Sanford Robinson Gifford Art

Johann Ludwig Robert von Steiger (Swiss, * 8th of January, 1856, Rio de Janeiro, Brazil; † 1st of June, 1941, Buenos Aires, Argentina) Portrait of Karl Alfred Arthur von Steiger Lie...

"Seascape," by Hudson River School artist George Herbert McCord (1848-1909) is oil on canvas and measures 18.07 x 30.13 inches. The work which comes from a private collection in Birmingham, Alabama is signed “G.H. McCord A.N.A.” at the lower left. The work is framed in a beautiful, period appropriate frame, and ready to hang. A member of the second generation of Hudson River School painters, George Herbert McCord is known for his atmospheric landscape and marine paintings which capture a variety of locales and are executed in a variety of media—including oil, pastel, and watercolor. McCord was born in 1848 in New York City, where he lived and worked his entire life. After 1883, he kept an additional studio in Morristown, NJ. McCord traveled throughout North America, painting in the Berkshire, Adirondack and Laurentian mountain ranges, the Hudson River Valley, the Coast of New England, the Upper Mississippi, and Florida, which had become popular among Eastern vacationers. He was among a select group of artists commissioned by the Santa Fe Railroad to paint the Grand Canyon, and also participated in a special painting excursion to the Erie Canal. His travels in Europe were equally expansive, taking him to England, Scotland (having been commissioned by Andrew Carnegie to paint the scenery around his castle there), France, the Netherlands, and Italy. McCord was well-educated, having attended Claverack College amidst the Catskills in Claverack, NY, which provided instruction in classical, French, German, English, music, painting, military, commercial, telegraphic and agricultural studies. He also studied with the accomplished painter and inventor of Morse code, Samuel F.B. Morse, and with the Scottishborn landscape painter, James Fairman. McCord was active in numerous art clubs and institutions in New York, including the National Academy of Design, which elected him an Associate member in 1880, the American Watercolor Society, the Brooklyn Art...

Breath of Fresh Air, oil on panel, 48 x 36 inches, $6,000 Having grown up in England, Heather Barron innately infuses her work with a bit of British charm and decorous character. Re...

Painted by Hudson River School artist Hermann Simon (1846-1895) , "Sunset on the Hudson River" is oil on canvas, measures 15 x 25 inches, and is signed and dated 1875 at the lower ri...

Painted by Hudson River School artist Thomas Benjamin Pope (1834–1891), "Highlands - Hudson River from West Point Looking North" is oil on canvas ...

Shawangunk Mountains [View from top of Granit Road Looking Southeast] by Hudson River School artist Lemuel Maynard Wiles (1826-1905) is oil on can...

A fine shoulder length portrait of a young woman circa 1940's-1950's Continental School. A fine shoulder length portrait of a young woman circa 1940's-1950's Continental School. oil ...

Painted by Hudson River School artist J.B. Bristol (1826–1909), "Full Sail at Twilight" is oil on canvas, measures 12 x 18 1/8 inches, and is signed at the lower right. The work is f...

Signed, inscribed and dated, lower right: 'Geo Dawe RA St Petersburgh 1819', also signed with initials, lower centre: 'G D RA'; and signed and inscribed verso: 'Geo Dawe RA Pinxit 1819 St Petersburgh'; Also inscribed on the stretcher by Cornelius Varley with varnishing instructions. Collections: Private collection, UK, 2010 Literature: Galina Andreeva Geniuses of War, Weal and Beauty: George Dawe...

Painted by Hudson River School artist Laura Woodward (1834-1926), "Camel's Hump, Vermont" 1877 is oil on canvas and measures 14 x 24 inches. It is signe...

"Mink Hollow Brook," by Hudson River School artist Jervis McEntee (1828-1891) depicts the lush foliage, and rocky terrain surrounding a Catskill brook. This 19th century oil paintin...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...