Harold Eugene Edgerton

Bullet Through Plexiglass

1962

Signed in black ink on print margin by Jesse Alexander Paper size: 16 x 20 in., Image size: 11 1/2 x 17 in. "The Mercedes W196 of Stirling Moss practices in the rain on one of the fastest road racing circuits in Europe. Moss teamed with the Argentine champion, Juan Manuel Fangio, as the two drivers spearheaded the Mercedes effort in 1995, dominating the season. This is the open-wheeled version of the W196, a car that Mercedes uses today at historic events around the world to promote its racing heritage." -Caption from "Driven: The Racing Photography...

No Edition Signed in black ink on print margin by Jesse Alexander Gelatin silver print Paper size: 14 x 11 in. Image size: 9 1/2 x 9 1/2 in. "Soon-to-be World Champion Phil Hill is in his first Grand Prix drive for Ferrari. The car is a single seater Formula Two machine, and he is seen rushing downhill through the infamous "Fuchsröhre" section of the Ring. The image is unusual for several reasons: it was taken with a Rolleiflex camera...

Signed in black ink on print margin. Paper size: 16 x 19 1/2 in, Image size: 10 3/4 x 16 3/4 in. "The Mercedes W196 of Stirling Moss practices in the rain on one of the fastest road racing circuits in Europe. Moss teamed with the Argentine champion, Juan Manuel Fangio, as the two drivers spearheaded the Mercedes effort in 1995, dominating the season. This is the open-wheeled version of the W196, a car that Mercedes uses today at historic events around the world to promote its racing heritage." -Caption from "Driven: The Racing Photography...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print Paper size: 11 x 14 in. Image size: 7 1/2 x 11 1/2 in. "Fangio is exiting a slow corner and looks ov...

No Edition. Signed in black ink on print margin by Jesse Alexander Gelatin silver print Paper size: 14 x 11 in. Image size: 9 1/4 x 9 1/4 in. Jesse Alexander was considered one of t...

Signed, titled, and dated in ink on print margin. American street photographer Don Donaghy (1936 - 2008 b. Philadelphia, Pennsylvania), was a fourth-generation native of Philadelp,h...

Vintage photograph of an unknown abstract sculptor. In metal frame.

An original silver gelatin black and white photograph with framing. New York City by night, circa 1950. Features: Original Silver Gelatin Print Photography framed. Press Photography....

An original silver gelatin black and white photograph by Associated Press Photo. The USS Roosevelt aircraft carriers on the Hudson River, New York, during Navy Day...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

The work offered for sale here is an original vintage silver gelatin print hand created by Halsman in 1944 and exhibited at the International Center for Photography. Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.” Halsman’s photographs of politicians, celebrities, and intellectuals were featured widely in magazines like LIFE and Vogue. His more famous subjects included the likes of Marc Chagall, Le Corbusier, Audrey Hepburn, and Albert Einstein. He also had a 37-year collaboration with Salvador Dalí, which resulted in several famous surrealist series including the “Dalí’s Mustache” portraits...

Edward Quigley Crowd Scene, 1931 Vintage gelatin silver print Artist's stamp on the back of the photograph Frame Included Frame bears labels from: Joel Soroka Gallery, Co Ota House, CA Measurements: Frame: 13 x 11.25 x 0.5 inch Photograph: 4.5 x 3.5 inches About Edward Quigley: Edward Quigley was a leading American modernist who became known in the 1930s for his experimental photographic work with light. Quigley acquired his first camera at age twelve, joined the Photographic Society of Philadelphia in1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses to startling affect. Today, photographs by Edward Quigley are housed in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art. Biography Courtesy Robert Koch Gallery