1930s Sculptures

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

The Art Deco Birds Statue by Rochard is a unique treatment of two pheasant birds in contrasting positions. Both figures are mounted on a beautiful base crafted in three colors: marbl...

A stunning French Art Deco figural group depicting a Huntress and her Borzoi. The bronze has a beautiful warm patina and the base is two types of marble. It is signed on the base and...

Henri-Paul Rey 1904-1981 Henri-Paul Rey was born in Pesmes, France. Rey was a sculptor who worked in stone and wood. He also created a large number of ceramic works. Rey studie...

Lucien Alliot French Art Deco Bronze The Gazelles 1930. The brown patina on a marble base signed on the bronze L Alliot and stamped bronze on the deer. This particular piece has exceptional rhythm where the two gazelles interplay in a movement depicting leaping over the hills or water—very three-dimensional treatment showing the movement of the animals. Lucien Charles Eduoard Alliot (1877-1967), the sculptor, was born in 1877 in Paris, France. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics. He exhibited regularly at the Salon des Artistes Français, was a member and the gold medal in 1920, out of competition, and was a member of the sculpture jury from 1934 to 1939. Alliot was well known for his figurative sculptures, which were exhibited for many years at the Salon de Paris. He received a third-place award in 1907 (which included funds for travel expenses) and a first-place award l in 1920. After he declared himself out of the artistic competition, he became a jury member at the Salon evaluating sculptural works from 1934 to 1939. Alliot created several allegorical groups: La Paix in 1939, and several religious illustrations: Sacré Cœur in 1924, La Vierge Marie...

French modernist glazed ceramic monkey sculpture by Gabriel Beauvais,1930. This sculpture was made in a turquoise blue glaze ceramic, a stunning color most likely by Kaza Edition in ...

This highly stylized modernist sculpture of a bronze bear provides a rare opportunity to own a piece by some of the most fascinating sculptors in history. Jan and Joel Martel were an...

Artist: Robert Cronbach, American (1908 - 2001) Title: Construction & Garment Worker Year: 1938 Medium: Bronze sculpture with Brown Patina, signature and date in the cast Size: 18 ...

"PANTHER" Sculpture covered in a cold patina. c.1930 Rests on marble base. Inscribed in script: D. H. Chiparus. Cold patina wa...

Roland Paris Bronze Statue Glider 1933. This glider was originally based on the Schneider Grunau Baby Glider from 1931. It held the world record fo...

French Art Deco Diana the Huntress Bronze by S. Melanie 1930s, crafted in the 1930s, stands as a testament to the artistic brilliance of the era. This extraordinary sculpture exudes ...

Large Art Deco sculpture of hunter and panther (or lion) by the famous sculptor Demetre H. Chiparus. The Art metal sculpture has a beautiful green verdigris patina and stands on an a...

An Art Deco era reclining nude bronze sculpture by Salvatore Melani, created at the end of his career which began in his early 1920s and ended in 1934 at the age of 32. The serene an...

Elephant trotting by Roger GODCHAUX (1878-1958) Rare sculpture in bronze with a nuanced dark brown patina Signed " Roger Godchaux " on the base Artist's cast, with no foundry mark France circa 1930 height 15 cm length : 25 cm Biography : Roger Godchaux (1878-1958) was a French painter, drawer and animal sculptor. If all domestic and wild bestiary was part of his artistic universe, wild beasts and elephants having been his favorite subjects. As a figurative sculptor, he represented the animal without artifice, in his attitudes of everyday life. From Vendôme Godchaux joined Paris, where he prepared in 1894 admission to the School of Fine Arts. He soon turned to animal art. He became a pupil of Jules Adler...

Extremely rare set of chase Equestrian bookends sculpture designed by Walter Von Nessen in 1932. Industrial Design incorporated with the latest materials and machine age approach. Th...

1930s Cubist sculpture of a climbing and growling panther on the prowl. Art Deco design with the artistic facet-like details are imaginative and convey a sense a strength, power and ...

Extremely rare black panther bronze sculpture by Louis Albert Carvin circa 1930. This is an example of pure cubist style in black patina, portraying a panther standing tall and proud...

Art Deco Lion Hunter sculpture Signed by Limousin statue Circa 1930. Limousin ‘Hunter and Lion’ or Chasseur au lion. A Powerful Art Deco Study, in patinated art metal on a portoro ma...

