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Graux Marly Furniture

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Creator: Graux Marly
Graux Marly Large Bronze Statue of a Classical Female Figure, 19th Century
By Graux Marly
Located in Brighton, Sussex
A very good quality large 19th century French bronze statue of a classical female figure signed; Graux Marly Jules Graux's foundry was based at 8 rue ...
Category

19th Century French Antique Graux Marly Furniture

Materials

Bronze

Rare Monumental Marble and Gilt Bronze Clock Set by Jules Graux of Paris
By Japy Frères, Graux Marly, Jean Didier Debut
Located in London, GB
An Exhibition Quality Garniture de Cheminée By Jules Graux of Paris Of important size and supreme quality, the mantle clock constructed from white Carr...
Category

19th Century French Antique Graux Marly Furniture

Materials

Marble, Carrara Marble, Ormolu, Bronze, Brass

Palatial 19th Century Louis XV Style Ormolu Mantel Cherub Clock Attr. Beurdeley
By Alfred Emmanuel Louis Beurdeley, Graux Marly
Located in Los Angeles, CA
An Important and Palatial French Louis XV Style 19th Century Gilt-Bronze and White Marble Cherub Mantel Clock, attributed to Alfred-Emmanuel-Louis Beurdeley, the casting and gilding by Graux-Marly, Paris, the movement by P. Marti et Cie. The large and impressive marble and two-tone finely chased gilt-bronze (Ormolu) and white marble body, with its original superb quality mercury satin-gilt and burnished gilt (ciselé et doré au mat), surmounted by two reclining cherubs amongst clouds, one holding a triumphant floral wreath, the other a floral bouquet strand, flanked to each side by floral swags and attributes of Love, with kissing doves, on a shaped base with a further cloud-borne cherub, above a scrolling foliate frieze and garlands of flowers, with a bow, a quiver, trumpets and arrows protruding through within the clouds, raised on toupie feet. The beautifully decorated circular white enamel dial with gold fleur-de-lis' jewels, with Roman and Arabic numerals, signed "Graux Marly, Paris - Rue du Parc-Royal, 8". The bell striking movement stamped: "S. Marti et Cie. Médaille de Bronze". Circa: Paris, 1870's. The Jules Graux's Foundry was based at 8 rue du Parc-Royal from 1860, they exhibited at the last national exhibition in Paris in 1849 and again Paris in 1855. At the London exhibition of 1862 their entry was described as, "bronzes d'ameublement, cheminée et garniture de cheminée, lustres, vases, statues, groupes, objets de service de table, gueridon de malachite." They are recorded as exporting 35% of their production and as having made bronzes for the Hotel de la Commission. They also contributed to the Paris exhibition of 1867. By 1870 his sons M Graux-Marly took over the business from their father and, from then on, their works were stamped GRAUX-MARLY or GRAUX-MARLY FRÈRES. The foundry in renown for producing high-quality bronze castings, chasing and gilding, including clocks, candelabra, statuettes and other fine decorative works of art. Jules Graux - Graux-Marly Fondeurs also cast bronzes for many of the most renowned sculptors of the day, including but not limited to Jean-Baptiste Carpeaux (French, 1827-1875), James Pradier - born Jean-Jacques Pradier (Swiss/French, 1790-1852), Emmanuel Frémiet (French, 1824-1910), Albert-Ernest Carrier-Belleuse (French, 1824-1887), Alfred Emmanuel Louis Beurdeley (French, 1847-1919) as well as reproducing important and popular antique, from the Renaissance and later models. Related Literature: P. Kjellberg, Les Bronzes du XIX Siecle, Les Editions de l'Amateur, Paris, page 660. Beurdeley, Alfred Emmanuel Louis (French, 1847-1919): Work at first with his father in Paris and eventually succeeded him. He kept the shop at rue Louis-Le-Grand and had worked at Nos. 20 ˆ 24 rue Dautancourt. The business continued in its traditional style with very few variations, until it was closed in 1895 and the remaining contents of the company were sold at the Galerie Geroges Petit. Beurdeley exhibited at the 1878 Exhibition. LITERATURE AND REFERENCES: Tardy, The Most Beautiful French Clocks, Paris, 1994, pp. 162-163 for illustrations of similar eighteenth century dial know as à la dauphine by Cotteau and Dubuisson. Ottomeyer/Proschel, Vergoldete Bronzen I, Munich, 1986. The model of this clock can be found in the Beurdeley sale in 1895, 6-9 May: Catalogue of Furniture and Works of Art made in the workshop and under the direction of M.A. Beurdeley, lot number 46, described as Pendule de style Louis XV, en marbre blanc, avec groupes d'amours dans le goût de Boucher, tenant des guirlandes de fleurs en bronze ciselé et doré au mat. Le socle en marbre blanc est enrichi de rinceaux et de guirlandes en bronze doré Haut. 68 cent. Larg. 68 cent. It was acquired by M. Martin Fuld for 1600 francs or. This model can also be found in the Catalogue des modèles pour bronzes d'art, meubles de style et de grande décoration provenant de la Maison A.Beurdeley, from 19-22 October, 1897 under the lot number 50, described as: Pendule Louis XVI...
Category

