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Japanese Hanging Scroll, Taoist Scholar and Student, by Gogaku, 18th Century

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  • Japanese Six Panel Screen with Hotei, Edo Period, Early 19th Century
    Located in Austin, TX
    A delightful Japanese six panel painted paper screen featuring the beloved figure Hotei, Edo Period, early 19th century. Hotei, called Budai in China, and known as the Laughing Buddha or Fat Buddha in the West, is considered to be an emanation of Maitreya, the Buddha of the Future. In Japan, he also holds a special place as one of the Seven Lucky Gods, being the god of fortune, and protector of children. He is always portrayed as a mirthful and corpulent man, dressed in loose robes that show off his round belly. He carries a sack with him, said to be filled with treasure. As the protector of children, he is often portrayed with them playing on or around him, as he is here. The children portrayed in this screen are dressed in Chinese style clothing...
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    Antique Early 19th Century Japanese Edo Paintings and Screens

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  • Large Framed Japanese Buddhist Amida Temple Hall Painting, Mid-19th Century
    Located in Austin, TX
    A large and incredible Japanese painting of a Buddhist temple hall with Amida Nyorai, late Edo or early Meiji period, mid-19th century, Japan. Mounted wit...
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    Antique Mid-19th Century Japanese Meiji Paintings and Screens

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    Wood, Paint, Brocade, Silk, Acrylic

  • Pair of Japanese Edo Period Six-Panel Screen, "100 Boys at Play"
    Located in Austin, TX
    An absolutely charming pair of Japanese Tosa School six-panel folding screens painted with the "One Hundred Boys at Play" motif, featuring a multitude...
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    Antique Early 19th Century Japanese Edo Paintings and Screens

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    Gold Leaf

  • Chinese Early Qing Dynasty "Water and Land Ritual" Painting, 17th Century
    Located in Austin, TX
    An important Chinese 17th century early Qing Dynasty "Water and Land Ritual" painting, mineral pigment and ink on silk, mounted as a scroll, framed and glazed. The painting depicting groups of heavenly court officials and deities descending from the clouds to participate in the Liberation Rite of Land and Water. The figures all wear full, sumptuous robes, complete with hats indicating their station. The blue, green, red, black and white of the robes decorated with gilt dragon and geometric designs. This painting is interesting in that it incorporates Daosit deities and heavenly officials coming down to participate in the Buddhist rite. There are five distinct groups of figures, each with a small inscribed plaque. Some of the groups are identified as Tian Xian, or Heavenly Immortals. The group at the bottom left are identified as the Sanguan Dadi, or Three Great Emperor-Officials. The Emperor of Heaven is dressed in blue robes with gilt painted dragons. The Emperor of Water wears black robes. The Emperor of Earth wears yellow robes...
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    Silk, Glass, Giltwood, Paint

  • Tall Vintage Chinese Export Reverse Glass Painted Hardwood Framed Hanging Panel
    Located in Austin, TX
    A very large vintage Chinese export reverse glass painted figural hanging wall panel in a carved hardwood frame, early to mid-20th century...
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  • Large Antique Chinese Hand Painted Wallpaper Section in Carved Hardwood Frame
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    A wonderfully charming large and colorful Chinese hand painted wallpaper section in a carved and shaped hardwood frame. The wallpaper dates to the first half of the 20th century or e...
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    Early 20th Century Chinese Chinese Export Paintings and Screens

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    18th century Japanese scroll of poppies. Edo Period (early 18th century) Japanese painting of poppies with lilies in the background. Seal on the lower...
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  • Japanese Painting, Hanging Scroll, 19th Century Bamboo in Moonlight
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    Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...
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  • Japanese Painting, Hanging Scroll, Mid 19th Century, Koi and Water Plants
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  • Hanging Scroll by Kamisaka Sekka, Japan
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    This painting represents a man waiting under a dark tree. The composition is extremely simple but suggestive. The artist, with few elements, can, in fact, create a vivid and dynamic scene, based on the tension between the strong ink stain that renders the tree and the elegant figure of the man, dressed in an aristocratic robe. Painter and designer, Kamisaka Sekka...
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