Art Deco French bronze sculpture of panther and gazelle by Alexander Ouline portrays animals in action, a kind of abstract forest floor in bronze all mounted on a wooden base. Ouline...

“Femme au Levrier” Art Deco statue bust by Raymond Leon Rivoire Sevres France circa 1937. This is a rare and important bust from the iconic Art Deco sculpture Raymond Rivoire...

Franz Hagenauer Male and Female “The Couple” 1930. This rare, highly stylized, and unique piece was made in Vienna in the 1930s. It has recently been restored in a gleaming chrome pa...

Bronze Jewish Rabbi. Original Patina. Art-deco wood carved base. It is signed with initials P.K. and marked "Calif Art Bronze Fdry LA" (California Art Bronze Foundry Los Angeles). it is not dated. PETER KRASNOW (1886-1979), Russian-Ukrainian, American artist painter and sculptor, born Feivish Reisberg, was a California modernist and colorist artist known for his abstract wood sculptures and architectonic hard-edge paintings and drawings which were often based on Hebrew calligraphy and other subjects related to his Jewish heritage...

Parrotlet by Armand PETERSEN (1891-1969) & SEVRES Manufacture Sculpture in white paste porcelain Signed « A. Petersen » Old edition artwork. Stamped by the porcelain manufacture of ...

Rembrandt BUGATTI (1884-1916) French bulldog also known as The Dog of Teresa Lorioli (mother of the artist) Small size Sculpture in bronze with a nuanced black patina. Signed on the base "R.Bugatti" A lost wax cast by "A.A. Hébrard" (with founder stamp) and numbered "11" Model created in 1905 Cast before 1934 Edition of 50 copies height 13,5 cm length of the base 13,2 cm depth of the base 8,4 cm A similar copy acquired in 1906 directly from the artist and numbered "35" is now part of the collection of the Alte Nationalgalerie in Berlin (inv. BI 251). Bibliography : - Mary Harvey, The Bronzes of...

Pyrenean bear sitting by Georges GUYOT (1885-1972) Sculpture in bronze with a nuanced black patina Signed " Guyot " on the base old cast, without founder mark France circa 1935 Hei...

Silvered Bronze Art Deco Statue Pair featuring a woman reaching and grasping the antlers of a deer, a rare version of “Chasing the Hind” Designe...

Pair of bookends with Elephants by Ary BITTER (1883-1973) A very fine pair of bronze sculptures with old gilded nuanced dark brown patina Signed " Ary Bitter Sclp " on an original plaque Old cast by Susse Frères Raised on wooden bases France Circa 1935 total height for one: 27,5 cm total height for the other: 17 cm Biography: Ary Jean Léon...

Lucien Alliot French Art Deco Bronze The Gazelles 1930. The brown patina on a marble base signed on the bronze L Alliot and stamped bronze on the deer. This particular piece has exceptional rhythm where the two gazelles interplay in a movement depicting leaping over the hills or water—a very three-dimensional treatment showing the movement of the animals. Lucien Charles Eduoard Alliot (1877-1967), the sculptor, was born in 1877 Paris, France. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics. He exhibited regularly at the Salon des Artistes Français, was a member and the gold medal in 1920, out of competition, and was a member of the sculpture jury from 1934 to 1939. Alliot was well known for his figurative sculptures, exhibited at the Salon de Paris for many years. He received a third-place award in 1907 (which included funds for travel expenses) and a first-place award l in 1920. After he declared himself out of the artistic competition, he became a jury member at the Salon evaluating sculptural works from 1934 to 1939. Alliot created several allegorical groups, La Paix in 1939, and several religious illustrations: Sacré Cœur in 1924, La Vierge Marie...

French Art Deco Diana the Huntress Bronze by S. Melanie 1930s, crafted in the 1930s, stands as a testament to the artistic brilliance of the era. This extraordinary sculpture exudes ...

Head of a girl by Paul BELMONDO (1898-1982) Bronze with a nuanced dark brown patina Signed "P. Belmondo" Stamped with the foundry mark "Alexis Rudier. Fondeur Paris" Raised on its ...

Max Kalish (American, 1891-1945) Nude Walking, 1930 Bronze Signed and dated on base 17 x 9 x 4 inches Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United...

