Sculptures

**LEAD TIME 5 WEEKS** Height: 87 cm / Weight: 45 kg Marcus Aurelius Antoninus Augustus was the Roman emperor and is considered one of the most important philosophers in its history...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This Rose Bush is handmade in biscuit porcelain with painted copper leaves and stems, and is pl...

Marsyas is a famous Phrygian satyr in Greek mythology, believed to be half human and half goat. He is the son of Hyagnis, who invented harmony. Marsyas, who plays the flute very well...

**LEAD TIME: 4 WEEKS In the first century, Livia was decribed as Rome’s strongest woman. She is proudly depicted in ancient sources as suitable to be empress, faithful to the emerpor and a good wife, and always balanced and level headed. It is said that she successfully filled the roles of wife, mother, widow and elderly woman. Livia was the wife of Augustus, the first emperor of the Roman Empire; she was his regent and was also his faithful adviser. Livia, the most powerful woman of her time, has written her name in history as a loyal, proud and dignified woman. The original bust of Livia is exhibited in the Ephesus Museum...

**LEAD TIME 4 WEEKS The famous Artemis is the sister of Apollo and Dionysus; It is integrated with abundance in Anatolia. Considered one of the seven wonders of the ancient world, t...

Step into the world of ancient Greece with 'The Athlete Throwing Discus,' a renowned sculpture also known as Discobolus, meticulously completed by the skilled artist Myron during the...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

The ancient city of Ephesus, which dates back to 6000 BC, has been a coastal city belonging to the Romans, Greeks and Turks at different times. The city is known as the place where C...

The Old Fisherman Bust serves as a timeless piece of decor, adding a touch of classical elegance to any setting. Whether displayed in a museum-like exhib...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, in collaboration with Maison Nurita. This Lily of the Valley is handmade in biscuit porcelain, glazed in a custom pink for Maison Nurita, with patinated copper leaves and stems, and is placed in a rock crystal pot...

Height: 65 cm / Weight: 20 kg Alexander, the real name of Macedonian III. Alexandros, commonly known as Alexander the Great, was king of the ancient Greek kingdom of Macedonia and a...

Apolo Bust, Calacatta Bianco Marble, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Apolo bust is a captivating sculptural piece meticulously crafted from Cal...

Chanel Addict black & white Pill sculpture with all structure in resin in lacquered finish. On acrylic base. Limited Edition of 8 pieces, numbered and s...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

Artist statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

Rare and important one-of-a-kind monumental hand-welded sculpture "Pas De Trois" in patinaed bronze with green patina by Philip & Kelvin LaVerne, American...

Sculpture panther polished medium made with aluminium hand-crafted plates. Edition of 8 pieces made in welded and shaped aluminium into masterful works of contemporary art.

Sculpture Rhino Resin, in patinated bronzage finish. Cubic style sculpture. Exceptional piece.

Surrealism, primitivism, metaphysics and brutalism. Art together with architecture and design build a scenario of inspirations and continuous references through which the material ri...

Vintage concrete dog statue, both indoors and outdoors, as garden furniture or in a prestigious entrance, built in Italy in the second half of the ...

An oversized bronze pear sits upon a concrete base in Mary Block's unique work entitled Autumn Pear. This one of a kind bronze sculpture is perfect in its imperfect shape as only nat...

Original Italian ceramic, perfect condition, one teeth missing - shown on pictures. Produced in 1960s.

Sculpture Danish retro dog In hand painted ceramic.

Mid-20th century set of 10 lion knife rests, chrome plated, French. Some wear commensurate with age & use. One foot lacking. Measures: 2 7/8" W, 1/2" D, 1 1/8" H.

"XAI” lamb designed by Salvador Dali manufactured by BD Barcelona and Deyrolle. Measures: 87 x 26 x H 71 (head) and H 59 (back) approximate Inspired by the painting "Interpret...

Armchair designed by Salvador Dali manufactured in Spain by BD. "Invisible Personage" is extracted from the "Singularities" painting, painted by S...

Bamana Mask on a custom ebony wood stand.

French Art Deco sculpture by J.d'Arsenes, France, 1930s. Robin Hood. Spelter, bakelite and marble. Height : 26"(66cm), Width : 19"(48.4cm), Depth : 7.1"(18cm). Fashionable theme at ...

