Post-Modern Abstract Prints
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Style: Post-Modern
Toronto Portfolio “Deers”
Located in Ljubljana, SI
Toronto Portfolio “Deers”. Original mixed media and collage, 1989-95. Edition of 70 signed and numbered impressions on Arches paper.
IRWIN is a political internationally acclaimed group of five Slovenian artists (Dusan Mandic, Miran Mohar, Andrej Savski, Roman Uranjek and Bort Vogelnik), primarily painters, and an original founding member of Neue Slowenische Kunst...
Category
1990s Post-Modern Abstract Prints
Materials
Mixed Media
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approximately
Eugenio ...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint with metal foil
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approxi...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approximately
Eugenio ...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint with metal foil
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approxi...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approximately
Eugenio ...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approximately
Eugenio ...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Untitled (Portrait in Window) by Lee Friedlander and Jim Dine, 1966-1969
Located in Dallas, TX
Untitled (Portrait in Window) features a gelatin silver print by Lee Friedlander and a diptych of etchings by Jim Dine. The photograph depicts a framed portrait of a young black girl...
Category
1960s Post-Modern Abstract Prints
Materials
Etching, Silver Gelatin
Olympia
Located in Ljubljana, SI
Original signed color poster lithograph, 1983. Edition of 150 signed and numbered impressions on Arches paper.
Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter O...
Category
1980s Post-Modern Abstract Prints
Materials
Lithograph
Handkerchief on the girl
Located in Ljubljana, SI
Original color aquatint and etching, 1976. Edition of 75 signed and numbered impressions on Arches paper.
Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He ...
Category
1970s Post-Modern Abstract Prints
Materials
Etching, Aquatint
Lithograph w Gloss Overprinting Stacked Signs Post Modern 80s Memphis Milano Era
Located in Surfside, FL
Untitled, 1981 (Stacked Signs Series) lithograph with Glosscote overprinting. Published by Holly Solomon Editions. (original gallery label photo is included for reference and not included in sale)
Hand signed and numbered from limited edition of 40.
This is a beautiful piece perfect for the Memphis Milano early 1980's Post Modern Era. It also bears influence from Pop Art (Particularly Allan D'Arcangelo)
Gary Burnley...
Category
1980s Post-Modern Abstract Prints
Materials
Lithograph
Two Houses
Located in Ljubljana, SI
Original color aquatint and etching, 1978. Edition of 100 signed and numbered impressions on Arches paper.
Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He...
Category
1970s Post-Modern Abstract Prints
Materials
Color, Etching, Aquatint
Upside down
Located in Ljubljana, SI
Upside down. Original color lithograph, 1969. Edition of 10 signed and numbered impressions on Arches paper.
Metka Krašovec is one of the most important painters in contemporary Slov...
Category
1960s Post-Modern Abstract Prints
Materials
Lithograph
Lavander
Located in Ljubljana, SI
Lavender. Original color mixed media, unknown year.
Kosa Bokšan was a Serbian painter who lived in Paris. She was painting landscapes and portraits when she finished her studies at the Academy of Fine Arts in Belgrade, but when she moved to Paris her art became more abstract and approached to the informal. After that she had two phases – ‘The Paris School’ realism, so-called abstract naturalism and later when she was influenced by the Byzantine tradition, Bokšan transformed mythical symbols...
Category
Mid-20th Century Post-Modern Abstract Prints
Materials
Mixed Media
Stars
Located in Ljubljana, SI
Stars. Original color lithograph, 1975. Edition of 16 signed and numberes impressions on Arches paper.
Metka Krašovec is one of the most important painters in contemporary Slovenian ...
Category
1970s Post-Modern Abstract Prints
Materials
Lithograph
Untitled
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
Early 2000s Post-Modern Abstract Prints
Materials
Lithograph
Untitled
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
21st Century and Contemporary Post-Modern Abstract Prints
Materials
Lithograph
Orange Pink Japanese Papercutting Print on Silk
Located in Vienna, AT
This Orange and Pink Silk Scarf is printed with a japanese-style paper cutting motif. The japanese-style paper cutting motif is derived from the Edition "I only know Mifune and Kitan...