This sculpture is part of our exhibition Charles Goeller: A Wistful Loneliness. Carved and painted wood and gesso, 23 x 15 3/4 x 3 inches, Signed verso "Carved by Charles L. Goeller...

St Michel Archangel Sculpture by P Barlaud Wooden Sculpture of Saint Michel fighting the Dragon Classic French subject which also has Georg...

French Art Deco terracotta sculpture by Ugo Cipriani (1887-1960), France, 1930s. A man operating a rudder. Measurements : Width : 31"(79cm), Height : 16.7"(42.5cm), Depth : 8.7"(22cm...

Jules Edmond Masson (French, 1871–1932) Bronze Figure of a Lurcher Dog, 1930 Bronze with brownish green patination, on a fitted stone base The base inset with a bronze plaque reading...

I love this extraordinary American surrealist piece - a collage/montage, an assembly of objects in a velvet-clad box/frame - for a number of reasons reasons. I love the fact that it depicts pipes, among the most iconic images of the surrealist movement, rooted in Magritte’s famous 1929 painting which depicts a pipe accompanied by the caption “Ceci n'est pas une pipe” (This is not a pipe). Marcel Duchamp loved using pipes...

The small bronze depicts a small seated faun, immortalized while playing a wind instrument as can be clearly seen by the puffy cheeks. is signed at the base R. Castagnino and is from...

Impressive Bronze Relief by Käthe Kollwitz ( 1867-1945, Germany ). Created 1938 in memory of her friend Ernst Barlach. Bronze brown patinated. On the left side signed: Kollwitz. He...

This is a stunning French Art Deco bronze sculpture figurine. The statue features a stylized freestyle interpretation of Artemis or Diana the Huntress (Diane Chasseresse). The nude f...

Arturo Martini (Treviso 1889 - Milan 1947), La Botola (1930 / 1933) Terracotta sculpture 34 x 42 x 9 cm signed lower left; label of Galleria del Milione, Milan, on back. Provenance...

This work is part of our exhibition America Coast to Coast: Artists of the 1930s Winged Male Figure - Apollo, c. 1930s, polychrome bas-relief of cast aggregate, 12 x 26 inches; the...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1930s Music (attributed), brass and wire construction, c. 1936, 28 x 14 x 5 inches; perhaps exhibited at Hollywood Riviera Gallery, 1936 (third prize); provenance includes Estate of Jon Spencer Helfen (Los Angeles, CA About the Sculpture In 1935, Philip Paval bought a box of metal in a “blind auction.” Paval, a painter, sculptor, and jeweler, had hoped the box contained silver. To his dismay, it was brass. Seeing an opportunity, Paval started to make sculptures from the brass sheets. His subjects included Cinema, Hollywood, Radio, Dance, Aviation and Music. The works were well-received with the Hollywood crowd and critically acclaimed. Actor and comedian, Ben Bard, purchased four of them for his theater, and novelist and screenwriter, Vicki Baum ordered four more for her drawing room. Movie director King Vidor also purchased them. Los Angeles Times art critic, Arthur Millier, described Paval’s “contraptions” as “ingenious, decorative, different.” Paval exhibited these works for several years in the late 1930s, including at the American Artists’ Congress Gallery in Los Angeles in an exhibition called Formalism and Abstraction in 1938 and at a solo show at Stendahl Galleries in 1939. The appeal of these works must have been irresistible, as a 1936 Los Angeles Times article noted, “Two feet of brass art has been stolen from the Hollywood Riviera Galleries. The work is an abstraction. It portrays the spirit of music and rested on the grand piano in the main hall. The work of Philip Paval, it won third prize in the current gallery exhibition at the gallery.” One can only wonder whether this is the “contraption” which was pilfered from the gallery nearly one hundred years ago. Given the description of the work, its subject matter and size, it seems likely. About the Artist Philip Paval was a sculptor, painter, and jeweler. Born in Denmark, Paval was apprenticed to a silversmith and studied art in Denmark. He immigrated to the US in 1919 and first worked as a merchant seaman in New York. The following year, Paval settled in Los Angeles where he later opened his own jewelry shop featuring works he designed and produced. Paval became a favorite in the entertainment world, making a good living selling silver...

