Massive Japanese Arita Presentation Porcelain Plate Meiji Period

A milky white dish with slight scalloped rim and decorated with cobalt blue iron red and green enamel over glaze, this delicate piece in Kakiemon Style was dated at least to the earl...

An Japanese porcelain plate circa 1930s-1940s. Decorated with over glaze featuring three ladies in waiting. In the garden, the rock grottoes, a cherry tree in blossom, a half hidden banana tree and a few peeking peonies, suggest a subtropical scenery. The ladies were pictured as holding various item, a fly...

A beautifully crafted large ceramic bowl as a centerpiece by Okumura Shozan (1842-1905) in the Kyo-yaki (kyoto ware) style. A Classic ovoid form with flatly...

On offer is a truly impressive blue and white porcelain plate of Hizen ware, from Arita in Japan, circa mid to late-19th century. The plate was made by Kajiwara Kikujiro (菊次郎, the second Kiku son) and/or Kajiwara Kikusaburo (菊三郎, the third Kiku son who died in 1883) of the Kajiware Family Kiln of in Arita. It was decorated in a superb design with blue under-glaze, clearly out of a hand of a master. In a Classic Japanese composition that was popular in the Meiji Period, the plate displays a riot of auspicious elements, arranged still in a surprisingly harmonious manner. Anchoring the center of the design is an eagle perched on the branch of a blooming cherry tree, its talons clenching the bark and its wings about to open. The motion of the its immediate taking off is palpable. The trunk and the branches of the old cherry tree provide a spacial frame for the arrangement of large peonies with foliage, bundles of chrysanthemums, Chinese bell...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A Japanese ceramic shallow dish in square form with rounded corners from Meiji period in the style of Ogata Kenzan. The dish features a cream color crackl...

This very large plate made in Japan during the Emperor Meiji time 1868-1912. Wonderful blue pattern on fine porcelain. There is a crack that’s shown thro...

Antique Japanese Lobed Satsuma Bowl Meiji Period C.1900 A Kobe Japan Satsuma bowl, of lobed pedestal form hand painted inside and out. A hand-painted natu...

This tray is designed by Denis Guidone and handmade in Japan by Risogama for Hands on Design, a traditional pottery. It reminds the Japanese tradition of Origami, the designer uses the white Arita porcelain...

This centerpiece is designed by Denis Guidone and handmade in Japan by Risogama for Hands on design, a traditional pottery. It reminds the Japanese tradition of Origami, the designer uses the white Arita porcelain like...

Large Imari Meiji period four panel charger entirely hand decorated. Two of the panels depict flying cranes amongst foliage. The remaining two panels are hand decorated with a floral...

A large Japanese blue and white decorated Arita porcelain charger, Edo Period, early 19th century, Japan. The large and shallow blue and white Arita porcelain charger measures 18 ...