Fruitwood More Desk Accessories
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Material: Fruitwood
Decorative XIX Century Child Wax Bust
Located in Madrid, ES
XIX Century child wax bust.
Curious bust in wax representing a child of the xix century on wooden base total measurements: 22 cm height only the bust 16 cm.
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1860s Antique Fruitwood More Desk Accessories
Materials
Fruitwood
Middle Eastern Moorish Handcrafted Mosaic Decorative Trinket Box
Located in North Hollywood, CA
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Mid-20th Century Lebanese Moorish Fruitwood More Desk Accessories
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Shell, Mother-of-Pearl, Fruitwood
1900s Art Nouveau Italian Scale with Floral Inlays and Bronzes
Located in Catania, Sicilia
An art nouveau bronze and wood scale with floral inlays and bronzes hand-crafted in Italy in the early 120th century.
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Early 20th Century Italian Art Nouveau Fruitwood More Desk Accessories
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Bronze
Victorian Wood and Needlepoint Flower Press
Located in Spencertown, NY
A victorian wood and needlepoint flower press.
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Mid-19th Century English Country Antique Fruitwood More Desk Accessories
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Fruitwood
Desk / Table Lamp Metal Flex Shade and Chrome Mount, Base with a Wooden Detail
Located in Verviers, BE
1970s table lamp with chrome fittings on a metal base with wooden detail. The lamp has a shade made of metal giving it a matte black finish, white surface inside,
Ideal for a side t...
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1970s Scandinavian Art Deco Vintage Fruitwood More Desk Accessories
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Metal, Chrome
English Pipe--holder
Located in Alessandria, Piemonte
Antique elegant pipe-holder: an unique piece for an unique gift!
It is made entirely- carved wood.
Category
Late 19th Century English Beaux Arts Antique Fruitwood More Desk Accessories
Materials
Fruitwood
Early 19th Century French Charles X Palisander Sewing Box with Lemon Wood Inlay
Located in Fayetteville, AR
This early 19th century French Charles X period palisander box features a finely inlaid lemon wood border on its top and front. An inlaid central floral and leaf motif decorates the top. Used as a traveling sewing kit, this box includes all of its original contents, silver scissors...
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Early 19th Century French Charles X Antique Fruitwood More Desk Accessories
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Crystal, Silver
Fine 19th Century Tunbridge Ware Paperweight & Pen Rest, England circa 1870
Located in Ottawa, Ontario
Showing a finely turned fruitwood-handle / pen-rest, affixed to a weighted burl wood base decorated with geometric and floral motifs in stick-work and tessellated mosaics, the sides ...
Category
Late 19th Century English Victorian Antique Fruitwood More Desk Accessories
Materials
Fruitwood, Burl, Walnut
Dutch Model of a Bombe Bureau Inlaid with Fruit Woods, circa 1860
Located in Lincoln, GB
A Dutch walnut and marquetry inlaid salesman's model of a Bombe Bureau inlaid with fruitwoods. With seven miniature top drawers, a writing table two main...
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19th Century European Dutch Colonial Antique Fruitwood More Desk Accessories
Materials
Fruitwood
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Decorative Paperweights '8' in Black / White / Red Terrazzo
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Bronze Sculpture Lioness / Roger Godchaux Jewish Artist & Susse Lost Wax Bibelot
Located in West Hollywood, CA
Bronze Sculpture Lioness / Roger Godchaux Jewish Artist & Susse Lost Wax Bibelot . An important bronze sculpture By the great Jewish Bronze Master animalier , Estampille
1- Cire perdue Lost Wax Stamp "La Lionne" by Roger Godchaux. See Photo
2- 2- With A Stamp of Susse. See Photo
3- 3- the signature of the Artist on the bronze. See Photo
Incredible Executed and very fine details with Dark Brown Patina with a hue of green . The movement of the lionesse is very graceful and sinuous (as most of the lion Sculpture he produced) Mounted on a black stone base 5 1/2" x 11 1/2" Antique Dealer West Hollywood CA Melrose Ave La Cienega Blvd. Godchaux Né à Vendôme le 21 décembre 1878 et mort le 6 mars 1958 à Paris.
Roger Godchaux Sculpteur animalier regularly produces animal drawings and paintings. Thus, unlike his sculptures which mainly represent wild animals, especially elephants and felines that he was going to study at the Jardin des Plantes, his paintings are often inspired by farm animals that he could observe in a small village of Brie where lived the mother of his companion. He also paints commissioned portraits or portraits of his family or friends, such as Gaston Switzerland or René Huchet .
But it is above all a sculptor. He made some works by direct carving of the wood. However, he mainly worked by modeling the earth. It treats surfaces by smoothing and oblique streaks. In this respect, unlike other animal sculptors like Édouard-Marcel Sandoz , François Pompon or Armand Petersen whose works are smooth, his work is close to the art of Paul Jouve which leaves apparent textures.
