the foreground with shades of yellow, red, and green. On the other side, you will see a winter landscape with five red houses, likely to be Ekstam's own farm in Knaggen. The winter scene showcases sun rays shining down on the houses...

"Date for One" Oil painting 47" x 47" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting ...

Thelma Appel Mount of Olives, 2010 Acrylic and Oil on Canvas Hand signed and titled on verso Artist's hand made frame included This painting was exhibi...

"Solitary Dinner" Oil painting 39" x 39" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painti...

Benasque 1 is a unique oil on canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 156 × 214 cm (61.4 × 84.3 in). The artwork is signed, sold unframed and c...

Set of 4 paintings from the 'Marinas' series by Spanish contemporary artist Calo Carratalá. Oil paintings on wood panel, 22 cm × 35 cm each. Dimensi...

"Buffalos & Orange Tree" Oil painting 39" x 39" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and ...

In this serene landscape, Jeff Aeling uses golden browns in this wide open plane. The vast sapphire blue sky above is filled with fluffy, cumulus clouds adding to the overall tranquility of the piece. The painting is framed in a heavy wooden frame measuring 32.5 x 44.5 inches. Jeff Aeling North of Las Vegas, NM oil on panel 24h x 36w in 60.96h x 91.44w cm JAE026 Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO 2016 William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL 2015 Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ 2014 Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL 2013 Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO 2012 William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO 2011 Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL 2010 Richard Demato Fine Arts Gallery - Sag Harbor, NY 2010 William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ 2009 Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL 2008 William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM 2007 Philip Slein Gallery - St. Louis, MO 2007 Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI 2006 William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN 2005 Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO 2005 Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM 2004 William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ 2003 Lisa Kurts Gallery - Memphis, TN 2003 Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM 2002 Perimeter Gallery - Chicago, IL 2002 Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ 2001 J Mark Sublette Gallery - Santa Fe, NM 2001 Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM 2000 Perimeter Gallery - Chicago, IL 2000 Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM 1999 Elliot Smith...

