Antique Japanese Woodblock Print by Utagawa Kuniyoshi (1797-1861) 一勇齋國芳 Ric.J004

Utagawa Hiroshige II (1826-1869), Japan, originally 1864, publisher Hiranoya Shinzo, from the series Thirty-six Views of the Pride of Edo, framed and glazed, oban tate-e. Dimensions...

Utagawa Ando Hiroshige, Japanese, 1797 to 1858, woodblock prints on paper, Flowers and Bird signed and inscribed in Hieroglyphs and red ink stam...

Antique Japanese woodblock print by Utagawa Yoshitora 一猛齋芳虎 (1836~1880) depicting a night scene with a courtesan, Framed with glass. Dimensions: with...

A Japanese Woodblock A Young Woman in a Ruined House, print by Utagawa Toyokuni III (1786~1964), 三代歌川豊国. ABOUT THE ARTIST Utagawa Kunisada (Japanese: 歌川 国貞; 1786 – 12 January 1865),...

A Japanese Woodblock A Young Woman in a Ruined House, print by Utagawa Toyokuni III (1786~1964), 三代歌川豊国. Dated: Aratame seal, 1855 Publisher: Koshimura-ya Heisuke ABOUT THE ARTIST U...

Unusual Japanese Woodblock Print by Utagawa Toyokuni I (1769~1852), depicting a man in his traditional dress and his right hand holding a young girl, origin...

Utagawa Kuniyoshi (Japan, 1798-1861), a set of nine Japanese woodblock prints (ukiyo-e) from the series 'Taiheiki Eiyuden', or 'Heroes of the Great Peace' published between 1846-1847...

Utagawa Kuniyoshi and Utagawa Kunisada/Toyokuni III A set of seven framed ukiyo-e woodblock prints, 19th century 10 ½ by 14

A beautiful image by renowned Japanese artist/printmaker Utagawa Kuniyoshi (1797 - 1861 ) titled "Saigyo-Hoshi (no. 86) 西行法師 (The Monk Saigyo) (The Monk Saigyo)" from his famous series "Series: Hyakunin isshu no uchi 百人一首之内 (One Hundred Poems by One Hundred Poets)." This work features the Buddhist monk Saigyo under a radiant blue willow tree on a river bank showing a group of curious children a golden cat...

Dimension: Frame: 57 x 45 Picture: 34.5 x 23.5 19th Century Japanese Woodblock Print, Meiji Period, After Utagawa Kuniyoshi A J...

An antique Japanese Edo period diptych woodblock print from the early to mid 19th century, signed by Utagawa Kuniyoshi. Immerse yourself in the Japanese Edo period artistry with this antique 19th-century diptych woodblock print. Signed by the artist, this captivating piece is a striking depiction of a tranquil interior scene, rendered in a soothing color palette of blue, pink, and black tones. This print comprises two panels, assembled under glass in a custom frame to form a cohesive narrative. The scene captures a specific moment in time, presenting a man surrounded by four women and a child, beautifully adorned in traditional Japanese garments. The intricate details of their clothing are a testament to the artisan's skill, bringing an element of authenticity and depth to the scene. On the left, three women sit in a state of relaxed conversation, while another stands, graciously offering a tray. Adding intrigue, two additional women can be spotted peeking through a slightly open window, one cleverly concealing her face behind a fan. A child, smaller in stature, sits attentively in front of the man, further enhancing the scene's narrative quality. A signature from the artist adds an additional layer of authenticity, making this piece a must-have for collectors of antique Japanese art...

Pair of 19th century Japanese woodblocks by Utagawa Kuniyoshi in custom frames. Each set in a custom matted ebony and gilt decorated custom frame finely matter. The pair signed and dated on reversed. -Three Courtman drinking sake and admiring the full moon, 1788-1861 -A lady admiring the chrysanthemum flower 1785-1864. Utagawa Kuniyoshi 1798 - 1861 The vogue for full-body tattoos of interlaced characters, animals and fish, the full arms and backs that writhe with complex figures and designs can be directly traced not only in their drawing but in their conception to the Japanese woodblock artist Utagawa Kuniyoshi. It was he, whilst trying to establish a flagging career in the 1820’s in Edo (Tokyo) Japan, that conceived of decorating heroic, supernatural warriors with florid designs to emphasise their toughness and in some part to elaborate on their narrative. Kuniyoshi was born Yoshisaburo and like Kunisada was apprenticed to the great woodblock artist Toyokuni I at his Utagawa School 1811. Kuniyoshi showed prodigious talent but unlike his colleague Kunisada failed to find commissions and it was not until the late1820’s that he discovered his own style and overnight success with the release of his series of warrior prints...