19th Century Japanese Landscape Folding Screen Rice Paper and Gold Specks

Clouds of gold, water and many colorful flowers: Japanese six-panel folding screen by Rimpa School. Hand painted with rice mineral pigments and inks on rice paper and gold leaf.

Paravento a sei pannelli di scuola giapponese Kano: paesaggio con bellissime ed eleganti gru vicino al fiume, con alberi di pino e sakura. Dipinto a mano con pigmenti minerali ed inc...

Refined work by a painter from the first half of the 19th century, from the landscape of the "Rinpa" school by a painter from the end of the 18th century, the Rinpa school. Six panels painted in ink on gold leaf and "gofun" on vegetable paper. The flowers are made with the "gofun" technique, natural or pigmented white oyster powder. Rinpa is one of the major historical schools of Japanese painting. The style was consolidated by the brothers Ogata Korin (1658–1716) and Ogata Kenzan (1663–1743). This folding screen has a very clean design that leaves plenty of room for the beautiful golden landscape. It comes flat and you can easily hang it with our hooks. Lucio Morini...

Spring landscape by an unknown painter of the Rinpa school, 19th century, six-panel ink painted on gold leaf on rice paper. The flowers are made with the "gofun" technique, natural or pigmented white oyster powder. Rinpa (? ?, Rinpa) is one of the major historical schools of Japanese painting. the style was consolidated by the brothers Ogata Korin (1658–1716) and Ogata Kenzan...

Six-panel screen of the "Rinpa school", painted with inks on gold leaf. Colorful and sunny variety of flowers painted with great skill by an anonymous Japanese artist, who skilfully...

Japanese screen with two doors painted with mineral pigments on rice paper. Early Showa period.

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

This pair of screens depict just the middle sections of aged pine trees, painted in bold brush strokes on a background of gold leaf clouds. The trees are draped in vines, the lush cr...

Unknown artist Rabbits and Horsetail Reeds Painted in the Year of the Fire Dog, 1826 or 1886. 19th century. The scene depicted here is set under moonlight, with two hares hi...

Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...

Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...

A two-fold Japanese screen by the Rimpa school artist Sakai Hoitsu (1761-1828), Japan, 19th century, Edo period. This small Japanese folding screen pai...