The sky is in in that in-between stage where the setting sun casts its golden rays upon the sky and the rising moon is peaking through. This combination creates a haze of golds purples and blues across the vast sky in Rose Freymuth Frazier's landscape painting entitled "Quiet Evening". Rose's technique of using loose brush strokes and layers of paint give this scene depth and dimension. Rose Freymuth-Frazier Quiet Evening oil on panel 16h x 20w in 40.64h x 50.80w cm RFF040 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker for seven years. Amid this exotic island milieu, my mother was born. Similarly, my fraternal grandparents, he being a US medic stationed in New Zealand and she, a seventeen year old Kiwi, met just long enough in the back of an ambulance in the early 1940's for her to come to the US on a steamer eighteen months later with their nine-month-old baby boy: my father. My eventual parents found each other in Nevada City, California, a small Gold Rush town flanked by a river and nestled in the foothills of the Sierra Nevada Mountains. There they fashioned a life according to their own rules and beliefs, free from the rigid standards of mainstream society. I was born on the floor of an old miner's cabin on a frigid November night in 1977. The midwife, who had learned the art of delivering babies while assisting her grandfather across the moors of Scotland, lived atop an icy ridge, did not own a telephone, and was summoned just in time. She made her living as a welder and considered her midwifery skill a gift. She refused to take money for her services. As payment, my mother, a ceramic sculptor, crafted her a large salad bowl with which to catch future placentas. So for the price of a handcrafted, multi-use salad bowl, (my first brush with art), I came into the world. I grew up in a free-spirited, idyllic wilderness until my existence was reported to the authorities in the form of a birth certificate. At eight years old, after some home schooling and experimental education, I was finally sent to public school. By sixteen I left the small town and moved in with my older brother who lived by the sea. A year later I applied and was accepted to the Interlochen Arts Academy in Northern Michigan where I spent my senior year of high school. At eighteen years old, I came to New York City on a scholarship to study theater. The city dazzled me, but after completing the term of study-and perhaps echoing my mother's flight from Barnard on a motorcycle years before-I headed back west, this time to Los Angeles where I landed in a Hollywood Boulevard youth hostel. It was in the culturally diverse atmosphere of Southern California, amid the palms, cars, and birds of paradise that I began to paint. In a twist of fate that only Hollywood could deliver, I was "discovered" stuck in traffic on Ventura Boulevard and given a record deal, (although I was not a singer). For six months I was under contract as "Ruby Blonde" and was paid to do nothing. Mercifully, the album was never made but I chose to use the free time and money to paint. Inspired by trips through Mexico and Guatemala, I fashioned giant faces from memory, which I painted on oversized pieces of scavenged plywood. I found the act of painting both hypnotic and meditative. So I returned to New York, (via Argentina), to further pursue the serious study of figurative painting technique. We know that in the past realism was discredited as kitsch and blamed for it's ability to appeal to and affect the masses. This inherent accessibility is the reason I choose to paint in the realist tradition. Education Private Study with and assistant to Steven Assael, New York City, 2004-2006 Private Study with and assistant to Odd Nerdrum, Norway, 2005 Independent Study in Europe, Summer 2005 New York Academy of Art, Master Class with Steven Assael, 2004 The Art Students League of New York, Gregg Kreutz, 2002-2004 American Musical and Dramatic Academy, New York City, 1996-1998, Graduate Interlochen Arts Academy, Interlochen, Michigan, 1996, Graduate Solo Exhibitions Rose Freymuth-Frazier: The Virgin and the Unicorn, Ann Nathan Gallery, Chicago IL, December, 2012 Rose Freymuth-Frazier: Whispering Sisters and the Female Figurative Image, Cress Gallery, University of Tennessee at Chattanooga, 2010 Rose Freymuth-Frazier: Variation, Ann Nathan Gallery, Chicago IL, October 2007 Select Group Exhibitions On Adornment - Pen & Brush, New York City, 2018 Five and Under - Arcadia Contemporary, Pasadena, CA, 2018 35th Anniversary Show - AFA-NYC, New York City, 2018 Realism: Then and Now - Cavalier Galleries, New York City, 2018 Art on Paper Fair - Gallery Victor Armendariz booth, New York City, 2018 Figure 8 - Gallery Victor Armendariz, Chicago, IL, 2017 Coming Attractions - Gallery Victor Armendariz, Chicago, IL, 2017 Summer's Ghost - Parlor Gallery, Asbury Park, NJ, 2016 BeinArt Collective Surreal Art Show - Copro Gallery, Santa Monica, CA, 2016 American Realism: Past to Present - Cavalier Galleries, New York City, 2015 Les Petit Fours, International Group Exhibition, (co-curated by Beautiful Bizarre Magazine and Friend's of Leon Gallery) - Friends of Leon Gallery, Sydney, Australia, 2015 Inaugural Group Show - Haven Gallery, New York, 2015 In the Way of Beauty - Parlor Gallery, Asbury Park, NJ, 2015 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2015 Rose Freymuth-Frazier, “Prints” at Lay-Low Fine Art in Balearic Islands, Spain, 2015 Contemporary Realism - Cavalier Galleries, Greenwich, Connecticut, 2014 Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2014 Contemporary Realism - Cavalier Galleries, New York City, 2014 Infusion - Roq La Rue Gallery, Seattle, Washington, 2014 Laluzapalooza - 28th Annual Group Show - La Luz De Jesus Gallery, Los Angeles, CA, 2014 20th Anniversary Group Show - Copro Gallery, Santa Monica, CA, 2013 Mums The Word, curated by Hilary Harkness, Mills Pond House Gallery, New York, NY, 2012 SOFA New York, Park Avenue Armory, New York 2012 Two Faces of Beauty, Ann Nathan Gallery, Chicago IL, 2010 Art Chicago, Chicago IL, 2010 SOFA New York, Park Avenue Armory, New York 2010 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Portraits, Ann Nathan Gallery, Chicago, IL, 2009 Art Chicago, Chicago IL, 2009 SOFA New York, Park Avenue Armory, New York 2009 Art Chicago, Chicago IL, 2008 Palm Beach III, Ann Nathan Gallery, Palm Beach, Florida, 2008 SOFA New York, Park Avenue Armory, New York, 2008 The Painters, Bill Lowe Gallery, Atlanta Georgia, 2007 SOFA New York, Park Avenue Armory, New York, 2007 Art Chicago, Chicago IL, 2007 Above & Beyond, Ann Nathan Gallery, Chicago IL, 2007 Select Publications and Press Playboy Magazine, Interview - March 30th, 2016 Ms. Magazine, Online Feature - March 10th, 2016 Beautiful Bizarre Magazine, Interview - November 5th, 2015 Featured in “Uno de los Nuestros”, Barcelona, 2015 Hi-Fructose, Online Feature - June 17th, 2014 Beautiful Bizarre Magazine, 12 page Feature, Issue 006, September, 2014 Beautiful Bizarre Magazine, Online Feature, April 18th, 2014 Line & Stylish Art Magazine, “Artist of the Month”, April, 2014 iARTistas Summer Nude Issue, 2014 The Nerdrum School - Orfeus Publishing, 2013 Huffinton Post - May 24th, 2013 The 22 Magazine - Feb. 8th, 2013 Combustus Magazine, December 15th, 2012 Poets and Artists, October, 2012 American Artist Magazine, September, 2012 Creative Quarterly, Winter 2011/2012 Direct Art Magazine, Fall, 2011 Art Papers, January, 2011 American Art Collector Magazine, September, 2010 American Art Collector Magazine - Second Annual Art of the Nude, 2010 Chattanooga Times Free Press, August 29th, 2010 ArtNews, October, 2007 Chicago Tribune, November 9th, 2007 Direct Art Magazine, Spring, 2007 Select Collections The Bennett Collection of Women Realists Seven Bridges Foundation, Greenwich, CT Diane and John Marek Collection, Chattanooga, TN Billy Hunt Collection, Chicago, IL Phil Burgess & Jim Nutter, Chicago, IL Rick Shoemaker & James Ruud, Chicago, IL Joan Berger, Chicago, IL Jack & Gail Witlin, Palm Desert, CA Bill & Tavi Flanagan, Irvine, CA Brian Westphal & Michael McVicker, Chicago, IL Awards and Honors Art Renewal Center’s International Salon - Figurative Category - Finalist, 2013/2014 European Museum of Modern Art, MEAM - Figurativas '13 - Barcelona, Spain - Finalist, 2013 The American Chinese Oil Painting League - Butler Museum Exhibition - Finalist, 2011 John and Diane Marek Visiting Artist Lecture Series, University of TN, Chattanooga, 2010 Chairman of the Board Award, Salmagundi Club, 2006 Al Barker...