19th Century French Louis XV Antique Graux Marly Furniture

Materials

Marble, Bronze, Ormolu

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Palatial 19th Century Louis XV Style Ormolu Mantel Cherub Clock Attr. Beurdeley
By Alfred Emmanuel Louis Beurdeley, Graux Marly
Located in Los Angeles, CA
An Important and Palatial French Louis XV Style 19th Century Gilt-Bronze and White Marble Cherub Mantel Clock, attributed to Alfred-Emmanuel-Louis Beurdeley, the casting and gilding by Graux-Marly, Paris, the movement by P. Marti et Cie. The large and impressive marble and two-tone finely chased gilt-bronze (Ormolu) and white marble body, with its original superb quality mercury satin-gilt and burnished gilt (ciselé et doré au mat), surmounted by two reclining cherubs amongst clouds, one holding a triumphant floral wreath, the other a floral bouquet strand, flanked to each side by floral swags and attributes of Love, with kissing doves, on a shaped base with a further cloud-borne cherub, above a scrolling foliate frieze and garlands of flowers, with a bow, a quiver, trumpets and arrows protruding through within the clouds, raised on toupie feet. The beautifully decorated circular white enamel dial with gold fleur-de-lis' jewels, with Roman and Arabic numerals, signed "Graux Marly, Paris - Rue du Parc-Royal, 8". The bell striking movement stamped: "S. Marti et Cie. Médaille de Bronze". Circa: Paris, 1870's. The Jules Graux's Foundry was based at 8 rue du Parc-Royal from 1860, they exhibited at the last national exhibition in Paris in 1849 and again Paris in 1855. At the London exhibition of 1862 their entry was described as, "bronzes d'ameublement, cheminée et garniture de cheminée, lustres, vases, statues, groupes, objets de service de table, gueridon de malachite." They are recorded as exporting 35% of their production and as having made bronzes for the Hotel de la Commission. They also contributed to the Paris exhibition of 1867. By 1870 his sons M Graux-Marly took over the business from their father and, from then on, their works were stamped GRAUX-MARLY or GRAUX-MARLY FRÈRES. The foundry in renown for producing high-quality bronze castings, chasing and gilding, including clocks, candelabra, statuettes and other fine decorative works of art. Jules Graux - Graux-Marly Fondeurs also cast bronzes for many of the most renowned sculptors of the day, including but not limited to Jean-Baptiste Carpeaux (French, 1827-1875), James Pradier - born Jean-Jacques Pradier (Swiss/French, 1790-1852), Emmanuel Frémiet (French, 1824-1910), Albert-Ernest Carrier-Belleuse (French, 1824-1887), Alfred Emmanuel Louis Beurdeley (French, 1847-1919) as well as reproducing important and popular antique, from the Renaissance and later models. Related Literature: P. Kjellberg, Les Bronzes du XIX Siecle, Les Editions de l'Amateur, Paris, page 660. Beurdeley, Alfred Emmanuel Louis (French, 1847-1919): Work at first with his father in Paris and eventually succeeded him. He kept the shop at rue Louis-Le-Grand and had worked at Nos. 20 ˆ 24 rue Dautancourt. The business continued in its traditional style with very few variations, until it was closed in 1895 and the remaining contents of the company were sold at the Galerie Geroges Petit. Beurdeley exhibited at the 1878 Exhibition. LITERATURE AND REFERENCES: Tardy, The Most Beautiful French Clocks, Paris, 1994, pp. 162-163 for illustrations of similar eighteenth century dial know as à la dauphine by Cotteau and Dubuisson. Ottomeyer/Proschel, Vergoldete Bronzen I, Munich, 1986. The model of this clock can be found in the Beurdeley sale in 1895, 6-9 May: Catalogue of Furniture and Works of Art made in the workshop and under the direction of M.A. Beurdeley, lot number 46, described as Pendule de style Louis XV, en marbre blanc, avec groupes d'amours dans le goût de Boucher, tenant des guirlandes de fleurs en bronze ciselé et doré au mat. Le socle en marbre blanc est enrichi de rinceaux et de guirlandes en bronze doré Haut. 68 cent. Larg. 68 cent. It was acquired by M. Martin Fuld for 1600 francs or. This model can also be found in the Catalogue des modèles pour bronzes d'art, meubles de style et de grande décoration provenant de la Maison A.Beurdeley, from 19-22 October, 1897 under the lot number 50, described as: Pendule Louis XVI...
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Marble, Bronze, Ormolu

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Graux Marly furniture for sale on 1stDibs.

Graux Marly furniture are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. There are many options to choose from in our collection of Graux Marly furniture, although gold editions of this piece are particularly popular. Many of the original furniture by Graux Marly were created in the louis xv style in france during the 19th century. If you’re looking for additional options, many customers also consider furniture by Maison Beurdeley, Lerolle Freres, and Alfred Emmanuel Louis Beurdeley. Prices for Graux Marly furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $12,387 and can go as high as $124,500, while a piece like these, on average, fetch $117,686.

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