A nice Mid-Century bottle opener featuring a Capricorn zodiac figurine from the 1950s, crafted from solid brass. Designed by Hertha Baller in Austria and marked accordingly. In very...

Surrealism, primitivism, metaphysics and brutalism. Art together with architecture and design build a scenario of inspirations and continuous references through which the material ri...

Sculpture Elliot Polished Bronze all in solid bronze in polished finish. Also available in green bronze finish, price 5250,00€.

A rare and large art glass sculpture by Maestro Loredano Rosin ( Italian 1936-1991) in amber Murano glass with an etch signature " L Rosin 76...

Sea monster Carrara marble mouth fountain Italy, late 16th century It measures 13.8 x 31.5 x 18.9 in (35 x 80 x 48 cm) State of conservation: some small evident gaps and widespread signs of wear due to outdoor exposure. The gray marks crossing it do not come from restoration, but are rather the natural veins of the marble. This work has some morphological characteristics typically associated with the iconography of the sea monster: an elongated muzzle, sharp teeth, protruding eyes, elongated ears, and a coiled serpent's tail. An in-depth series of studies on artistic depictions of the sea monster attempted to verify how this symbol evolved in antiquity in the European and Mediterranean contexts and how it gradually changed its image and function over time. The iconography itself is mutable and imaginative and its history is rich with cultural and artistic exchange, as well as the overlapping of ideas. This occurred so much that it is difficult to accurately pinpoint the "types" that satisfactorily represent its various developments. However, we can try to summarize the main figures, starting from the biblical Leviathan and the marine creature that swallowed Jonah (in the Christian version, this figure was to become a whale or a "big fish", the “ketos mega”, translation of the Hebrew “dag gadol”). Other specimens ranged from the dragons mentioned in the Iliad (which were winged and had legs) to "ketos” (also from Greek mythology), the terrifying being from whose Latinized name (“cetus”) derives the word "cetacean". See J. Boardman, “Very Like a Whale” - Classical Sea Monsters, in Monsters and Demons in the Ancient and Medieval Worlds, in Papers presented in Honor of Edith Porada, Mainz am Rhein 1987, pp. 73-84). In Italy the monster underwent yet further variations: it can be found in Etruscan art on the front of some sarcophagi representing the companion of souls, while among the Romans we find the “Pistrice” (cited by Plinio in Naturalis Historia PLIN., Nat., II 9, 8 and by Virgilio in Eneide: VERG., Aen., III, 427), which appeared in the shape of a stylized hippocampus or a very large monstrous cetacean and evolved into a hideous being with a dragon's head and long webbed fins. During the Middle Ages, the sea monster was the object of new transformations: at this time, it is often winged, the head is stretched like a crocodile, the front legs are often very sharp fins - sometimes real paws - until the image merges with dragons, the typical figures of medieval visionary spirituality widely found throughout Europe (on this topic and much more, see: Baltrušaitis, J., Il Medioevo fantastico. Antichità ed esotismi nell’arte gotica, Gli Adelphi 1997). In Italy during the 15th and 16th centuries, the revival of classicism - representative of the humanistic and Renaissance periods - led to a different reading of these "creatures". Indeed, the sea monster was also to find widespread use as an isolated decorative motif, especially in numerous fountains and sculptures where dolphins or sea monsters were used as a characterizing element linked to water (on this theme see: Chet Van Duzer, Sea Monsters on Medieval and Renaissance Maps, London, The British library, 2013). From the morphological point of view, the "sea monsters" of this period are mostly depicted as hybrid figures, in which the body of a mythological or real being (a hippocampus, a sea snake, a dolphin), is joined to a head with a rather indistinct appearance. It was usually characterized by large upright ears, an elongated snout, sharp teeth and globular, protruding eyes; a complex and indefinite figure, both from the symbolic point of view and from that of its genesis. The work we are examining is placed as a cross between the medieval sea serpent and the Renaissance dolphin, with stylistic features which recall the snake as often used in heraldry (such as the "snake" depicted in the coat of arms of the Visconti - the lords and then dukes of Milan between 1277 and 1447 - and which, for some, may be derived from the representations of the “Pistrice” that swallowed Jonah). In the search for sources, Renaissance cartography and in particular woodcuts should not be neglected. See for example the monsters of Olaus Magnus, from the editions of the “Historia de gentibus septentrionalibus” (“History of the peoples of the north”) and the natural histories of Conrad Gesner, Ulisse...