Antique landscape oil painting by Belgium artist, Frans Binje , signed in the lower right corner. This oil on canvas on thick wood board is textured to th...

Lake Manyara N°2 is a unique oil painting by Spanish contemporary artist Calo Carratalá, dimensions are 150 × 300 cm (59.1 × 118.1 in). The artwork is signed, sold unframed and comes...

Colourful Abstract Landscape & Sky Painting with Reds, Purples & Blues of Pendle Hill in the Northern English Countryside by leading British Urban Artist Angela Wakefield. Art measu...

Signed, inscribed and dated "R. Pinatel / Taroudant / 1926" (lower right) Oil on panel A stunning ode to the Moroccan landscape, this oil on panel was composed by the French Orientalist painter Raphaël Pinatel, whose lively works adeptly translated the romanticism of the East for a Western audience. The present work, which captures a market in Taroudant, a city in southeastern Morocco, exemplifies the artist’s distinctive approach as he brilliantly translates the energy and atmosphere of the desert city. Pinatel’s style is impressionistic in his brushwork and handling of light and atmosphere. In the present work, he brilliantly captures the effects of the direct desert sun...

This Neo-Impressionist landscape by the French artist Achille Laugé captures an orchard in late spring in his celebrated, highly modern style. The work displays a thick impasto thanks to the artist's distinctive technique of applying his paint in quick dabs, a characteristic of his later works. One of the foremost painters of the Post-Impressionist period, Laugé’s works are beloved for his sensitivity to light, shade and tone, and his mastery of medium is clearly on display in Almond Trees...

Evelyne Ballestra expresses a unique movement in each painting with a very subtle sensuality and a juxtaposition of colors to reveal light and shadows, creating a synergy between the...

In this serene landscape, Jeff Aeling uses deep greens and browns in the open field and a sapphire blue in the endless sky above. The painting is fra...

“Golden Altar” by Catherine Picard-Gibbs is a expressionist interior church scene. This evocative 24 x 20 x 1 7/8 inch oil on canvas painting depicts a golden encrusted altar. The te...