Category
21st Century and Contemporary Post-Modern Abstract Prints
Materials
Textile, Silk
Untitled
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
Early 2000s Post-Modern Abstract Prints
Materials
Engraving
Untitled
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
Early 2000s Post-Modern Abstract Prints
Materials
Lithograph
Nocturns
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
1960s Post-Modern Abstract Prints
Materials
Canvas, Mixed Media
Untitled
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
Early 2000s Post-Modern Abstract Prints
Materials
Engraving
Entrebanc 7
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
1970s Post-Modern Abstract Prints
Materials
Lithograph
Entrebanc 14
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
1970s Post-Modern Abstract Prints
Materials
Lithograph
“Shore Sentry”
By Syd Solomon
Located in Southampton, NY
Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector
Signed: Artist signed lower left with edition size
Image size: 22 by 30 inches
Sheet size: 30 by 38 inches
Edition 38/100
Condition: Excellent
Overall framed size: 30.25 by 38.25 inches
Framed under plexiglass in chrome colored metal gallery frame
SYD SOLOMON BIOGRAPHY
Written by Dr. Lisa Peters/Berry Campbell Gallery
“Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.”
--Kurt Vonnegut Jr. from Palm Sunday, 1981
Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris.
Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience.
Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall).
In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau.
In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961.
Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...
Category
1970s Post-Modern Abstract Prints
Materials
Handmade Paper, Lithograph
La tete
Located in Ljubljana, SI
La tete (eng. The head). Original hand colored etching, 1974. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper.
Miodrag Dado Đurić was a famous figura...
Category
1970s Post-Modern Abstract Prints
Materials
Etching
Tennis tree
Located in Ljubljana, SI
Tennis tree. Original color etching and aquatint, unknown year. Edition of 150 signed and numbered impressions on Arches paper.
Jean-Michel Folon was a Belgian contemporary artist, i...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Etching, Aquatint
Tree & Handkerchief
Located in Ljubljana, SI
Tree & Handkerchief. Original color aquatint and etching, 1978. Edition of A.P. (artist’s proof) signed and numbered impressions on Arches paper.
Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He served in the military during the Korean War, and after the war he began to paint. Latter, he traveled across Europe and America and got inspired by many of their cultures and artists. Displacing ordinary objects from their original environments, typical for his works is often compared to Surrealist’s art from the 20th-century. Unlike surrealists, who rejected mind control...
Category
1970s Post-Modern Abstract Prints
Materials
Etching, Aquatint
Japanese Living Room - Modern Geometric Screen Print
By Yuichiro Kato
Located in Soquel, CA
A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...
Category
1970s Post-Modern Abstract Prints
Materials
Printer's Ink, Laid Paper, Screen
Italy 1980 Bruno Chersicla Black Painted Metal Sculpture Upupa
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla.
All the pieces are numbered and signed by the artist and completed by the Certif...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
"Dos Personajes Atacado Per Perros", Rufino Tamayo, Mixographia, 61x98, Modern
Located in Dallas, TX
"Dos Personajes Atacado Per Perros" by Rufino Tamayo is a Figurative Abstraction Mixographia on amate paper measuring 61x98 in. The piece is sandwiched between two pieces of plexigla...
Category
1980s Post-Modern Abstract Prints
Materials
Mixed Media
Italian Post Modern Pop Art Lithograph Silkscreen Valerio Adami Galerie Maeght
Located in Surfside, FL
Titled Ledoux, color limited edition lithograph.
Hand signed by artist in pencil to right hand corner, 101/150 to left.
19.5" X 14" print view area.
This is done in a Postmodernist, Memphis Milano style.
Valerio Adami (born 17 March 1935) is an Italian painter. Educated at the Accademia di Brera in Milan, he has since worked in both London and Paris. His art is influenced by Pop Art.
Adami was born in Bologna. In 1945, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan.
In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments.
In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Giancarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Galerie Maeght}. In 1975, the philosopher Jacques Derrida devoted a long essay, "+R: Into the Bargain", to Adami's work, using an exhibition of Adami's drawings as a pretext to discuss the function of "the letter and the proper name in painting", with reference to "narration, technical reproduction, ideology, the phoneme, the biographeme, and politics". The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. There were four retrospective exhibits of Adami's work between 1985 and 1998. They were held in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires. In 2010, the Boca Raton Museum of Art devoted a special exhibit to Adami's Post Modern paintings and drawings.