Surrealism, primitivism, metaphysics and brutalism. Art together with architecture and design build a scenario of inspirations and continuous references through which the material ri...

Surrealism, primitivism, metaphysics and brutalism. Art together with architecture and design build a scenario of inspirations and continuous references through which the material ri...

Surrealism, primitivism, metaphysics and brutalism. Art together with architecture and design build a scenario of inspirations and continuous references through which the material ri...

Art Deco sculpture of two deer. Measures: Width 75 cm. height 38 cm. Weight 17 kg.

Surrealism, primitivism, metaphysics and brutalism. Art together with architecture and design build a scenario of inspirations and continuous references through which the material ri...

Surrealism, primitivism, metaphysics and brutalism. Art together with architecture and design build a scenario of inspirations and continuous references through which the material ri...

Sculpture Gorilla Kong all in solid bronze. Limited edition of 8 pieces, numerated 8/8. By Richard Orlinski. Exceptional piece.

This stylish Leopard sculpture dates to the late 1950s-1960s and was Fabricated in Italy Signed. Ronzan numbered 1211/3 This porcelain sculpture of a Leopard is made by the Italian a...

Pair of of Persian ceramic pottery sculptures depicting standing roosters, each polychrome glazed with Arabic writing to base. Old repair to one tail and some chips to glaze. Dealer...

Sculpture Danish dog In hand painted ceramic.

Bronze group of a Whippet and Pekingese dogs, inscribed P.J. Mene.

Maria Westra, sculpture, wood, perspex, The Netherlands, 1985. This breathtaking cubistic abstract sculpture is derived from Westra's interest in mo...

A pair of minimalist bookends from dated to the 1940s/1950s, showcasing exquisite horse heads. In the style reminiscent of Atelier Werkstätte Hagenauer, these bookends are fashioned ...

Signed Rancoulet. The bronze depicts the twelfth labor of Hercules.

Smallest model of the famous "Clarté" “Lueur Lumineuse” Original “Max Le Verrier” Art Deco style, France. Table lamp, lighted sculpture made in spelter / white-bonze (french = Régu...

Shapely dress form mannequin from the 19th century. In good working order, on castor wheels. Has minor water stains, no tears or damage to the fig...

Unique piece. Jaime Rodriguez Crespo, of Puerto Rico, converts natural elements, like those of coral found on the seabed floor, into evocative artwork sculptures...

Bronze hound dog sculpture. Beautifully modeled and patinated French hunting hound on red oval marble base; great movement with two raised paws. France, late 19th century. Dimensions...

Planet in White and Apple Green is a unique glass sculptural artwork and centerpiece by the Swedish artist Lena Bergström. This piece is from an ongoing collection of works called th...

Roger Capron's Wall-mounted Sculpture Portrays a Face Inspired by Picasso. A Unique piece created in Vallauris, France. Raku, glazes, engravings, and slips. Signed. R. Capron. Emblem...

- All prices are listed ex works. - 5 year guarantee. - We regularly crate, ship and install PH Pianos worldwide with full insurance. Please contact us for individual shipping quote and for any questions. The PH Grand Piano...

This magnificent bust of Apollo, the Greek god of art, medicine, and music is directly inspired by the Classic marble statues in the Roman tradit...

Antoine-Louis Barye (Paris, 1795-1875). Lion crushing a Snake. Bronze with a brown patina signed Barye on the left hand side of the base. The bronze sculpture is sitting on a black m...

Dated 1904, this stoneware bust was made by late 19th century Doulton sculptor John Broad. It depicts Lewis John Eric Hooper, descendant of John Doulton who was founder of the famous Doulton & Co. of Lambeth, London. A barrister at the time, Hooper became Managing Director of the ceramics company from 1919 and subsequently Chairman from 1925. Here he is depicted in his barrister dress by the talented hand of Broad, giving us a glimpse into the character of Hooper as well as Broad’s artistic talent for statuary. The bust is in good condition, made in stoneware and sits on a wooden plinth detailed with plaque. This bust is likely a one-off commission. Broad was one of the most prominent artists of Doulton & Co. during the late 19th and early 20th centuries. Specialising in large works, he had a talent for producing vases, statuary and portrait medallions. This stone bust of Lewis John Eric Hooper...

This is a vintage recumbent lion figure. A Continental, bronze animal sculpture after Antoine-Louis Barye, dating to the late 20th century, circa 1970. Superb detail accentuates thi...