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Paula Schuette Kraemer
"Don't Wine, " Original Surreal Serigraph by Paula Schuette Kraemer & Bill Weege
1994

Name: "Don't Wine, " Original Surreal Serigraph by Paula Schuette Kraemer & Bill Weege
Brand: Paula Schuette Kraemer
Price: 1300 USD
Availability: InStock

About the Item

"Don't Wine" is a mixed media piece, predominately a serigraph, by Paula Schuette Kramer and Bill Weege. Both artists signed in pencil in the lower right, and the title is in the lower left. It is one of a an edition of 50. The print is an explosion of bright colors, but red, blue, and green dominated the composition as they fade through the background. A blue figure climbs up a ladder out of an apple, hefting a large wine bottle overhead, which they pour out into the sea of wine. A man, woman, and long-necked orange bird also look out from the apple, reading for the stem of a floating bunch of green grapes. A group surrounds the grapes with their heads and shoulders above the water, eating the fruit. Birds fly through the background, dodging wine glasses and a vase of flowers that seem to be tumbling from a flying carpet. The entire image feels very surreal. Art size: 12" x 10" Frame size: 19 1/4" x 17" Paula Schuette Kraemer is an independent artist living in Madison, Wisconsin. Her etchings and drypoint monoprints and monotypes are colorful, symbolic narratives that over the years have involved themes of childhood and domesticity, security and shelter. The color in Paula's works will sometimes be a simple hue added to one form, but at other times consumes the entire background of a print. Paula also does photogravures - a method by which a photographic image can be transferred to an etching plate - into her work. The photorealistic images combined with Paula's style of drawing add another dimension to her lively works. Paula attended Vassar College and received her B.S. in Art and her M.A. in Ceramics and Printmaking (under the teaching of Warrington Colescott) from the University of Wisconsin. Her work is also represented in many private, corporate, and museum collections throughout the midwest including Quad Graphics; Hallmark Corporation; and the Madison Museum of Contemporary Art, WI. Kraemer has exhibited in many galleries including Elaine Erickson Gallery, Milwaukee, WI; Grace Chosy Gallery, Madison, WI; Groveland Gallery, Minneapolis, MN; Hibberd-McGrath Gallery, Breckenridge, CO; and Olson-Larsen Galleries, Des Moines, IA. She was in an exhibition at the International Print Center New York in 2004 and has been in several shows at Grace Chosy Gallery in Madison and Suzanne Kohn Gallery in Minneapolis. Paula has pieces included in the collections of 3M Corporation, Sprint, Hubbell Realty Company, The Equitable Company, and Pioneer Hi-Bred International. In addition, Kraemer participates in group and solo shows at least four times per year. She is also a patron and member of the advisory board of Tandem Press, Madison, WI, which affords her continued artistic influence and education. PAULA SCHUETTE KRAEMER EDUCATION Vassar College 1966-68 University of Wisconsin – Madison 1968-70, B.S. in Art University of Wisconsin – Madison 1970-71, M.A. in Printmaking & Ceramics Extensive travel and study in the Mediterranean 1971-74 Crown Point Press Etching Workshop- San Francisco, California, 2007 EXHIBITIONS Beloit and Vicinity Show, Beloit, Wisconsin - 1983, 1988, 1991, 1992, 1993, 1994 Paper: "Interpretations", Bergstrom Museum, Neenah, Wisconsin -1984 1984 Wisconsin Biennial, Madison Art Center, Madison, Wisconsin One Man Show, Wisconsin Academy of Sciences Arts & Letters, Madison, Wisconsin - 1986 "The Intelligent Monoprint", Miriam Perlman Gallery, Chicago, Illinois -1986 "Gallery Printmakers", Olson-Larsen Galleries, Des Moines, Iowa -1987 1988 Commemorative Artist for WHA-TV, Madison, Wisconsin Paula Schuette Anderson and Dagny Quisling Myrah, "New Work", Grace Chosy Gallery, Madison, Wisconsin - 1988 Recent Work from Dane County, Madison Art Center, Madison, Wisconsin -1988 Paula Schuette Anderson & Myrth Schuette, "Recent Work", Mimzi/Ross Gallery, Davenport, Iowa -1989 "Wisconsin Biennial 1989", Rahr-West Art Museum, Manitowoc, Wisconsin "Wisconsin ‘89" and "Wisconsin '91", Edna Carlsten Gallery, University of Wisconsin, Stevens Point, WI "Shelter Series", Olson-Larsen Galleries, Des Moines, Iowa -1990 "Women Printmakers", Waterloo Museum of Art, Waterloo, Iowa -1991 "1991 Wisconsin Artists' Biennial", Patrick & Beatrice Haggerty Museum, Marquette University, Milwaukee, Wisconsin Paula Schuette Kraemer "Drypoint Monoprints", Grace Chosy Gallery, Madison, Wisconsin -1991 The Peltz Gallery, Milwaukee, Wisconsin - 1992, 1994, 1995, 1996 Paula Schuette Kraemer, "New Work", Olson-Larsen Galleries, Des Moines, Iowa - 1992 "Outstanding American Prints", Anderson Arts Center, Kenosha, Wisconsin - 1993 Paula Schuette Kraemer, "Home", Grace Chosy Gallery, Madison, Wisconsin - 1993 "A Personal Perspective", Jura Silverman Gallery, Spring Green, Wisconsin - 1995 "Summer Gardens", Suzanne Kohn Gallery, Minneapolis, Minnesota -1995 "Summer Invitational Show", Olson-Larsen Galleries, Des Moines, Iowa -1995 Paula Schuette Kraemer, "Changing Seasons", Suzanne Kohn Gallery, Minneapolis, Minnesota -1995 Holiday Exhibition, Olson-Larsen Galleries, Des Moines, Iowa - 1995, 1997-2001, 2003, 2005 "Trees or Tulips?”, One Person Show at the Wisconsin Academy of Sciences, Arts & Letters, Madison, Wisconsin - 1996 Featured Artist, Edgewood Orchard Galleries, Fish Creek, Wisconsin - 1996 Paula Schuette Kraemer and Jane Marshall, "Recent Work", Grace Chosy Gallery, Madison, WI - 1996 “Red”, Grace Chosy Gallery, Madison, Wisconsin - 1997 “150 Years of Wisconsin Printmaking”, Elvehjem Museum of Art, University of Wisconsin, Madison - 1998 Paula Schuette Kraemer and Marylin Hart, “New Work”, Grace Chosy Gallery, Madison, Wisconsin - 1999 “Printmakers Show”, Olson-Larsen Galleries, Des Moines, Iowa - 1999 “McNeese National Works on Paper”, McNeese State University, Lake Charles, Louisiana - 1999 “1999 Wisconsin Triennial”, Madison Art Center, Madison, Wisconsin “From a Matrix - Wisconsin Women Printmakers”, Quad/Graphics, Sussex, Wisconsin - 2000 “Printwork ‘2K”, Barrett Art Center, Poughkeepsie, New York – 2000 “Art /A Family Vocation”, Grace Chosy Gallery, Madison, Wisconsin - 2001 “Paula Schuette Kraemer, Drypoint Monopoints”, Hibberd-McGrath Gallery, Breckenridge, CO– 2001 “For the Love of Dogs”, Tercera Gallery, San Francisco, California - 2002 “The Trolly Car Show”, Group Show at Gallery 1911, Fort Wayne, Indiana – 2002 Paula Schuette Kraemer, “Where It’s Quiet”, Mixed Media Drawings and Monoprints, Grace Chosy Gallery, Madison, Wisconsin – 2002 “From Open Gate Press”, Quad/Graphics, Inc. Corporate Headquarters, Sussex, Wisconsin – 2003 Paula Schuette Kraemer, “Where It’s Quiet”, Groveland Gallery, Minneapolis, Minnesota - 2003 “NEW PRINTS 2004/Winter”, International Print Center New York, New York City “Birds and Animals”, Prints and Drawings, Elaine Erickson Gallery, Milwaukee, Wisconsin – 2004 “DOGS!” , Grace Chosy Gallery, Madison, Wisconsin – 2004 “A Decade of Art from the Wisconsin Academy Gallery”, Wisconsin Academy Gallery, Madison, Wisconsin -September 2004 “Squirrels !!! ”,Grace Chosy Gallery ,Madison, Wisconsin-December 2004 “Squirrels II”, Hibberd-McGrath Gallery, Breckenridge, Colorado, July 2005 Groveland Galleries Holiday Show, Minneapolis, Minnesota, 2005, 2006, 2007 UW Printmaking Graduates”, University of Wisconsin Memorial Union, Madison, Wisconsin – 2006 “Birds by a Baker’s Dozen”, Grace Chosy Gallery, Madison, Wisconsin, 2006 “April Show”, Olson-Larsen Galleries, Des Moines, Iowa, 2007, 2008 “Butterflies”, Hibberd /McGrath Gallery, Breckenridge, Colorado, 2007 “Birds”, Olson-Larsen Galleries, Des Moines, Iowa, 2007 “2008 Prints”, Grace Chosy Gallery, Madison, Wisconsin, 2008 “Images of Winter”, Hibberd/McGrath Gallery, Breckenridge, Colorado, 2008 “Works on Paper”, Olson- Larsen Galleries, Des Moines, Iowa, 2009 “On a Walk”, Hibberd/McGrath Gallery, Breckenridge, Colorado, 2009 2009 Tandem Press Wine Auction Print Artist, Madison, Wisconsin “The Toy Show”, Grace Chosy Gallery, Madison, Wisconsin 2010 “Paper in Particular”, Columbia College, Columbia, Missouri, 2011 “1 x 1” = $200”, Groveland Gallery, Minneapolis, Minnesota, 2011 “Red, White and Blue”, Groveland Gallery, Minneapolis, Minnesota, 2011 “Paula Schuette Kraemer: New Work”, Olson-Larsen