Balancing Elephant Louis-Albert Carvin (France, 1875-1951) Bronze, marble Circa 1930s, Art Deco 8 x 7.5 x 2 (4 1/4 x 7 1/2 x 1 7/8 figure) inches Artist Louis-Albert Carvin, born in Paris in 1875, was exposed to art from an early age through his painter father. Carvin's formal education in art began at the École des Beaux-Arts, where he studied under artists like Émmanuel Frémiet and Georges Gardet. Over the years, artist Louis-Albert Carvin became a renowned sculptor, dedicating his life’s work to the modeling of human and animal figures. He studied under Fremiet and Gardet and became a member of the Société des Artistes Français, exhibiting at the Salon des Artists Francais from 1894 until 1933 winning the Medal of Honor in his first year in 1894. Remarkably, he sculpted La Muse de l’Aviation, the bronze trophy...

"Panthers resting" by Maximilien FIOT (1886-1953) Outstanding and rare sculpture in white marble France circa 1930 height 40 cm length 66 cm Provenance : By Descent of the Boardman, Devitt and Dawkins families, New England and California. Biography : Louis-Maximilien Fiot, known as Maximilien Fiot (1886-1953) was a French sculptor. Student of the sculptor Prosper Lecourtier, he exhibited at the Paris Salon from 1910 to 1914. Member of the Salon of French Artists, Fiot obtained a third medal in 1911, then a second medal in 1913. As an animal artist, he also participated during the period between the two World Wars, like many of his confreres, in the production of war memorials. In 1930, he realized for the city of La Ferté-Alais, where his mother lived, "The Lion watching...

Golf (Wall Plaque) Polychromed ceramic, c. 1930-1 Signed with the artist's initials: VS recto Very rare, only a few produced prior to the closure of Cowan Pottery Format: Round ceramic plate, 11 1/4 inches Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Polo," and "The Hunt." According to Henry Adams, the number of examples created was very limited due to the closing of Cowan Pottery in 1931. Very rare Condition: Good, with the usual craquelure of the glazes used. Note: Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers and golf carts; baby walkers and artificial limbs. In 2006 Mr. Schreckengost was awarded the National Medal of Arts, the country’s highest cultural honor. His work is in the permanent collection of major museums, including the Renwick Gallery, the Cooper-Hewitt National Design Museum and the Art Institute of Chicago. Mr. Schreckengost belonged to the first great generation of American industrial designers, which included luminaries like Russel Wright, Norman Bel Geddes and Raymond Loewy. The lights of New York...

"Lady with a book" also known as "St. Suzanne" by Jan & Joël MARTEL (1896-1966) Sculpture in stone from Euville France circa 1935 height of the sculpture : 125 cm width of base : 25,4 x 21,2 cm total height with wooden base : 141 cm width of the wooden socle : 31 x 26 cm A similar model is reproduced in "Joël et Jan Martel, sculpteurs, 1896-1966", Ed. Gallimard Electa, 1996, page 150. Biography : The twins Jan and Joël Martel, born March 5, 1896 in Nantes and died respectively on March 16 and September 25, 1966 in Bois-de-Céné, were both of them French sculptors and decorators. As Parisian artists, they spent long moments in Vendée region, in their Mollin property, or in Saint-Jean-de-Monts, city in which one can see their last monumental work: "The Sea Birds". Their works were sculptures, monuments or fountains of Art Deco or Cubist inspiration. They also realized around 1920 interior fittings for villas. Jan and Joel Martel shared the same workshop and their work to the point of signing their compositions only by "Martel". The Martel brothers...

"Apollo" by Henri Bouchard (1875-1960) An Art Deco period masterpiece! Exceptional bronze sculpture with a golden-brown patina Signed " H. Bouchard " Unique piece This work personifies Apollo, god of the Arts. Represented here as Apollo Musagète, leader of the procession of muses and winner of the serpent Python. This subject was commissioned to adorn the entrance to the Palais de Chaillot in Paris, and whose monumental bronze is still exhibited there. To participate in the Venice Biennale in 1938, Henri Bouchard had reduced in 1937 the large Apollo of the Palais de Chaillot, which had not yet been installed. Vintage cast by Bisceglia (cast founder stamp) made during the artist's lifetime. Incised dedication below signature : " à mon cher ami E. Sandoz " This is a unique cast made for the sculptor Edouard-Marcel Sandoz (1881-1971). This cast was exhibited at the 1938 Venice Biennale. France 1937 height : 82 cm width : 45 cm depth : 30 cm weight : 31,2 kgs Stickers under the bronze cast : - Sticker mentioning that this cast has been exhibited at the Venice Biennale of 1938 under the number 354 ("Biennale Internaz. d'Arte Venezia – 1938 – XVI – 354"). - Sticker mentioning that this cast went through Italian customs ("ne – merci – dogana italiana – visitate - 9622") - Damaged Sticker mentioning the name ("A…") and the address ("25…") of the owner of the cast (maybe for the workshop "Atelier Henri Bouchard", 25 rue d’Yvettes, 75016 Paris). Provenance : - Edouard-Marcel Sandoz, Paris, according to the dedication. - Property from the Collection of Seymour Stein (entrepreneur and founder of Sire Records, famous American record label ; and avid collector of 19th and 20th century fine art...

