Japanese Single Panel Painting Moon and Plum Design 'Winter Scene'

Japanese Six Panel Screen: Winter Scene of Pine, Plum, and Bamboo Under Crescent Moon. Pine, plum and bamboo are known as the three friends of winter, because they all thrive and bl...

Japanese six-panel screen: Winter landscape with flowering plum, Meiji period (1868-1912) painting of a full moon with wild grasses between river's edge and a snow covered plum tree ...

Lacquer painting on wood.

Japanese two-panel screen: Full moon through plum orchard. Taisho period (1912 - 1926) painting of a full moon shining through the craggy branches of plum trees. Wonderful painting s...

Mineral pigment on gold leaf.

Acrylic and gouache on paper, mounted on board and framed, by Minamisawa Hiroshi. Bearing a label from the Avant-garde Kodo Art Group Exhibition 1955.

Large Japanese Meiji period six-panel screen depicting a winter landscape with a Chinese sage visiting friends in a country villa. Ink and vivid color pigments on mulberry paper mounted to a gilt background. Painted in the 19th century Kano school...

Dramatic Showa period two panel folding byobu screen depicting a large white goose in flight in an evening snow covered winter landscape. Made in the American school style watercolor...

Fantastic Japanese late Meiji period two-panel byobu screen by Hashimoto Koshu. The large screen features two white geese amid brightly colored reeds. The symbolism of geese and reeds was introduced to Japan from China in the 13th century. This was a popular subject for Japanese zen artists of the period. Beautifully crafted with exceptional brush strokes and details. Made with natural pigments in dramatic vivid colors of white, pink, and mint green on a silk background of gilt. Circa 1900 with artist seal on bottom right corner. Koshu studied Western art under...

Stunning Japanese Meiji period six-panel large screen. Featuring blooms of spring flowering white, pink, and red peonies with butterflies over a gilt background. Made in the Nihonga ...

Tanaka Tessen (b.1890) Dahlias and Roosters Taisho period, circa 1920 Framed painting. Mineral pigments and ink on silk. Dimensions (framed): H. 159 cm x W. 97 cm x D. 2.5 cm (62.5” x 38” x 1”) An ornate and complex composition in which the artist explores almost the entire painting surface. The coloration is bold and evocative and the tinted silk ground recreates the warm golden glow of sunset. Soft, luminous brushwork details the black feathers of the roosters, which seem to cloud and blur in counterpoint to the sharper points of the eyes and beaks. Their brilliant red combs balance the composition, echoing the rich burgundy hues of the dahlias; the flowers exquisite and lifelike. Dahlias were an exotic subject favored by painters of the Taisho era. The painting belongs to the school of Kyoto Nihonga, exemplifying the principles of decorative elegance and consumate brush technique with which it was intimately associated. Painters of the time relied on the Shijo school method, basing the forms of the composition from life sketches. Sometimes they were then integrated with elements derived from Chinese bird and flower...

Vintage Han Palace Art Co. scroll framed oil painting wood diptych carved panels. The original tag on back. This is a vintage piece from the 1950s or 1960s. It shows signs of natural...