Bethanne Kinsella Cople Art

PLEASE NOTE: The painting will be shipped WITHOUT a frame. The framing option is available on request with additional shipping costs. February does not often bring sunshine to the ci...

Circa 1875 Unsigned Original gold leaf frame with wear Overall size with frame 7 x 9.25 in.

Impressionist en plein air landscape painting on linen of a rural country farm during late summer with lush green fields and blue mountains 'Ted's Farm', an upstate New York landsca...

Impressionist style en plein air landscape painting on linen of a barn on a country farm, featuring bright tones of greens against a light blue sky #4494 Overgrown Barn, painted by H...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Illustrated in "New Hope for American Art" Harry Leith-Ross (1886 - 1973) The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis Katz...

This thoroughly modern Parisian scene was composed by the celebrated French painter Jean François Raffaëlli. The delicate oil captures a familiar subject from late 19th-century life in the city: a busy avenue at the edge of a park on a cool autumn day. Exploring the climate of the city, Raffaëlli's mature works capture the energy of the grand parks and boulevards of the new Paris that emerged at the turn of the century. His legacy documents the realities of urban life during his age, all chronicled in his distinctive brushwork and sophisticated palette. While Raffaëlli was never fully accepted as a member of the Impressionist group, his works display a similar affinity for capturing the transient moments of modern life. His figures exude a sense of being suspended in time, as though they are part of some subtle narrative that is both restless and harmonious. Perhaps more aligned with Naturalism than Impressionism, the visual effect of Raffaëlli's composition is one of carefully composed spontaneity that makes manifest the joie de vivre of the age. Raffaëlli was not the only artist of his era to devote his canvases to the urban landscape. Camille Pissarro, Claude Monet, Gustave Caillebotte and others composed significant works on the subject of the urban milieu. On the whole, it was an entirely new kind of painting, and it was largely influenced by the work of social engineer Baron Haussmann beginning in the 1850s. At the request of Emperor Napoleon III, Haussmann designed and carried out a large-scale urban renewal program, erecting landmarks and tree-lined thoroughfares throughout the city to create a unified and socially-centered urban aesthetic. The city became a glittering stage for modern advancements and bourgeois pleasure, which paved the way for a new kind of subject that was eagerly adopted by the Impressionists and artistic avant-garde. Born in Paris in 1850, Raffaëlli first studied theater and music before turning to painting in 1870. That same year, he submitted a landscape painting to the Salon and was accepted. Aside from just three months studying with the Academic great Jean-Léon Gérôme, Raffaëlli was self-trained, developing his own unique style that brought together Realism, Naturalism and Impressionism. While he managed to exhibit works at both the Salon and the Impressionist exhibitions...

Original oil on board painting by artist Randall Vernon Davey (1887-1964) painted circa 1927. Painting depicts a wood cabin near Estes Park, Colorado. Mt. Meeker, Long's Peak, and La...

Tranquil horizontal landscape of a tree-lined pathway near the coast leading to a quaint cabin by an unknown artist (American, 20th Century). Uns...

Tim Solliday (b. 1952) Title: "California" Medium: Oil on Board Size: 12" x 9" Markings: Signed LL "T. Solliday"

Impressionist style en plein air landscape painting on linen of a rural country barn with a bright yellow sunset and earth toned plowed farm fields #3991 Warren's Barn, painted by Ha...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Signed lower left: VICTOR C ANDERSON; titled and signed on verso: DOWN AT VEPPLANKS / by / V. C. ANDERSON