"Wrestlers" 1936 Olympic Porcelain Gay Mid 20th Century Art Deco WPA Modern LGBT Hungarian porcelain sculpture designed by Bela Pankotai Farkas for the 1936 Berlin Olympics...

"Mercury" NYC 1931 Bronze 5th Ave Traffic Light Sculpture American Art Deco WPA In the late 1920s, Joseph Freedlander was asked by the City of New York ...

Dan Super "SAM HOUSTON" (1873-1953) Houston Artist Image Size: 3 3/4 inches tall Medium: Carved Horn of Sam Houston to celebrate the Texas Centennial. Texas Centennial 1936 "Sam Houston Pin Cushion Holder" Biography Dan Super (1873-1953) Dan E. Super, Jr. (1873 – 1953) Dan Super had the eye of a sculptor, envisioning and then creating hundreds of objects from the elongated form of a Texas Longhorn’s tusk. At the age of six, Dan Super carved his first drawing into a piece of the horn of a Texas Longhorn. Over the next 56 years, he made utilitarian pieces like pencil cups, pin cushions, and backscratchers, realistic replicas of animals and birds, and imaginative carvings of elegant nudes. While these carvings resemble the traditional art of scrimshaw, carvings from whale bone, we’ve not been able to identify another carver who used the Texas Longhorn as his material. “My work is done with an ordinary pocketknife, hacksaw file and rasp,” Super wrote in 1937. He used the horn in every way conceivable; whole, allowing the shape to define the object he was making, flattened to make mosaic or inlay work. He incised and pierced it and carved in the round. His own hands polished the horn to a sheen. Daniel Super, Jr. was born in Houston on August 22, 1873. His father owned stock years, D. Super and Brothers Co., providing the young Super with ready access to his raw material. Throughout his life, he worked in the businesses key to the identity and success of young, booming Houston, cattle, oil, real estate and rail. In 1896 he married Lula, and took over the family business, expanding it to include a grocery. He closed the company in 1912 and got into the oil business...