Derriere le Miroir, the editor was Aimé Maeght. Derrière le Miroir is a French art magazine created in 1946 and published until 1982...
Category
1980s Post-Modern Abstract Prints
Materials
Lithograph
1980 Italy Post-Modern Set 6 Cardboard Sculptures Renato Borsoni Save the Tree
Located in Brescia, IT
This little and nice sculpture is a cardholder. Cardboard and newspaper print are the materials.
The recycled paper of the newspaper represents one of the first times when the word "to recycle" was used.
The tree that give a card is a gesture of love towards the nature and the men.
The set is useful as placeholder. The table setting become funny and contemporary with the artworks on a dinning table.
This set of sculptures...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Paper
Italy 1980 Bruno Chersicla White Painted Metal Sculpture Upupa
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla.
All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks.
The white painted metal sculpture...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
Italy, 1980, Riccardo Dalisi White Painted Metal Sculpture Pulcinino
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi.
All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks.
The white painted metal sculpture...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
Italy 1980 Riccardo Dalisi White Painted Metal Amanti
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi.
All the pieces are numbered and signed by the artist and complete...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
Italy 1980 Bruno Chersicla White Painted Metal Sculpture Egitto
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla.
All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks.
The white painted metal sculpture...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
Italy 1980 Riccardo Dalisi Black Painted Metal Sculpture Muccacaffè
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi.
All the pieces are numbered and signed by the artist and complete...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
Italy 1980 Riccardo Dalisi Black Metal Painted Sculpture Caffellatte
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the wellknown International artist Riccardo Dalisi.
All the pieces are numbered and signed by the artist and completed ...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
Italy 1980 Riccardo Dalisi Black Painted Metal Sculpture Amanti Lovers
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi.
All the pieces are numbered and signed by the artist and completed...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
Italy 1980 Riccardo Dalisi White Painted Metal Sculpture Muccacaffè
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi.
All the pieces are numbered and signed by the artist and completed...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
Italy 1980 Riccardo Dalisi White Metal Painted Sculpture Nuvolella
Located in Brescia, IT
This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi.
All the pieces are numbered and signed by the artist and completed...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Metal
Untitled (Kennedy)
Located in Dallas, TX
Jim Dine and Lee Friedlander
From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969
Signed and numbered (Edition of 20/75).
Paper...
Category
1960s Post-Modern Abstract Prints
Materials
Silver Gelatin
Falling Swirls, Organic Curvy Layers in Blue Tones, Handmade Cyanotype on Paper
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes.
It's made by layering paper cutouts and different exposures using uv-...
Category
2010s Post-Modern Abstract Prints
Materials
Photographic Film, Photogram, Monotype, Color, C Print, Photographic Pap...
Um 1930 in Zurich
By Max Bill
Located in New York, NY
Bill, Max. Um 1930 in Zurich, 1977 Offset, 50 1/4 x 35 1/4".
Max Bill was an important Swiss artist, designer and architect whose work drew inspiration from Bauhaus, De Stijl, an...
Category
1970s Post-Modern Abstract Prints
Materials
Screen
"Stabile with Red Sun Galerie Maeght, " Original Lithograph Poster by A. Calder
Located in Milwaukee, WI
"Stabile with Red Sun Galerie Maught" is an original color lithograph by Alexander Calder. The Stabile is a black topsy-turvy statue taking up most of the piece. A red sun sits to th...
Category
1970s Post-Modern Abstract Prints
Materials
Lithograph
UNTITLED (from the ARTSOUNDS Collection)
Located in New York, NY
Fits in a standard album frame.
CONNIE BECKLEY
Untitled (from the Artsounds Collection), 1986
color offset print, ed. 200
12 x 12 cm. 30.5 x 30.5 cm.
Edition 49/100
signed and num...
Category
1980s Post-Modern Abstract Prints
Materials
Offset
"Don't Wine, " Original Surreal Serigraph by Paula Schuette Kraemer & Bill Weege
Located in Milwaukee, WI
"Don't Wine" is a mixed media piece, predominately a serigraph, by Paula Schuette Kramer and Bill Weege. Both artists signed in pencil in the lower right, and the title is in the lower left. It is one of a an edition of 50. The print is an explosion of bright colors, but red, blue, and green dominated the composition as they fade through the background. A blue figure climbs up a ladder out of an apple, hefting a large wine bottle overhead, which they pour out into the sea of wine. A man, woman, and long-necked orange bird also look out from the apple, reading for the stem of a floating bunch of green grapes. A group surrounds the grapes with their heads and shoulders above the water, eating the fruit. Birds fly through the background, dodging wine glasses and a vase of flowers that seem to be tumbling from a flying carpet. The entire image feels very surreal.
