Tangled Up Blue Tea Towel, Textile Museum, by Vantot, Netherlands

Floating lights Model Circle 50*50 (50 lines* 50 light elements) Form: Circle (big ring) Rows: 50 Number of elements: 50 lighting elements The design functions as an interio...

Floating Lights Model Circle 10*150 (10 lines * 150 elements) FORM: C (Circle) ROWS: 10 (10 lines) NUMBER OF ELEMENTS: 150 lighting elements The design functions as an interior to...

Floating lights Model S.02.01.E007 (Form.Rows.Version.Number of Elements) Form: S (straight) Rows: 1 row (2 lines) Version: 1 Number of elements: 7 lighting elements The de...

Floating lights Model A.16.01.E64 (Form.Rows.Version.Number of Elements) Form: a (arch or half circle) Rows: 15 (16 lines) Version: 1 Number of elements: 64 lighting elements ...

Floating lights Model C.06.03.E24 (Form.Rows.Version.Number of Elements) Form: C (Circle) Rows: 6 (6 lines) Version: 3 Number of Elements: 24 lighting elements The design f...

Floating lights Model S.18.01.E27 (Form.Rows.Version.Number of Elements) Form: s (straight) Rows: 17 row (18 lines) Version: 1 Number of elements: 27 lighting elements The ...

As part of our Japanese works of art collection we are delighted to offer this charming Meiji period 1868-1912 embroidery of a chin dog aside a spray of peacock feathers and by one of the most famous textile company’s of the period, the Iida Takashimaya company, the breathtaking and simply captivating detail of the silkwork demonstrates some of the finest possible stitching methods available at that time and not surpassed to this day, the silk picture is cushioned and housed within its original black lacquered wood frame and importantly bearing the original and scarce Iida Takashimaya factory label to the reverse, an absolute masterpiece from a golden period of textile production, this picture would light up the wall of any room particularly your Japanese themed space . Provenance : UK Collection . Featured in – 2020 Vision of an enlightened ruler exhibition – plate 39 Literature : There is little doubt that a major part of the phenomenon of Japanese works of art exploding onto the worldwide stage leading up to and during the Meiji period was bought about by the Textile manufacturers of Kyoto, the most recognized of which will undoubtedly be the Nishimura company, founded in Kyoto in 1670 as textile traders, It was the 12th generation manager Nishimura Sozayemon (1855-1935) aged just 17 and remarkably adopted into the family as the son of a Chinese scholar who took the company to its dizzy heights. As early as 1873 just one year into his tenure the company were exhibiting at expositions and even during that early period the company picked up significant awards and medals with recognition both nationally and overseas , particularly in Paris in 1878 , thereafter the factory moved to new premises in Kyoto , presumably having outgrown their original site , this move coincided with the building of the new Imperial palace in Tokyo where Nishimura were commissioned to provide 64 embroidered wall panels...

Japan, Late 19th century Patched textile ‘Boro’. Measures: H 160 x W 117 cm.

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing advised. M...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Measures : 18"x19". Delicate and specialise...

Antique Chinese - Textile Size: 4'3" x7'6"

Antique Chinese textile, size: 6'4" x 9'4".