Industrial Machine Age American Scene WPA Mid 20th Century 1939 SF World's Fair HAIG PATIGIAN (American/Armenian, 1876-1950) Aeronautics Pediments Two Plaster Casts, c. 1930s each 13.25 x 14.75 x 6 inches It's possible these moquettes were created for the 1939 World's Fair, the Golden Gate International Exhibition in San Francisco. Provenance: Private Collection of Lois M. Wright, Author of "A Catalogue of the Life Works of Haig Patigian, San Francisco Sculptor, 1876-1950),” 1967 Loan to Oakland Museum of California (Oakland, CA) BIO Haig Patigian is noted for his classical works, which are especially numerous in public venues in San Francisco, California. Patigian was born in Van, Armenia, which at that time was under Turkish rule. Haig was the son of Avedis and Marine Patigian, both teachers in the American Mission School there. He and his older brother showed an aptitude for art early on and were encouraged by their parents. Their father himself had taken up the new hobby of photography. The 1880s were harsh times, however, for many Armenians under an oppressive rule by the Turkish government. Many people were fleeing to the safety of the United States. Suspicious Turkish authorities accused his father of photographing city structures for the Russian government, and in 1888 he fled for his life to America. Haigs father made his way to Fresno, California, and began life anew as a ranch hand. Within two years he sent for his wife, as well as Haig, his three sisters and brother, and in 1891 the Patigians made the journey from Armenia. Haigs father, an industrious man, worked on various farms, and eventually bought his own ranch and vineyard. It was among fertile farmland of Fresno that Haig grew up. Young Haigs education consisted of teachings by his parents and by intermittent attendance in public schools. Although he had dreams of becoming an artist, he did not have the opportunity for formal study of art, and began working long days in the vineyards around Fresno. At age seventeen, Haig made a step towards his dreams and apprenticed himself to learn the trade of sign painting. In his spare time he nurtured his interest in art by painting nature and life scenes with watercolors and oil paints. When his sign-painting mentor left Fresno, Haig opened his own shop and made a name for himself in the town. San Francisco, in the meantime, had been attracting artists since the Gold Rush and had become a thriving art center. Within a few years, Haig had put aside several hundred dollars to move to San Francisco, joining his brother who was already working there as an illustrator. In 1899, when he was twenty-three, Haig had saved enough money to enroll at the Mark Hopkins Art Institute in San Francisco. Like many aspiring artists of his time, Patigian supported himself by working as a staff artist in the art department of a local newspaper, and in the winter of 1900, nearing his 24th birthday, Haig began work for the San Francisco Bulletin, producing cartoons, black and white illustrations, as well as watercolors. In 1902 tragedy struck Haig and his family. His 29-year-old brother died of pneumonia, and then his frail mother died a short time later. Five months more saw his youngest sister, just out of high school, die too. Saddened and depressed, Haig moved out of the studio he had shared with his brother, and into a dilapidated studio in a poor section of town. During this time of sadness, Haig fed a growing interest in sculpture. In 1904 Haig created what he later called his "first finished piece in sculpture". The work, called "The Unquiet Soul", depicted a man thrown back against a rock while waves lash at his feet. The body was tense and twisted, with one hand, in Haig's own words, "searchingly leaning and clutching the rock, while the other masks his troubled head". The Press Club of San Francisco, which Haig had joined in 1901, put "The Unquiet Soul" on exhibition and local headlines proclaimed "Local Newspaper Artist Embraces Sculptor's Art", and "First Work Predicts Brilliant Future". With the support of friends and community acclaim, the young illustrator left his newspaper job and became a professional sculptor. The path of his new career was not easy though. Haig had never made much money working for the newspaper and his father needed help with growing debt from funeral expenses and business problems. From time to time Haig sold some artwork, but also occasionally borrowed from friends to pay the rent. He was the classic 'starving artist'. In the spring of 1905 a white-bearded 81-year-old stranger knocked on Haig's door. It was George Zehndner, from Arcata, California. Zehndner had been born in Bavaria, Germany in 1824, the son of a farmer. In 1849 he had come to America looking for prosperity, settling in Indiana, where he worked on a farm and learned English. He found his way to the West Coast in 1852. Penniless, he worked in various jobs from San Francisco to Sacramento, then found some luck working in the gold fields of Weaverville in Trinity County, and eventually moving to a farm on 188 acres near Arcata. In his 77th year in May of 1901, Zahndner had taken a trip to San Jose, where he stood in a crowd to see a man he thought much of, President William McKinley. McKinley was popular as 'the first modern president' partially because he realized going out to meet the common person increased his support. In September of that year, however, an anarchist assassinated the president while he stood in a receiving line at the Pan-American Exhibition in Buffalo, New York. Soon after, the city of San Jose erected a statue of the slain president in St. James Park. Zehndner took a second trip to San Jose where he visited the McKinley monument. Touched, Zehndner decided that, no matter the cost, his town of Arcata too would memorialize McKinley. George Zehndner had read about Haig in a newspaper article and asked if Patigian would create a heroic statue of the late President McKinley for Arcata. When asked how much it would cost, Haig responded, despite his borderline poverty, with the fabulous sum of $15,000. Zehndner agreed. The President was to be portrayed standing, wearing an overcoat, with his feet planted squarely on the ground. In the finished statue, one hand is held out before him in a typical posture of speaking, with the other hand holding the speech as his side. The 9-foot statue...

Keith Murray, architect and industrial designer, created this particular vase, "Chinese Lantern" in moonstone white ( shape no.3765) Made in England. Priced individually at $1200 each, we have this same vase in Yellow and in Green. A quote can be given for additional pieces. We have yellow green and moonstone in bombe in small and large sizes. We have celadon bowls, yellow bowls, and small moonstone pot with lid. All c. 1935 art deco style made in England. All in excellent condition. These are the most desirable classic examples of pottery by Architect Keith Murray produced for Wedgwood in the 1930's. Published and illustrated in the book "Wedgwood Ceramics...