Art size: 12" x 10"
Frame size: 19 1/4" x 17"
Paula Schuette Kraemer is an independent artist living in Madison, Wisconsin...
Category
1990s Post-Modern Abstract Prints
Materials
Mixed Media
Jo Yarrington, Orchestration 2016, Paper, Inkjet Prints, A/P, Ed of 30
Located in Darien, CT
The installation, Orchestrations, explores the vernacular in vintage piano roles. As a response to the exhibition’s name and focus, Heliotrope, the physical perforations in the piano...
Category
21st Century and Contemporary Post-Modern Abstract Prints
Materials
Paper, Inkjet
"Galerie Maeght, " Graphic Color Lines Lithograph Poster by Jean Rene Bazaine
Located in Milwaukee, WI
"Galerie Maeght" lithograph poster by Jean Rene Bazaine. This poster holds Bazine's name in harsh orange lines near the top of the piece. Diagonally bisecting the b and a in Bazaine is a teal line. Bellow this horizontally against the white backgrounds are two lines, one painted yellow and the other blue.
Image: 29 x 21 in
Jean Bazaine was a French painter, designer of stained glass windows, and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. In 1949/1950 he had his first major one man show at the Galerie Maeght, who remained his art dealer thenceforth. From then on it was a steady progress of major exhibitions: Bern, Hanover, Zürich, Oslo... 1987 a retrospective exhibition in Galerie Maeght, 1988 a retrospective of his drawings in the Musée Matisse and finally in 1990 the Exposition Bazaine in the Galeries Nationales du Grand Palais, Paris., which was accompanied by the reissue of his major texts on painting in art theory as Le temps de la peinture (Paris, Aubier 1990). "The motley crowds of international tourists and souvenir-shoppers who fill the ancient streets of the Latin Quarter in Paris spend most of their time admiring the open-air displays of seafood outside the Greek restaurants in the rue de la Huchette. They ignore the beautiful church of St Severin in the same street, for have they not already "done" Notre Dame? So they miss one of the most wonderful series of stained-glass windows in France: Jean Bazaine's vivid, dynamic works irradiating the sombre ambulatory and apsidal chapels. These windows represent the seven sacraments of the Church, portrayed as essential forms from nature in all its glory and symbolising Water, Fire and Light, sacred emblems of Divine Grace. An appropriate biblical verse is inscribed beneath each. Only Pierre Soulages with his "luminous black" windows at l'Abbaye de Conques (1998) can stand comparison with the majesty of these contemporary works by Bazaine, created between 1965 and 1970. Bazaine was fortunate in his friends. He received at an early stage in his student career support and advice from another master colourist, Pierre Bonnard. In his youth he knew Leger, Braque, James Joyce and Marcel Proust. One of his great personal friends was Jean Fautrier, with whom he shared his first exhibition in 1930. His work gradually developed as a form of bold tachisme - brilliantly composed but well-controlled "splashes" of sumptuous colour. He rejected the term "abstract" which he considered a denial of the essentially intimate relationships between art and reality. He quoted his friend Braque: "The canvas must efface the idea behind it." In 1941, during the Nazi occupation, at a time when Hitler was destroying many works of modern art, Bazaine had the courage to organise in Paris a first "avant-garde" exhibition of 20 French artists. In 1948, he wrote his first book, an unpedantic, unacademic view of contemporary painting, Notes sur la peinture d'aujourd'hui. He quotes Braque on Cezanne: "He's a painters' painter - other people think it's unfinished." Bazaine, too, reverenced Cezanne: Three lines drawn by Cezanne overturn our whole concept of the world, proclaim the liberty of man, his courage. The great painters have never had any other aims. The painter says: "I exist, therefore you exist. I am free, therefore you are free. Or at least he tries to. It's his one aim in life." After the Second World War, Bazaine produced vast compositions with virtuoso colour structures, mostly with references to nature, like the breathtaking Vent de mer (1949, now in the Museum of Modern Art, Paris) and Orage au jardin (1952, now in the Van Abbemuseum at Eindhoven). His Earth and Sky (1950) is in the Maeght Foundation at Saint Paul de Vence. One of his greatest works, L'Arbre tenebreux (1962), was sold to the Sonja Henie...
