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Tiffany Studios New York "Zodiac" Inkwell

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  • Tiffany Studios New York "Zodiac" Match Box Holder
    By Tiffany Studios, Louis Comfort Tiffany
    Located in New York, NY
    A gilt bronze “Zodiac” match box holder by Tiffany Studios New York. The match box holder features intricate pseudo-Celtic patterning interspersed wit...
    Category

    Early 20th Century American Art Nouveau Desk Sets

    Materials

    Bronze, Enamel

  • Tiffany Studios New York Bronze and Green Glass Inkwell
    By Tiffany Studios
    Located in New York, NY
    Among the most visually alluring and technically excellent of all Tiffany Studios New York's desk accessories, the exciting design for this refined but robustly rounded inkwell features green blown glass in pinched triangular forms that appear to dance in perfectly coordinated movement around the circumference of the piece. The negative space between the blown green glass appears in the form of stylized flowers with Minimalist linear accents in patinated bronze. Artist: Tiffany Studios New York Country: United States circa 1900 Dimensions: 3.75" height, 6.25" diameter Materials: Leaded glass, bronze Signed: "Tiffany Studios New York 25055” along with the Tiffany Studios monogram...
    Category

    Antique Early 1900s American Art Nouveau Inkwells

    Materials

    Bronze

  • Tiffany Studios New York "Damascene Harp" Desk Lamp
    By Tiffany Studios, Louis Comfort Tiffany
    Located in New York, NY
    This desk lamp by Tiffany Studios, dating from circa 1910, features a damascene favrile glass shade on an adjustable patinated bronze harp base. With dichroi...
    Category

    Early 20th Century Art Nouveau Table Lamps

    Materials

    Bronze

  • Tiffany Studios New York "Turteback Tile" Chandelier
    By Tiffany Studios, Louis Comfort Tiffany
    Located in New York, NY
    Rippling undulations in gold iridescence and soft, organic lines dominate this ethereal but weighty composition, an exceptional example of a Tiffany Studios New York "Turtleback Tile" chandelier. Three tiers of vertically oriented rectangular Turtleback tiles with rounded corners graduate in size, with substantially sized tiles decorating the bottom-most tier and the apex of the domed shade featuring tightly clustered tiles in miniature. Sumptuous and romantically uneven borders frame each tile, accentuating their unique silhouettes and adding a dark, matte element to contrast the bright, shimmering gold that dominates the shade. Item #: L-20333 Artist: Tiffany Studios New York Country: United States Circa: 1900 Size: 18.5" diameter Materials: Patinated Bronze, Leaded Glass Signed: "Tiffany Studios" Literature: A similar chandelier is pictured in Tiffany Lamps and Metalware: An illustrated reference to over 2000 models by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors' Club, 1988, p. 281, plate 109 Macklowe Gallery Curators notes: he same model was on display at the Cooper Hewitt Museum's Passion for the Exotic: Louis Comfort Tiffany and Lockwood De Forest...
    Category

    Antique Mid-19th Century American Art Nouveau Chandeliers and Pendants

    Materials

    Bronze, Lead

  • Tiffany Studios New York Enameled Copper "Olive" Covered Box
    By Tiffany Studios, Louis Comfort Tiffany, Stonebridge Glass Co.
    Located in New York, NY
    This Tiffany Studios New York covered box by Louis Comfort Tiffany, covered with an enamel "Olive" motif, was executed by the Enamelware Department of The Stonebridge Glass Company in New York. The stoic composition is primarily composed of richly enameled copper, with the cover and body of this rare piece sharing decoration of subtly-hued olives, with purple-brown copper branches and deep green leaves. While the rarity of the object itself makes it an incredibly collectible item, the easy beauty of the composition also makes it an instant treasure. Artist: Tiffany Studios New York Circa: 1905 Dimensions: 5.25" height, 6.5" diameter Materials: Repoussé copper, Enamel and counter enamel Signed: "Louis C. Tiffany and impressed SC 332" Provenance: Parke-Bernet Galleries Inc., New York, Private Collection, circa 1965, thence by descent to the present owners Literature: Box pictured in Behind the Scenes of Tiffany Glassmaking: The Nash Notebooks, by Martin Eidelberg and Nancy McClelland, New York, 2001, pp. 21 and 178 (for the model executed in pottery); Box also pictured in Louis C. Tiffany: The Garden Museum Collection, by Alastair Duncan, Woodbridge, Suffolk, 2004, p. 466 (for the model executed in pottery) and p. 471 (for the model executed in bronze pottery)
    Category

    Antique Early 1900s American Art Nouveau Decorative Boxes

    Materials

    Copper

  • Tiffany Studios New York "Peony" Table Lamp
    By Tiffany Studios, Louis Comfort Tiffany
    Located in New York, NY
    Tiffany’s “Peony” table lamp was a work grounded in naturalism but reaching for the divine. With a shade of resplendent blooms and a mosaic base evoking the hallowed ground of church floors, Tiffany’s peony lamp demonstrates his foundation in both Art nouveau and ecclesiastical art. To depict his multi-hued bouquet, Tiffany depicted two different cultivars, a Greek peony, and a Japanese peony. Tiffany used burgundy glass streaked with lapis to express the richness of the Greek Peony. Favored by neoclassical artists for their symmetry and simplicity, Tiffany featured the bloom in the architecture of his country estate. To represent the candy-striped Japanese peony Shima Nishiki, Tiffany used cream glass streaked with fuschia. The shade elegantly depicts different stages of growth from the bud, first bloom, peak bloom, to wilting. When peony petals wilt, their veins darken, and their form puckers. Tiffany’s glass selectors chose a stone textured glass called granite glass to express the wilting of the petals and their pronounced venation. The background and border of the shade is a golden amber, streaked with magenta and blue. The top-down perspective of the peony with a dirt background was a type of painting called “Rasenstück”, a detailed study of a piece of turf. The crux of the Rasenstück was the elevation of the humble. Popularized in the nineteenth century by the American Pre-Raphaelites, the movement believed in the idea of "truth to nature". The principle encouraged painters to capture the natural world as truthfully as possible, not romanticizing what they saw. In these nature studies, painters depicted flowers and trees in the soil from which they grew. While sublime on its own, the shade and base taken together paint a picture of Tiffany’s Japanese garden. Peonies imported from the far east bordered serene ponds. A frieze of turtleback tiles hypnotizes the viewers with its scarlet glow, evoking the red flash of a sunset, as seen through a field of cattails, rendered in bronze. Below it, the row of cat tails blends into a mosaic of red, yellow, and green glass. While Tiffany’s chief designer Clara Driscoll is most famous for her naturalistic lamp designs, the bread and butter of Tiffany Studios was its ecclesiastical department. Red, yellow, and green colorways were widely used in the depiction of Baroque angels, whose wings were modeled after birds of paradise. As hunters removed their legs upon sale, many believed they neither ate nor drank, and instead floated ethereally like angels. A lamp such as this epitomizes Tiffany’s understanding of his artistic vision in the context of the entire history of artistic expression. Since falling in love with glass at age twelve in the cathedrals of Chartres, light itself became a representation of divinity. A contemporary critic described Tiffany’s mosaics...
    Category

    Early 20th Century American Table Lamps

    Materials

    Bronze, Lead

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