GILBERT LEDWARD, RA, PRBS (1888-1960) Tennis, Golf, Shooting, Ice-Skating, Dreaming – Proposed Design for Decorative Frieze in the Italian Drawing Room at Eltham Palace, commissioned by Stephen Courtauld Signed and dated July 9th 1933 Watercolour and pencil 12.5 by 49.5 cm., 5 by 19 ½ in. (frame size 36 by 67 cm., 14 ¼ by 26 ¼ in.) Exhibited: The artist’s daughter; London, The Fine Art Society, A Centenary Tribute, Feb 1988, no. 43. Gilbert Ledward was born in London. He was educated at St Mark’s College, Chelsea. In 1905 he entered the Royal College of Art to study sculpture under Edouard Lanteri and in 1910 he entered the Royal Academy Schools. In 1913 he won the Prix de Rome for sculpture, the Royal Academy’s travelling award and gold medal, which allowed him to travel in Italy until the outbreak of the Wold War I. During the war he served as a lieutenant in the Royal Garrison Artillery and was appointed as an official war artist in 1918. Following the war he was largely occupied as a sculptor of war memorials including the Guards Division memorial in St James’s Park and the Household Division’s memorial in Horse Guards Parade. In 1934, supported by Eric Gill and Edwin Lutyens, he established a company called Sculptured Memorials and Headstones, which promoted better design of memorials in English churchyards. His war memorials after World War II include one in Westminster Abbey to the Submarine Service, Commandos and Airborne Forces. Ledward was Professor of Sculpture at the Royal College of Art (1927-1929) and in 1937 was elected at Royal Academician. He became President of the Royal Society of British Sculptors and a trustee of the Royal Academy. The present work is a design for an intended decorative frieze for the Italian Drawing Room of Eltham Palace. In 1935 the remains of the medieval royal palace of Eltham was rescued from decay by Stephen and Virginia Courtald who built an ultra modern Art Deco house to adjoin the existing Great Hall. They employed the architects John Seeley and Paul Edward Paget and the fashionable Mayfair interior designer the Marchese Peter Malacrida to design the strikingly glamorous 1930s interiors of the new house. The dramatic entrance hall was created by the Swedish designer Rolf Engstromer...

Francesco Messina (Linguaglossa 1900 – Milan 1995), Fisherman (1930) Bronze sculpture measuring 131 x 52 x 65 cm, signed and dated 1930 on the base. Francesco Messina’s Fisherman w...

Portrait of the artist’s wife. Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear...

Signed, dated, and inscribed on the verso: Malvina Hoffman/ Den Pasar/ “Nipolog”-/ © 1932/ Bali Provenance: The artist; her estate. Literature: Mal...

Edris Eckhardt (American, 1905-1998) Earth, c. 1939 Signed on base Glazed earthenware 20.5 x 7.5 x 7 inches Born in Cleveland, Ohio January 28, 1905, Edris was given the name Edythe Aline Eckhardt. After graduating from Cleveland's East High she enrolled in the painting program at Cleveland School of Art. While enrolled in school she worked part-time at Cowan Pottery where she learned production techniques and firing schedules of various ceramic materials. She switched her choice of study at CIA to sculpture and graduated from Cleveland's School of Art in 1932. Edythe changed her name to the non-gender-specific name Edris in her mid-twenties after being passed over for an award to study sculpture in Europe for one year. Following graduation Edris studied sculpture with Alexander Archipenko in Woodstock, New York. She returned to Cleveland that same year. She was hired as a faculty member of Cleveland School and taught at the institution for 30 years. From 1935-1942 Ms. Eckhardt was the head of the Ceramics and Sculpture division of the Federal Art Project (later known as Works Progress Administration - WPA) of Cleveland. During this time frame she won first prize of the 1936 Cleveland Museum of Art May Show for her Alice in Wonderland figure, third Prize in the 1937 May Show for a Song of the South...

An extraordinary group of Ibeji "triplets" sculpted by the same master sculptor. Ibeji is name of a very specific type of carved wooden figure from Yoruba in Nigeria. Ibejis repre...