Abstract Expressionist Painting inspired by the Railway Arches & Bridges of the Industrial North of England by Contemporary British Artist, Angela Wakefield. This original is a rare,...

Pink and White Peonies by Tushar Sabale [2021] Please note that insitu images are purely an indication of how a piece may look Spring Pink and White peon...

Adolph Kronengold was born in New Orleans in 1900. He studied locally at Tulane, before moving on to New York and Philadelphia. There he studied at the Art Students League and the P...

Very impressive mid 20th century abstract landscape. Oil on canvas. Framed.

Jeff Aeling has a deep connection to the vastness of our landscape. In "Pond Near St. Cloud", we see the interplay between sky, land and water to create a sense of wonder and awe. Painted on panel, the scene is serene and calming. Jeff Aeling Pond Near St. Cloud, MN oil on panel 16h x 24w in 40.64h x 60.96w cm JAE003 Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO 2016 William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL 2015 Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ 2014 Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL 2013 Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO 2012 William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO 2011 Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL 2010 Richard Demato Fine Arts Gallery - Sag Harbor, NY 2010 William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ 2009 Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL 2008 William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM 2007 Philip Slein Gallery - St. Louis, MO 2007 Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI 2006 William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN 2005 Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO 2005 Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM 2004 William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ 2003 Lisa Kurts Gallery - Memphis, TN 2003 Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM 2002 Perimeter Gallery - Chicago, IL 2002 Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ 2001 J Mark Sublette Gallery - Santa Fe, NM 2001 Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM 2000 Perimeter Gallery - Chicago, IL 2000 Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM 1999 Elliot Smith Contemporary Art - St. Louis, MO 1999 Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM 1998 Elliot Smith Contemporary Art - St. Louis, MO 1998 Leedy-Voulkos Art Center Gallery - Kansas City, MO 1998 Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery - Kansas City, MO 1991 Tribal Textile Gallery - Kansas City, MO Selected Group Exhibitions 2004 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2004 FADA - Los Angeles, CA 2004 "5 Views of the Midwest" Traveling Museum Show 2003 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2003 FADA - Los Angeles, CA 2002 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2002 "Exhibition of Works from Permanent Collection," Daum Museum - Sedalia, MO 2002 FADA - Los Angeles, CA 2002 "Winter in Tucson," Medicine Man Gallery - Santa Fe, NM 2001 Los Angeles Art and Antique Show 2001 Medicine Man Gallery - Santa Fe, NM 2001 FADA - Los Angeles, CA 2001 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2000 Art San Francisco - San Francisco, CA 2000 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2000 FADA - Los Angeles, CA 2000 "Landscape," Des Lee Gallery, Washington University - St. Louis, MO 2000 "Landscape," Tory Folliard Gallery, Milwaukee, WI 1999 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1998 "Going Places," Elliot Smith Contemporary Art - St. Louis, MO 1998 "Summer," Sherry Leedy Contemporary Art - St. Louis, MO 1998 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1998 "Air, Land and Sea," Elliot Smith Contemporary Art - St. Louis, MO 1997 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1997 "Summer Show," Elliot Smith Contemporary Art - St. Louis, MO 1994 Summer Invitational, Sean Kelly Gallery - Kansas City, MO Collections 4 Point Energy American Century Investments Art Embassies Program - Zimbabwe Biltmore Hotel - Phoenix, AZ Capri Capital - Chicago, IL Charles Schwab - Denver, CO D.S.T. Systems Daniel Taylor and Associates Exeter Oil Corporation Federal Reserve Bank - Denver, CO Federal Reserve Bank - St. Louis, MO Federal Reserve Bank -Kansas City, MO First Western Trust Bank Gates Rubber Company Grand Hyatt Denver Convention Center H&R Block Hall-Marshall Collection, Hallmark Hall-Silva Collection, Hallmark Johnson County Community College Johnson National Bank - Racine, WI Kansas City Art Institute Kansas State University Madison Dearborn Partners National Association of College Business Offices Renaissance Grand Hotel - St. Louis, MO Sprint St. Regis Hotel - Los Angeles, CA Wilmington Trust Company Museum Collections Beach Museum - Manhattan, KS Daum Museum - Sedalia, MO Denver Art Museum - Denver, CO Museum of the West - Tucson, AZ Nerman Museum of Contemporary Art - Overland Park, KS Tucson Museum of Art - Tucson, AZ Selected Bibliography 2015 Jul Westword - Denver, CO 2015 Oct Crossroads Art District 2014 Dec Western Art Collector 2014 Sep Riverfront Times - St. Louis, MO 2014 Sep St. Louis Magazine 2013 Jan Southwest Art 2013 Sep Huffington Post 2012 Sep Dan's Papers - Southampton, NY 2011 Riverfront Times - St. Louis, MO 2010 Sep American Art Collector Cover 2008 Jul Western Art Collector 2008 Sep New City Art - Chicago, IL 2006 Oct American Art Collector 2005 Sep Chicago Tribune 2003 Jul-Aug Frontier Magazine 2003 Review Magazine 2002 Aug Southwest Art 2002 Sep Artsope 2002 Chicago Tribune 2001 Feb Southwest Art 2000 Jan St. Louis Post Dispatch 1999 Jan Kansas City Star 1999 Jul Santa Fe New Mexican 1999 Sep Southwest Art "People to Watch" 1998 Aug New American Paintings 1998 Feb Dialogue Magazine 1998 Jan Focus Santa Fe, "Searching for Essentials" 1998 Jan Southwest Art, "What's New in Santa Fe Galleries...