Category
1970s Post-Modern Abstract Prints
Materials
Lithograph
Untitled (Reflection with Vehicles)
Located in Dallas, TX
Jim Dine and Lee Friedlander
From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969
Signed and numbered (Edition of 20/75).
Paper...
Category
1960s Post-Modern Abstract Prints
Materials
Etching, Silver Gelatin
Untitled (Empty Storefront)
Located in Dallas, TX
Jim Dine and Lee Friedlander
From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969
Signed and numbered (Edition of 20/75).
Paper...
Category
1960s Post-Modern Abstract Prints
Materials
Etching, Silver Gelatin
Ready-Mades Et Editions De Et Sur Marcel Duchamps Galerie Givaudan
Located in New York, NY
Vintage Poster for the exhibition Editions de se sur Marcel Duchamp. One of 400 copies with title and date of exhibition, of a total edition of 500.
Unsigned. Schwarz, Ref: Catalogue Rainsonne 396
Marcel Duchamp was born July 28, 1887, in France. After the sensation caused by Nude Descending a...
Category
1960s Post-Modern Abstract Prints
Materials
Offset
"Butter Bug, " Original Etching by Nicolee Teegarden
Located in Milwaukee, WI
"Butter Bug" is an original etching by Nicolee Teegarden. This piece features abstract, biomorphic swirls in black and white.
9" x 5" art
17" x 14" frame
Taught art at Tremper Hig...
Category
1970s Post-Modern Abstract Prints
Materials
Etching
Untitled (street corner)
Located in Dallas, TX
Jim Dine and Lee Friedlander
From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969
Signed and numbered (Edition of 20/75).
Paper...
Category
1960s Post-Modern Abstract Prints
Materials
Etching, Silver Gelatin
Un Documento Storico Eccezionale
Located in Ljubljana, SI
Un Documento Storico Eccezionale (eng. An exceptional historical document). Original color silkscreen and collage, unknown year. Edition of 20 signed and numbered impressions on Arch...
Category
Late 20th Century Post-Modern Abstract Prints
Materials
Mixed Media, Screen
Industry
Located in New York, NY
Industry, 1928, by Earl Marshawn Washington (b. 1962)
Woodcut relief on paper
12 x 9 inches unframed (30.48 x 22.68 cm)
Signed on bottom left
Inscribed (Industry) on bottom center
Da...
Category
Early 20th Century Post-Modern Abstract Prints
Materials
Ink
Untitled
Located in Ljubljana, SI
Original color woodcut, 1992. Edition of 100 signed and numbered impressions on Arches paper.
Mimmo Paladino is an Italian contemporary sculptor, painter, muralist and printmaker. He attended the Liceo Artistico di Benvenuto (Benevento Art School) from 1964 to 1968, when minimalism and conceptualism dominated the international art scene, which had effects on his art. He was also a part of Transavantgarde – the artistic movement with the neo-expressionist resurgence that swept through Italy in the 1980s. Paladino seeks his inspiration from both the ancient and the modern – from Egyptian, tribal, and classical artworks to the modern painting and sculpture. In his compositions we can often see a figure in combination with the signs like crosses, and techniques like the application of gold leaves, a symbol of eternity, borrowed from Christian iconography, as well as the hieratic pose of Byzantine figures and the gestural quality of that culture’s rites. Paladino himself admits to being “an artist of the south, but of the darkest, most mysterious south, and this is why I find poetic sensations that belong to me in certain aspects of Nordic culture, why I can make a totally black painting...
Category
1990s Post-Modern Abstract Prints
Materials
Woodcut, Color
Post-modern abstract prints for sale on 1stDibs.
Find a wide variety of authentic Post-Modern abstract prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of red, blue, pink, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Lee Friedlander, Bruno Chersicla, Dado (Miodrag Djuric), and Jean Michel Folon. Frequently made by artists working with Lithograph, and Screen Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Modern abstract prints, so small editions measuring 1.19 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $73 and tops out at $60,000, while the average work sells for $610.
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