Amos Pino Furniture

13'2" totem by Don Colp. Inside or outside. Born in Alberta, Canada in 1932, Don Colp grew up on a farm with his parents and four younger brothers. Growing up...

Sometimes categorized as the fourth-phase chief blanket, this wonderful piece of Navajo textile art is well preserved and can be dated to 1890-1910. Wov...

A wonderfully detailed and decorated wolf figure Kachina doll with fur. Signed by the artist on the base. From a collection of Native American objects an...

A wonderfully detailed and decorated Kachina doll with white fur. Signed by the artist on the base. From a collection of Native American objects and artifacts. Dimensions: 8...

Lakota Sioux warrior painting on buffalo hide by Merle Locke. Paint on contemporary buffalo hide. Painting of 16 warriors riding on horseback, each carrying feathered coup sticks, surrounded by geometric motifs. Captioned "Lakota On Victory" and signed by the artist at lower right corner. Merle Locke is a member of the Oglala Lakota tribe, having grown up in the Porcupine district of the Pine Ridge Indian Reservation. He is known for his ledger art paintings, evoking the style's origins amongst the Plains tribes in the 1860s. By this time, buffalo had become increasingly scarce, and the older tradition of Plains hide painting...

What makes this model so special is that all the hunting devices are still present: spears, harpoons, spear thrower, wood float board, and bladder, paddles and other equipment used for seal hunting. Please note how well these are made in a stunning combination of wood and bone and lashed on deck under bone and sinew spear securers. Despite the kayak frame...

Authentic First Nations wood carved mask by master carver, Henry Hunt (1923-1985). This hand carved gem depicts a Canadian Grizzly Bear. Pencil signed in cursive on the reverse, Henry Hunt. Carved out of Pacific Northwest pine. Hunt had a rich history replicating and also making one of a kind masks, figures and totems in the Kwakwaka'wakw tradition. This piece dates circa 1970-80. Good overall condition with wear consistent with age. One minor ding near the eye (see photo). Dark patina. No visible splits. Approximately 5" deep x 5.13" wide x 7" high. Galleries West Bio: In 1941, the Royal British Columbia Museum in Victoria opened Thunderbird Park on a small piece of land adjacent to the museum. Centred around the historic Helmcken House on the same site, it was a small but growing collection of authentic examples of northwest coast art — poles, grave markers, and other ceremonial carvings by the Haida, Songhees, Nuu-cha-nulth, and Kwakwaka’wakw people. By the early 1950s, the carvings had started to decay, and the museum hired a carver to replicate the existing poles, and create new carvings based on original works from sites along the west coast. Kwakwaka’wakw chief Mungo Martin was hired as head carver, and he brought in his stepson, Henry Hunt, to assist him. Based on the northeast coast of Vancouver Island, the Kwakwaka’wakw carvers are known for poles and masks carved with traditional hand tools, faces and figures with theatrical expressions, and bright painting outlined in sharp contrast. Martin learned the art from his own stepfather, Charlie James...

Dynamic vintage Native American black Santa Clara Pueblo pot by Frances M Chavarria. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. We have found no chips, cracks, or chiggers. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1930-1990. Simple, Sophisticated, and Absolutely Stunning!!! Just a few words to describe this GORGEOUS Native American pot by Frances Chavarria one of the famous Santa Clara Pueblo Potters. It has a lovely urn shape frame bearing a grooved rim around the top and intricately carved designs similar to lightning bolts vertically on the sides of the body. It is hand made with elite pottery skills by Frances Chavarria and special techniques distinctive to Santa Clara Pueblo Pottery...

Chief Shakes Raven pole by Ditidaht/Nuu-chah-nulth artist Raymond Williams. This finely crafted model totem pole is by Ditidaht/Nuu-chah-nulth master carver Raymond Williams, the father of the current generation of Williams carvers. It depicts an iteration of the Tlingit Chief Shakes pole of Wrangell, Alaska – a popular motif for the Williams family. The top figure is Raven’s Grandfather, who perched on the Box of Daylight. The middle figure is Raven, and below is frog. This model illustrates how Raven stole the sun, moon, and stars and released them into the world. This pole was probably made for Ye Olde Curiosity Shop in the 1950s. 27" PERIOD: 1950s ORIGIN: Seattle/Williams Family SIZE: 27"H Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Totems...

Moses Alexcee was a prolific Tsimshian maker from Prince Rupert who frequently carved for William Webber, the owner of the iconic Thunderbird Scenery Shop in Vancouver, BC. Alexcee often carved Tsimshian-style models of Haida totem...

Chief white feather "Ramar" Dr. Teyet Ramar , better known as Chief White Feather Sitting Bull (1908-1957) Born of Sioux father and Chippewa mother, he was a direct descendant of an even more famous chief, Sitting Bull. Teyet Ramar graduated from Shelton College, New York City, and before his conversion was a feature organist in Broadway theaters...

A whimsical large Inuit Eskimo carving in soapstone of a Bear holding a rock to throw at 2 Walrus. The tusks of one walrus are likely bone, and th...