Dramatic and beautiful, this painting captures the power of the ocean in photorealist detail. The artwork is actually loosely painted in brushy active strokes which give the effect of movement. The blue turquoise water appears translucent and back lit. The white sea foam moves toward the viewer and leaps into the sky against the gray background. Jeff Aeling Wave, Kauai, 2018 oil on panel 24h x 48w in 60.96h x 121.92w cm Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO 2016 William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL 2015 Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ 2014 Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL 2013 Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO 2012 William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO 2011 Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL 2010 Richard Demato Fine Arts Gallery - Sag Harbor, NY 2010 William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ 2009 Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL 2008 William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM 2007 Philip Slein Gallery - St. Louis, MO 2007 Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI 2006 William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN 2005 Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO 2005 Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM 2004 William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ 2003 Lisa Kurts Gallery - Memphis, TN 2003 Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM 2002 Perimeter Gallery - Chicago, IL 2002 Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ 2001 J Mark Sublette Gallery - Santa Fe, NM 2001 Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM 2000 Perimeter Gallery - Chicago, IL 2000 Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM 1999 Elliot Smith Contemporary Art - St. Louis, MO 1999 Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM 1998 Elliot Smith Contemporary Art - St. Louis, MO 1998 Leedy-Voulkos Art Center Gallery - Kansas City, MO 1998 Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery...

One of the paintings is about the future of man and nature. The variety of shapes and colors has a positive effect on the viewer and calls us to simplicity and practicality in everyt...

Over the Brook (English Fox Hunting scene) English School, 18th century circle of John Nost Sartorius (1759-1828) oil on wood panel, framed framed:...

With vigorous strokes and a vibrant palette, I've brought to life the fleeting beauty of blooms by the water's edge. This oil painting is my ode to nature's serene moments, where the...

Robert Glick’s "Clouds and Canyons" is a captivating 24" x 36" oil on canvas that brilliantly showcases his mastery of abstract geometric landscapes. The composition juxtaposes the o...

An interpretation of a wild flower meadow, in the height of summer. This is an ancient floodplain meadow with all the typical wildflowers of this habitat. This work captures the colo...

The densely treed forest and mountain ledges of Hennen's Virginia home are the subject of this rich, highly detailed landscape painting. A snowy grove of trees is bisected by a hilly...

Wilhelm Schütze (1840 Kaufbeuren - 1898 Munich). Forest path. Oil on painting board, 30 x 24 cm (visible size), 31 x 26 cm (frame), signed lower left "Wilhelm Schütze". About the a...

Landscape mixed media on cotton canvas 100x100 cm 2021 original art the painting is sold stretched on a handmade wooden frame the painting is ...

Landscape of Fontainebleau Georges Bousquet Moret (1904-1976) was, first, an engineer passionate about arts. This passion led him to devote his f...

Artwork located in Los Angeles, USA. Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in th...

Bernard Hemy - Bernard Benedict Hemy (1844 - 1910). Marine and Coastal painter in oil and watercolor. Born in Newcastle to Henry F. Hemy, brother...

"I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel and understand the world, to be part of the world." -Jānis Ziņgītis...