Antique French Bronze Sculpture "Lion Cub of Atlas" Victor Peter & Susse Freres

"LA RENOMMÉE" (FAME) AFTER MODEL BY JEAN-ALEXANDRE-JOSEPH FALGUIÈRE (FRENCH, 1831-1900) Patinated bronze; cast by Susse Freres; stamped "Copyright by Susse... J.H." and signed with f...

"COMBAT D'AIGLES AU-DESSUS D'UN ROCHER" (EAGLES FIGHTING ON A ROCK) BY MAXIMILIEN FIOT (FRENCH, 1886-1953) Signed in cast "M. Fiot"; foundry pastille and inscribed "Susse Fres Ed Par...

ADOLPHE LOUIS VICTOR GEOFFROY French, 1844-1915 "Panthére Rugissant" (Roaring Jaguar) Patinated bronze, signed "J. Geoffroy" and "Susse Fre. Paris / Cir...

THE LION OF THE JULY COLUMN: LION OF THE ZODIAC AFTER A MODEL BY ANTOINE-LOUIS BARYE Patinated bronze on walnut plaque Signed "BARYE", cold-tooled verso "43" Item # 107GWK14D This Fine bas-relief sculpture of Lion de la Colonne de Juillet (Lion du Zodiaque) portrays the astrological sign Leo as a prowling and ferocious lion with a mane that engulfs his head and neck, walking a Fine line along a narrow ledge while opening his mouth like one about to emit a growl. He is set against the equatorial band of the sun's path as it makes its way through the various illuminations of the zodiac. Barye was employed by the architect Jean-Louis Duc to model this bronze lion for the western side of the July Column. Erected in the Place de la Bastille in Paris, the monumental structure commemorated the overthrow of the Bourbon monarchy and the 504 lives lost in the insurrection. Influence for the model is perhaps somewhat owed to Visconti's "Walking Lion" held at the Musée Pie-Clémentin, a more romantic anthropomorphic modeling of this powerful beast. Glenn Benge observed that the lion was likely based on the engraving by Pietro Santo...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 4" Dark-green patinated sand-cast bronze Signed in cast "BARYE" cast after 1875 Item # 204XDG15S ...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 2" Patinated bronze Signed in cast "BARYE" Item # 109YHP24E Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique, a gesture which incensed Barye, as he preferred to sculpt a mate to oppose Lion Assis but the government refused on the basis of the high cost. There are similarities between Lion Assis and Barye's Lion of the July Column, both beasts with notable similarity in the multiple layers of their manes and the quiet repose and powerful presence of the motionless Lion Assis is a natural development over his violent clashing group of Lion au Serpent from thirteen years prior. Version no. 1 was first offered in Barye's 1847 catalogue as no. 99 and due to the popularity of the sculpture it was cast in four different editions with varying dimensions. Lion Assis no. 2 was originally set over two base types: the more rare naturalistic base seen in the present model and the more common molded base (which incidentally also gives that variation some additional height). It was cast posthumously by Auguste Delafontaine, Hector Brame, Colin, Barbedienne and Graech-Marly. The same model and the original plaster and wax are held in the permanent collection of the Virginia Museum of Fine Arts (acc. no. 2007.70 & 71). The present model is an early posthumous cast with a richly textured surface and exquisite detail finished in an overall dark brown patina with hints of reddish undertones; the surface is silky and translucent. Artist Listings & Bibliography: *Barye: Catalogue raisonné des sculptures, Polleti & Richarme, 2000, p. 182, cat. A57, ill. 143 *The Founders and Editors of the Barye Bronzes, Reinis, 2007, see p. 85-88 for discussion of Delafontaine and their role in casting Lion Assis (fig. 50), see p. 79-80 (fig. 25) for discussion of Ancienne Maison Colin...

Victor PETER (1840-1918) "Le Lion et le rat" / "The lion and the rat" Epreuve en bronze à patine verte / Dark green patinated bronze sculptu...

Late 19th century french patinated bronze sculpture of violinist 'Sans Souci' with marble base by Léon Tharel for Susse Frères By: Léon Tharel, Susse Frères Material: bronze, metal, marble Technique: cast, patinated, hand-crafted, metalwork Dimensions: 6.5 in x 9 in x 9.5 in Date: late 19th century, circa 1890 Style: Belle Époque, Romanticism Place of origin: France Antique reclining...

Superb "Lionesses" forming a pair of bookends in silvered bronze for the bases and patinated bronze for the lionesses. One is signed "Roger GODCHAUX" and the other has the stamp of t...

This stunning silvered bronze model is the work of the French sculptor Paul Silvestre (1884-1976) for Susse Freres, the famous metalworking firm based in Paris in the late 19th and e...

Sculpture in bronze We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Susse freres...

Art Deco bronze sculpture of a panther by Maurice Prost. Signed M. Prost and Susse frères Editeurs Paris. Bronze with black patina on a Belgian Black Marble base. This bronze is...