Roy LichtensteinRepeated Design1969
1969
About the Item
- Creator:Roy Lichtenstein (1923 - 1997, American)
- Creation Year:1969
- Dimensions:Height: 16.82 in (42.73 cm)Width: 40.75 in (103.51 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU46635216641
Roy Lichtenstein
Roy Lichtenstein is one of the principal figures of the American Pop art movement, along with Andy Warhol, James Rosenquist, Claes Oldenburg and Robert Rauschenberg.
Drawing inspiration from comic strips, Lichtenstein appropriated techniques commercial printing in his paintings, introducing a vernacular sensibility to the visual landscape of contemporary art. He employed visual elements such as the halftone dots that comprise a printed image, and a comic-inspired use of primary colors gave his paintings their signature “Pop” palette.
Born and raised in New York City, Lichtenstein enjoyed Manhattan’s myriad cultural offerings and comic books in equal measure. He began painting seriously as a teenager, studying watercolor painting at the Parsons School of Design in the late 1930s, and later at the Art Students League, where he worked with American realist painter Reginald Marsh. He began his undergraduate education at Ohio State University in 1940, and after a three-year stint in the United States Army during World War II, he completed his bachelor’s degree and then his master’s in fine arts. The roots of Lichtenstein’s interest in the convergence of high art and popular culture are evident even in his early years in Cleveland, where in the late 1940s, he taught at Ohio State, designed window displays for a department store and painted his own pieces.
Working at the height of the Abstract Expressionist movement in the 1950s, Lichtenstein deliberately eschewed the sort of painting that was held in high esteem by the art world and chose instead to explore the visual world of print advertising and comics. This gesture of recontextualizing a lowbrow image by importing it into a fine-art context would become a trademark of Lichtenstein’s artistic style, as well as a vehicle for his critique of the concept of good taste. His 1963 painting Whaam! confronts the viewer with an impact scene from a 1962-era issue of DC Comics’ All American Men of War. Isolated from its larger context, this image combines the playful lettering and brightly colored illustration of the original comic with a darker message about military conflict at the height of the Cold War. Crying Girl from the same year featured another of Lichtenstein’s motifs — a woman in distress, depicted with a mixture of drama and deadpan humor. His work gained a wider audience by creating a comic-inspired mural for the New York State Pavilion of the 1964 World's Fair, he went on to be represented by legendary New York gallerist Leo Castelli for 30 years.
In the 1970s and ’80s, Lichtenstein experimented with abstraction and began exploring basic elements of painting, as in this 1989 work Brushstroke Contest. In addition to paintings in which the brushstroke itself became the central subject, in 1984 he created a large-scale sculpture called Brushstrokes in Flight for the Port Columbus International Airport in Ohio. Still Life with Windmill from 1974 and the triptych Cow Going Abstract from 1982 both demonstrate a break from his earlier works where the subjects were derived from existing imagery. Here, Lichtenstein paints subjects more in line with the norms of art history — a pastoral scene and a still life — but he has translated their compositions into his signature graphic style, in which visual elements of printed comics are still a defining feature.
Lichtenstein’s work is represented in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, Tate Modern, and many others. He was awarded National Medal of Arts in 1995, two years before he passed away.
Find a collection of Roy Lichtenstein prints, drawings and more on 1stDibs.
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Two Paintings: DagwoodBy Roy LichtensteinLocated in Miami, FLFrom the "Paintings" Series. Lithograph and woodcut in colors. Published by Gemini G.E.L., Los Angeles. Hand signed, dated '84 and numbered in pencil lower right. 14 colors in 11 run...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Woodcut
- Bicentennial PrintBy Roy LichtensteinLocated in Miami, FLNumbered and signed rf Lichtenstein and dated '75 in pencil lower right by the artist. Blindstamp Styria Studio chop lower right. From the America: The Third Century Portfolio. Publi...Category
1970s Contemporary Abstract Prints
MaterialsLithograph, Screen
- Blue Face from the Brushstroke Figures SeriesBy Roy LichtensteinLocated in Miami, FLLithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Screen, Woodcut
- Study of HandsBy Roy LichtensteinLocated in Miami, FLHand signed rf Lichtenstein and dated '81 in pencil lower right margin. Blindstamp lower left Washington University Printmaking Workshop chop. N...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Screen
- Painting on Blue and Yellow WallBy Roy LichtensteinLocated in Miami, FLFrom the "Paintings" Series. Published by Gemini G.E.L., Los Angeles. Hand signed, dated '84 and numbered 43/60 in pencil lower right (there were also 11 artist’s proofs). 11 colors ...Category
1980s Contemporary Abstract Prints
MaterialsWoodcut, Lithograph
- One Plate, from Growing SuiteBy Keith HaringLocated in Miami, FLHand signed, numbered and dated '88 in pencil on recto in the lower right margin. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Wo...Category
1980s Contemporary Abstract Prints
MaterialsScreen
- Wilde VIIBy Melissa MeyerLocated in Brooklyn, NYThis gestural print combines the artist's free hand with washes and linear elements to create an activated field.Category
2010s Contemporary Abstract Prints
MaterialsLithograph
- A-Chromatics IILocated in Brooklyn, NYThis is the second print in the series: "A-Chromatics" by Gabriele Evertz. The series explores the relationships of colors when one change at a time i...Category
2010s Contemporary Abstract Prints
MaterialsLithograph
- Untitled 1995By Jacqueline HumphriesLocated in Brooklyn, NYA four-panel lithograph printed in twelve colors, this is the artist's first editioned print.Category
2010s Contemporary Abstract Prints
MaterialsLithograph
- Wilde VIBy Melissa MeyerLocated in Brooklyn, NYWilde VI, 1998 Lithograph 38 × 28 in 96.5 × 71.1 cm Melissa Meyer's bold gestures create a field of color and lyrical form.Category
2010s Contemporary Abstract Prints
MaterialsLithograph
- A-Chromatics IIILocated in Brooklyn, NYThis is the third print in the series: "A-Chromatics" by Gabriele Evertz. The series explores the relationships of colors when one change at a time is...Category
2010s Contemporary Abstract Prints
MaterialsLithograph
- Wilde IBy Melissa MeyerLocated in Brooklyn, NYThe "Wilde" series comprises 9 prints with a common language of gesture. Different color worlds emerge from each prints.Category
2010s Contemporary Abstract Prints
MaterialsLithograph