Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Kevin Krag
Here I come again. Color photograph of a assembled guitars body sculpture

2019

About the Item

Here I come again 32 in H x 48 in W Edition of 10 + 1AP Archival pigment print Unframed Photography helps Kevin Krag to freeze in time he's one of a kind sculptures capturing the spiritual dimension, the vulnerability and mortality of his ephemeral pieces. Using ethically sourced archival photography cotton paper integrating another organic and sensual piece to the puzzle, standing the test of time and having the least possible adverse impact on the environment. In the NX Series, Krag uses guitar necks as the space to recreate the score of a rock and roll song that brings strong personal memories. He marks the notes with nails in the guitar’s fretboard and weaves color threads among them to represent the song’s flow. The guitar as an acoustic object does not exist anymore. The object is a soundless fragment of a broken instrument that — through a mnemonic image of the placement of fingers — is referencing a sound the viewer recreates in his mind. ------------------------------------------------------------------------------------------------------------------------------------------------------- Kevin Krag grew up surrounded by music, having a father in the music business and an uncle musician. From very young age, he displayed a strong predilection for music, and soon became a passionate guitar player and an avid collector of the instrument. In 2012, he moved to Miami, where he developed a practice that incorporates the activities of an artist, a musician, a fetishist, and a scientist. Working across different media, his productions incorporate nature in a controlled and ritualistic manner, often focusing on life and death, sound and silence, feminine and masculine. For Krag, the guitar is a tool to create an encounter with nature, to spark a dialogue about beauty, to reveal the rapture of a silent music score. Pushing physical limits with the works —by adhering paint or plants or submerging guitars underwater — is part of a personal process that rushes spiritual and emotional limits to discover his sense of self. Born in 1984, Kevin Krag graduated in Business Administration in his native city Buenos Aires, Argentina. He is based in Miami, where he has worked extensively and developed his identity as artist and musician.
  • Creator:
    Kevin Krag (1984, Argentinian)
  • Creation Year:
    2019
  • Dimensions:
    Height: 32 in (81.28 cm)Width: 48 in (121.92 cm)Depth: 0.1 in (2.54 mm)
  • More Editions & Sizes:
    15 in H x 22 in W Edition of 10 + 1APPrice: $2,00024 in H x 36 in W Edition of 10 + 1APPrice: $3,50048 in H x 72 in W Edition of 10 + 1APPrice: $7,500
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Miami Beach, FL
  • Reference Number:
    1stDibs: LU45337034552
More From This SellerView All
You May Also Like
  • Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010
    By Jonathan Becker
    Located in New York, NY
    Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010 "Trompe l'oeil (and not)" Photographed by Jonathan Becker Contemporary 28" x 28.5...
    Category

    2010s Contemporary Still-life Photography

    Materials

    Archival Pigment

  • Chez Zsa Zsa Gabor, Bel Air, California, 5 May 2007
    By Jonathan Becker
    Located in New York, NY
    Chez Zsa Zsa Gabor, Bel Air, California, 5 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Ce...
    Category

    Early 2000s Contemporary Still-life Photography

    Materials

    Archival Pigment

  • Bunny Mellon’s potting shed in Upperville, Virginia, 31 May 2010
    By Jonathan Becker
    Located in New York, NY
    Bunny Lambert Mellon’s trompe l'oeil potting shed in Upperville, Virginia, 31 May 2010 Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival ...
    Category

    2010s Contemporary Still-life Photography

    Materials

    Archival Pigment

  • Peony (Festiva Maxima)
    Located in New York, NY
    After establishing his photography career in his native Tokyo, Japan; Kenji Toma arrived in New York in 1990. Since then he has been recognized as one of the leading photographers in Still Life with his unique mysterious style and detail oriented vision. Concurrently, he is working on personal projects and The Most Beautiful Flowers is his most representative work. His first monograph of the same title was published from KEHRER Verlag (Germany) in 2017. Currently, his studio is based in the Brooklyn Navy Yard...
    Category

    2010s Contemporary Color Photography

    Materials

    Photographic Paper, Color, Archival Pigment

  • 'Tulip Awakening' Large Scale Photograph bold flower pastel red orange white
    By Sophia Milligan
    Located in Penzance, GB
    'Tulip, Awakening' 60 x 40" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching softly,...
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Giclée, Archival Pigment

  • Botanica #13 (Heliconia Bihai)
    By Vee Speers
    Located in VALLAURIS, FR
    Botanica is a collection of portraits of flowers photographed in black and white then subtly coloured to enhance and transform them. This series symbolises a moment of peaceful solit...
    Category

    2010s Contemporary Still-life Photography

    Materials

    Archival Pigment

Recently Viewed

View All