The lioness is finished with Godchaux’s distinctive surface modeling where the flesh is left textured like a wax model on the artists bench, still being formed and tooled. Godchaux’s animal work is characterized by gentleness and a sensitivity towards his subjects that showcases their playfulness and personality. This is captured beautifully in the present example where her curiosity and intensity of focus are fully developed; the anatomical and muscular realism is noteworthy. The naturalistic base is signed in his standard script “Roger Godchaux” and is also signed “Susse Fres. Edit. Paris” with the Susse cachet; a tiny stamp “France” is impressed into the edge below the cachet.
Models in mud are most often cast plaster. It is often in this material that he exhibits in Salons and galleries. The works for sale are cast in bronze. They are entrusted to famous founders like Susse , with whom he signs publishing contracts, or Valsuani . He also works with lesser known smelters like Gatti, Andro or Planquette. Some of his bronzes do not wear a cast iron seal. While there are some large models, most are modest in size, easily finding their place in collectors' homes.
Some of his works are terracotta or sandstone. Models were published by Susse both in bronze and terracotta. Terracotta remains raw or is glazed. He also worked at the Sèvres factory in the late 1930s. Roger Godchaux , born in Vendôme on December 21 , 1878 and dead the March 6 , 1958in Paris , is a painter , draftsman and sculptor of animals French . If all domestic and wild bestiary is part of his artistic universe, it is the wild beasts and elephants that have been his favorite subjects. Figurative sculptor, he represents the animal without artifice, in his attitudes of everyday life.
Roger Godchaux's father is an antique dealer. His mother, Jeanne Godchaux, is a concert pianist. He has a brother Yvan with whom he studies in Vendôme under the care of his maternal grandparents, music teachers in high school. Having joined Paris, he prepared in 1894 admission to the School of Fine Arts . He soon turned to animal art . He became a pupil of Jules Adler and Jean-Léon Gérôme . In 1896, he is a pupil of the Julian Academy . Great admirer of Antoine-Louis Barye , he will build a collection of works produced in the workshop of the master 1 . In 1905, he began to exhibit in Paris. He regularly participates in the Salon des artistes français .
In 1914, he was mobilized in Saint-Lô . Reformed, he is assigned to the offices of the Ministry of War. During this period, he put his drawing skills at the service of propaganda for the Allies. After the war, he saw rue Descombes . He resumes the exhibitions at the Salon des artistes français where, in 1922, he won the bronze medal. The state orders two bronze plates for the Army Museum Library . In 1924, his second companion gives him a daughter, Luce. In 1925, the jury of the International Exhibition of Modern Decorative and Industrial Arts awarded him a silver medal. In 1927, he won the contest of car manufacturer Chenard and Walcker for the creation of an emblem for their cars. In February 1928, the State bought him a bronze sculpture: Elephant , exhibited at the National Salon of animal artists, of which he becomes the treasurer in November of the same year. It was at this time that the Newark Museum in the United States bought him works. It was also in 1928 that he won the silver medal at the Salon des artistes français. In 1929, the state bought him a sculpture ( Pigeon ) again.
During the inter-war period, he exhibited regularly in various galleries: Galerie Charpentier , Galerie Georges Petit , Galerie Edgar Brandt , group of animals of the Malesherbes Art Gallery. He has friendly relations with other animals, including Henri Valette and Gaston Switzerland, with whom he regularly works at the Jardin des Plantes . In 1937, he signed a contract with the Manufacture Nationale de Sèvres for the edition of terracotta.
During the Second World War , he stayed in Paris and continued to work in his studio on Boileau Street , but was forced to wear the yellow star . He lives with his girlfriend and daughter Avenue de La Motte...
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Located in Chillerton, Isle of Wight
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19th Century French Charles X Period Mahogany and Lemonwood Marquetry Coin Box
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This mid-nineteenth century French Charles X period coin box is constructed of mahogany and features inlaid lemon wood borders. The lemon wood inlay on the li...
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Indian Hand Carved Wood Vintage Book Stand
Located in Oakland Park, FL
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Folding carved stand made by hand from one solid piece of Sheesham wood: What is Sheesham wood? Also known as Da...
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Mid 19th Century Continental Mulberry Wood Stationery Box
Located in London, GB
An unusual 19th Century Continental mulberry wood Stationery Box, with cedarwood interior, inlaid throughout with scrolls, flowers, columns and central p...
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Fruitwood
Sphere of Aragonite Stone, Italy, 1870
Located in Milan, IT
A sphere of Aragonite stone, resting on a base, made out of ebonized wood that has a column with a wavy profile that opens upwards with a concave top. Italy circa 1870.
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Sphere of Dinosaur Fossil, Italy 1880
Located in Milan, IT
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