Galleries, Des Moines, Iowa 2011 “Three Artists”, Grace Chosy Gallery, Madison, Wisconsin, 2011 PERMANENT COLLECTIONS Cuna Mutual, Madison, Wisconsin Farm Bureau Insurance, Des Moines, Iowa Hallmark Corporation, Liberty, Missouri Heritage Insurance Corporate Headquarters, Franklin Park, Illinois Hospice Care, Inc., Madison, Wisconsin The Kartridg-Pak Company, Davenport, Iowa Madison Newspapers, Inc., Madison, Wisconsin The Miller Brewing Company, Milwaukee, Wisconsin Madison Museum of Contemporary Art, Madison, Wisconsin Mendota Mental Health Institute, Madison, Wisconsin Pioneer Hi-Bred International, Des Moines, Iowa Pleasant Company, Middleton, Wisconsin Prudential Life Insurance Company, Minneapolis, Minnesota Quad Graphics, Sussex, Wisconsin RTE Corporation, Brookfield, Wisconsin Region’s Hospital, St. Paul, Minnesota Sprint, Kansas City, Missouri 3M Corporation, St. Paul, Minnesota University of Iowa Hospitals, Iowa City, Iowa University of Wisconsin Hospitals, Madison, Wisconsin University of Wisconsin - Marathon Center, Wausau, Wisconsin University of Wisconsin School of Veterinary Medicine – Madison, Wisconsin University of Wisconsin Student Union Collection, Madison, Wisconsin Vail Resorts Inc., Vail, Colorado Waterloo Museum of Art, Waterloo, Iowa GALLERIES REPRESENTING WORK Grace Chosy Gallery, Madison, Wisconsin Groveland Gallery, Minneapolis, Minnesota Hibberd-McGrath Gallery, Breckenridge, Colorado Integrated Art Group, Evansville, Wisconsin The Olson-Larsen Galleries, Des Moines, Iowa Bill Weege Born 1935 In 1987, Bill Weege founded Tandem Press, which is affiliated to the Art Department in the School of Education at the UW-Madison. Like an artistic Pied Piper, he convinced nationally known artists to come and print at Tandem Press. The first artist who created prints at Tandem was his lifelong friend, Sam Gilliam. Bill Weege, one of the featured artists in the Center’s Since 1968 exhibition in Mitchell Hall, has quite the venerable past both as an artist and activist. At first, I must admit, he came off as a bit too much of an artist; he spoke of his art as if there were infinite ways to interpret his work. However, his art was based much more in the process with less emphasis placed on the deliberateness of the content. “Big was the thing. I threw everything into it, including the kitchen sink.” That was the call of the times, of course–agitation, finding meaning where there was chaos and random, terrifying Technicolor. Weege related that his MFA studies focused on the process of printmaking (screen printing, off-set lithography, wood cut printing), and the politics of the day. Others, Weege said, had rebuked his art’s political tenacity, asking, “Why do this? It will have no bearing later.” The haphazardness of the individual images would probably be hard to comprehend, and I think hard to defend in front of a tenure-track committee in the time it was created because too often we take the present for granted as the inevitable outcome of the narrative of history. Weege’s juxtaposed images do a good job of mixing it up so that one no longer has the luxury of viewing history in such narrow terms. He used photographs (he couldn’t draw), book pages (never mind the copyright law), and a city planning grid as the main attractions. The use of grids and numbers were a nod back to his city planning occupation: “I would count things. There were grids everywhere.” Lyrics from pop culture also help to create the piece’s own space in time. And the saucy images of naughty ladies? There to attract your attention. On his mental process Weege commented that “[Long Live Life] was all laid out. I had to think ahead—which was so unlike me. It turned out the way it was meant to, too, which was so unlike me.” Toward the end of his talk he noted that he had been accused of stealing from Vasarely, whom he had never heard of, but still he could not deny the possibility: “Maybe I had seen something. But you see something, interpret it, put it down, and you reinterpret it.” That’s exactly how his pieces work.

Creator:

Paula Schuette Kraemer (American)

Creation Year:

1994

Dimensions:

Height: 19.25 in (48.9 cm)Width: 17 in (43.18 cm)

Medium:

Mixed Media

Movement & Style:

Post-Modern

Period:

1990-1999