Edward August Landon

'Forms in White' – Mid-Century Abstraction

1950

Thomas Robertson, 'Composition #4,' color serigraph, edition 47, c. 1940. Signed, titled, and annotated 'Ed/47' in pencil. A superb, painterly impression, with fresh colors, on buff wove paper, the full sheet with margins (1 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size: 10 9/16 x 8 1/2 inches (268 x 216 mm); sheet size 13 x 12 1/2 inches (330 x 318 mm). An impression of this work is represented in the collection of the National Gallery of Art. ABOUT THE ARTIST Born in Little Rock, Arkansas, Thomas Arthur Robertson (1911-1976) was the son of an attorney. Although his father, a co-owner of the Arkansas Law School, insisted that his son study there, after graduating, Robertson enrolled at the Adrian Brewer...

Edward Landon, 'Arrangement with Blue Major', color serigraph, edition 40, 1942, Ryan 9. Signed, titled, and annotated 'Edition 40' in pencil. A superb impression, with fresh colors, on cream, wove paper; the full sheet with margins (3/4 to 1 5/8 inches), in excellent condition. Image size 15 x 9 3/4 inches (381 x 248 mm); sheet size 17 15/16 x 11 3/4 inches (456 x 298 mm). Matted to museum standards, unframed. 'Arrangement with Blue Major' was selected for the landmark ‘Artists for Victory’ exhibition at the Metropolitan Museum of Art in 1942. Impressions of this work are also in the collections of the Asheville Art Museum, Five Colleges and Historic Deerfield Museum Consortium, Georgetown University (Special Collections), Mount Holyoke College Art Museum, Rutgers University, Smith College Museum of Art, and the Springfield Museum of Fine Arts. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...

Edward Landon, 'Untitled Fantasy', color serigraph, 1983, edition 30, Ryan 214. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, on off-whi...

Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...

Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200—1 of 60 artist's proofs, 1952. Signed and dated in pencil. Numbered L/LX in pencil. Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm). A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed. ABOUT THE ARTIST Sigismond Kolos-Vari (1899-1983) was born in Hungary and attended the School of Applied Arts in Budapest from 1915-1918, and then the School of Decorative Arts until 1925. The artist settled in Paris and his first one-man show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions including the prestigious Galerie Bonaparte in 1929, and Galerie Povolosky in 1930. Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII. Imprisoned in a German concentration camp, he managed to escape after two years, crossing the border into Switzerland. After the war he returned to Paris and dedicated himself to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at the important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was subsequently approached by the eminent art dealer Jean Bucher who gave Kolos-Vary a major one-man show at his gallery in 1948. During this post-war period Kolos-Vary participated in the avant garde exhibitions the Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962. Supported by his association with Stanley William Hayter and the landmark printmaking workshop, Atelier 17...

Tetsuo "Bob" Ochikubo, 'Untitled (Abstract Expressionist Composition)', color lithograph, 1963, edition 3. Signed, dated, and numbered '3-3' in pencil. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (5/8 to 2 inches), in excellent condition. Very scarce. Image size 17 1/2 x 12 1/4 inches; sheet size 19 7/8 x 14 7/8 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Tetsuo Ochikubo (1923–1975), also known as Bob Ochikubo, was a Japanese-American painter and printmaker who was born in Waipahu, Hawaii. After service in the US Army as an infantryman in Europe during World War II, Ochikubo studied painting and design at the School of the Art Institute of Chicago and the Art Students League in New York. He worked at the renowned lithography workshop Tamarind Institute in the 1960s and is best known for his non-objective paintings and lithographs. Ochikubo was a member of the Metcalf Chateau, a group of seven Asian-American artists with ties to Honolulu which included Satoru Abe...

MARIANNA STUHR Graduated from Faculty of Graphic Art at Academy of Fine Arts in Cracow as well as doctoral studies at Academy of Fine Arts in Warsaw. For a few years, she works in fi...

RICHARD ANUSZKIEWICZ Red to Blue Portal, 1977 Screenprint on masonite 83 1/2 x 47 3/4 inches Edition of 50

Artist: Kikuo Saito, Japanese (1939 - 2016) Title: Beggar's Ladder Year: 1980 Medium: Silkscreen, Signed and Numbered in Pencil Edition: 160 Size: 42 in. x 29.5 in. (106.68 cm x 74.9...

The complete set of four screenprints in colors, on Rives BFK paper Sheet: 31 x 31 in. (78.7 x 78.7 cm), each Frame: 37 x 37 x 2 1/4 in. (94 x 94 x 5.7 cm), each Unique Trial Proofs ...

Screenprint in colors, on wove paper Sheet: 16 3/4 x 13 5/8 in. (42.6 x 34.5 cm) Frame: 17 7/8 x 14 3/4 x 1 1/2 in. (45.4 x 37.5 x 3.8 cm) Edition of 90 Signed and numbered '44/90' i...

Screenprint in colors, on Arches Aquarelle paper Sheet size: 34 x 26 in. (86.4 x 66 cm) Frame: 38 1/2 x 30 3/8 x 1 5/8 in. (97.8 x 77.2 x 4.1 cm) Edition of 40 + 15AP Signed, dated a...