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Pablo Picasso
Salto con la Garrocha (Pole Vault)

1959

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  • Clavando un par de Banderillas (Pinning a Pair of Flags)
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Clavando un par de Banderillas (Pinning a Pair of Flags) Portfolio: La Tauromaquia Medium: Aquatint Year: 1959 Edition: Deluxe portfolio edition of 10 Fr...
    Category

    1950s Animal Prints

    Materials

    Aquatint

  • Los Cabestros Retiran al Toro Manso (Halters Withdraw the Tamed Bull)
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Los Cabestros Retiran al Toro Manso (Halters Withdraw the Tamed Bull) Portfolio: La Tauromaquia Medium: Aquatint Year: 1959 Edition: Deluxe portfolio edi...
    Category

    1950s Animal Prints

    Materials

    Aquatint

  • Joan Miro (Plate 6)
    By Joan Miró
    Located in Washington, DC
    Artist: Joan Miro Medium: Original lithograph Title: Joan Miro (Plate 6) Portfolio: Joan Miro Year: 1956 Framed Size: 16 3/4" x 15 1/2" Image Size: 7 1/2" x 9" (19 x 22.8 cm) Sheet S...
    Category

    1950s Abstract Animal Prints

    Materials

    Lithograph

  • A Los Toros Avec Picasso (Set of Four)
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: La Pique (I), Le Picador (II), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of f...
    Category

    1960s Abstract Animal Prints

    Materials

    Lithograph

  • Joan Miro (Plate 1)
    By Joan Miró
    Located in Washington, DC
    Artist: Joan Miro Title: Plate 1 Portfolio: Joan Miro Medium: Lithograph Year: 1956 Edition: Unnumbered Frame Size: 16 3/4" x 15 1/2" Sheet Size: 9" x 7 1/2" Image Size: 9" x 7 1/2" ...
    Category

    1950s Abstract Animal Prints

    Materials

    Lithograph

  • Carmen, Head of a Calf (Plate XXXVI)
    By Pablo Picasso
    Located in Washington, DC
    Pablo Picasso Carmen Artist: Pablo Picasso Medium: Original etching on Montval wove paper Title: Head of a Calf (Plate XXXVI) Portfolio: Carmen Ye...
    Category

    1940s Minimalist Animal Prints

    Materials

    Etching

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  • Stanley Boxer Aquatint Intaglio Etching Elephant Herd Abstract Expressionist
    By Stanley Boxer
    Located in Surfside, FL
    Elephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over this period, he created several series of intricately rendered figurative works, illustrating whimsical scenes featuring animals, plants and nubile winged figures. Boxer had, however, been making drawings of this nature throughout his career, and he insisted they were closely connected to his abstracts, made with similar gestures and motivation. The Tate Museum received twenty-five of Stanley Boxer’s prints as a gift of Kenneth Tyler from Tyler Graphics, comprising a complete portfolio of Ring of Dust in Bloom, 1976, an incomplete portfolio of Carnival of Animals, 1979, and two individual prints. This work is from Carnival of Animals, a portfolio of fourteen intaglio prints on handmade paper. Tate holds eleven of the prints from this portfolio (Elephants, Swan and Fossils are not in Tate’s collection). Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller, director of the University of Richmond's Harnett Museum of Art, describes his evolution as an artist: You can see the shift from working with figurative imagery in the 1940s and early '50s to abstraction in the late '50s. The abstraction in the late '60s and '70s was more derived from color-field issues. In the 1980s, Boxer really hit his stride in larger works with lots of thick paint and splashes of color. He sold a lot, and his success in the art world in the 1980s gave him the freedom to do what he wanted to do most. He was married to painter and artist Joyce Weinstein. The Boca Raton Museum of Art in Florida hosted an exhibition entitled Expanding Boundaries: Lyrical Abstraction Selections from the Permanent Collection. At the time the museum issued a statement that said in part: "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Works by the following artists associated with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John...
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    1970s Abstract Expressionist Animal Prints

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    Etching, Aquatint, Intaglio

  • Finale, from Carnival of Animals (Tyler Graphics, 119:SB31)
    By Stanley Boxer
    Located in New York, NY
    Stanley Boxer Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979 Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper Edition 16/20 Pencil sign...
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    1970s Abstract Expressionist Abstract Prints

    Materials

    Engraving, Drypoint, Etching, Aquatint

  • Z
    By Kelvin Mann
    Located in Palm Springs, CA
    "Z is for zoo, with a lion, monkey, rhinoceros and giraffe illustrating the letter "Z", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in folio...
    Category

    2010s Contemporary Animal Prints

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  • Owl On Branch Print Edition 92/120
    By Kaiko Moti
    Located in Houston, TX
    Aquatint print of an owl perched on a branch with bright yellow eyes. The work is signed by the artist. It is framed in a wooden frame with a burlap matte. Artist Biography: Kaiko M...
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    1970s Naturalistic Animal Prints

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  • "Vachere Au Bord de L'Eau, " Etching and Aquatint by Camille Pissarro
    By Camille Pissarro
    Located in Milwaukee, WI
    "Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...
    Category

    1890s Realist Figurative Prints

    Materials

    Etching, Aquatint

  • Salvador Dali - The Rider and the Deer - Handsigned Engraving
    By Salvador Dalí­
    Located in Collonge Bellerive, Geneve, CH
    Salvador Dali - The Rider and the Deer - Handsigned Engraving 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 3...
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    1970s Surrealist Figurative Prints

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