Lodewyk Bruckman Art

Oil on panel, signed and dated 2018. Classic French black wooden frame with gold leaf. Unframed size: 19.69 inches high x 19.69 inches wide. Framed size: 25.2 inches high x 25.2 inches wide x 1.25 inches deep. Sold framed. Inspired by the modest works of the French painter, Chardin, this classic composition focuses on the simple, zen-like qualities of the gustatory delights of Stefaan’s locale, where bread and cheeses are freshly made and sold at his favorite outdoor market. Interposed with a large knife and antique glass wine bottle...

Oil on panel, signed and dated 2012. French handmade wooden Delf frame, raised panel with dark gold/bronze patina and gold leaf. Unframed size: 19.09 inches high x 15.75 inches wide. Framed size: 29.5 inches high x 25.125 inches wide x 1.63 inches deep. Sold framed. Stefaan’s tribute to the great French neoclassical painter stems from first seeing Gericault’s horses...

Oil on panel, signed and dated 2007. Classic French black wooden frame with raised panel and gold leaf. Unframed size: 18.11 inches high x 14.96 inches wide. Framed size: 25.6 inches high x 22.4 inches wide x 1.25 inches deep. Sold framed. Inspired by 17th century Masters, Davidz De Heem and Willem Heda...

"Damsel" is a work of art that immediately draws the viewer's attention to the glorious charm of the woman at its center. Adewale's portrayal of her low-cut hairstyle is a powerful statement that challenges conventional norms of beauty. With her hair styled so boldly, the subject exudes a sense of self-assuredness, breaking free from societal expectations and embracing her uniqueness. The woman's choice of a vibrant yellow dress further reinforces the celebration of feminine allure. Yellow, a color often associated with happiness and positivity, complements the woman's radiance, illuminating the canvas with her inner glow. This striking hue symbolizes her inner strength and vibrant spirit, echoing the confidence and dynamism that emanate from her presence. The blue background, in contrast, serves as a calming and harmonious setting, providing a perfect backdrop for the woman's portrayal. The serene blue not only accentuates her poise and elegance but also serves as a reflection of her depth and wisdom. It suggests that beneath her external charm lies a profound reservoir of inner grace and strength, making her all the more captivating and multidimensional as a subject. "Damsel" is more than just a beautiful portrait; it is a celebration of the richness and diversity of womanhood. Adewale's brushwork masterfully captures the subtle details of her facial features, highlighting the delicate contours of her lips and the gentle curves of her cheekbones. The artist's attention to detail emphasizes the individuality and uniqueness of the subject, celebrating the fact that each woman possesses her own distinct brand of charm and beauty. This artwork is not merely a passive representation but a self-conscious portraiture that actively engages the viewer. As we gaze upon the woman in "Damsel," we become participants in this celebration of femininity. Adewale invites us to appreciate and honor the beauty that exists within all women, encouraging us to recognize and celebrate the allure that each woman carries in her own unique way. In its essence, "Damsel" is a testament to the empowering nature of art. It breaks away from conventional stereotypes and standard definitions of beauty, presenting a woman who embraces her identity unapologetically. The artwork's appeal lies not only in its visual aesthetics but also in the powerful message it conveys to society, urging us to appreciate and cherish the diverse expressions of feminine charm. In conclusion, "Damsel" by Busari Adewale...

Oil on panel, signed and dated 2001. French wooden frame in ivory with gold leaf. Unframed size: 19.7 inches high x 23.6 inches wide. Framed size: 26.4 inches high x 30.5 inches wide x 1 inch deep. Sold framed. The first Eyckmans’ painting to employ a brighter, golden palette, this everyday kitchen scene explores the differing textures of the objects within. The artist’s love of all things French is exemplified here with antique pottery, a starched linen tablecloth, breadboard and, of course, fruit and favorite cheeses. Note the superb shadowing of the board extending over the table, the detailing in the chèvre and paper wrapping to the left, and the asymmetrical cluster of stemmed Muscat grapes, all illuminated by easterly light. Classical in perspective and execution, but with a more contemporary feel that derives from the use of color and light, this painting marks a transformational point in the artist’s work. This painting is available for viewing at The Elemental Garden...

Provenance: Palazzo Pisani at San Stefano, Venice Mrs. F. Craighead (possibly Mrs. Fay Stinson Craighead, Evansville, Indiana) Sale, Sotheby Parke Bernet, New York, 7 June 1978, lot 310, as Bonifazio Veronese Daniel M. Friedenberg, New York, until 2011; and by descent to: Russell Friedenberg, until 2014 Literature: Giuseppe Pavanello, Gli Inventari di Pietro Edwards nella Biblioteca del Seminario Patriarcale di Venezia, Venice 2006, pp. 132, 140, as no. 10 in Pietro Edwards’ inventory of the Palazzo Pisani: “Giuseppe che fugge dalla moglie di Pitifarre” by Bonifacio Veronese. Philip Cottrell and Peter Humfrey, Bonifacio de’ Pitati, (forthcoming), cat. no. 166h. Antonio Palma is the least well-known member of the illustrious Palma family of Venetian painters of the 16th century. He was the nephew of Jacopo Palma—Palma il Vecchio—and upon his uncle’s death in 1528, he began to work with Palma Vecchio’s principal student and the inheritor of the elder artist’s studio, Bonifazio de’ Pitati (Bonifazio Veronese). Antonio worked with Bonifazio as his principal assistant and right-hand man until Bonifazio’s death in 1553, after which he continued his independent career. He married a niece of his master, and their second son, Jacopo, born in 1648, would achieve fame as Palma il Giovane...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

ILONA SAPKA studied at the School of Applied Arts, "Schola Posnaniensis" in Poznan. She received her diploma from the Faculty of Painting in the studio of stained glass led by prof. ...

Claudine Picard is a French artist born in 1949 who lives & works in Sainte Marie, France. She is graduated from the Ecole Nationale des Arts Décoratifs in 1973 (ENSAD).

Portrait of a Lady French School, 20th century oil painting on canvas, unframed 40 x 29 inches condition: very good and presentable provenance: private collection, Provence Superb ...

Oil on panel, signed and dated 2009. French handmade wooden Delf frame, red bolus ground with gold leaf. Unframed size: 11.8 inches high x 19.7 inches wide. Framed size: 21.3 inches high x 29.1 inches wide x 1.25 inches deep. Sold framed. This striking and animated combination of plums with a 15th Century earthenware bowl placed atop a worn plank table hearkens back to the Old Masters while remaining present-day through its geometric composition and use of negative space. Chosen for the pictorial qualities…their shape, color, scale, and satiny skin, a true representation of plums is difficult to capture, as their essence changes and degrades in a matter of hours. As such, the artist focused on including their essential details in the first layer, a practice that is unusual for him. Note the exceptional detailing in the fine variations of color and shape of the fruit, particularly the stems, and the progressive feel attained through the balance of light and color. This painting is available for viewing at The Elemental Garden in Woodbury, CT, the exclusive U.S. representative for the artist. Stefaan...

Noemi Martín belongs to a generation of young painters for whom the avant-garde of the mid-twentieth century is just another feature of the history of art, capable as they are of obs...