Art Nouveau Bronze Sculpture Nude on a Horseshoe by Recipon France 1896

Art Nouveau bronze sculpture dancing nude couple, La Danse by Charles Samuel. Patinated bronze on a marble base. Belgium ca. 1900. This bronze is illustrated in: Beeldhouwkuns...

Art Nouveau bronze sculpture nude snake charmer, Germany ca. 1900. Bronze sculpture with silver and brown patina on a Portor marble base. This bronze is...

Elegant Art Nouveau bronze sculpture of a draped semi-nude dancer signed by Theodor Stundl, Austria, 1875-1934 With foundry mark. The bronze has a bea...

Art Deco bronze sculpture bird on horseshoe by André Vincent Becquerel, bronze with green patina on a Belgian black marble base. France 1930. ...

Pair of Art Nouveau bronze busts of a young woman Mignon and Esmeralda by Emmanuel Villanis. Both with beautiful patina and foundry mark. France 1896. Mignon: E. Villanis, initial...

Art Nouveau bronze sculptural tray indoor fountain with seated nude holding a vase signed by Suzanne Bizard. Patinated bronze on impressive marble tr...

Art Nouveau nude bronze sculpture, circa 1890 has been finished in textured golden and brown- black color.

This beautifully made French bronze sculpture of a young woman will wow you with its craftsmanship and artistic detail. The statue is mounted atop a marble base.

Henri Godet Art Nouveau signed sculpture of draped nude. Late 19th century antique. Art Nouveau bronze of "Le Reveil de L'Aurore" by Henri Godet. Base has gilt plaque...

A cast bronze sculpture with original markings. Stamped "Made in France" "LN PARIS JR".

A charming bust of a young lady , it is executed in the lost-wax method in a single piece mounted on a base of different tones of marbles. The surface is finished in reddish-oxide t...

CHARLES KORSCHANN Czech, 1872-1943 Putto Riding a Doe Medium-brown patinated bronze over an original marble base Signed "CH. KORRSCHANN." and sealed with foundry cachet for Louchet Item # 301LCJ14L A very fine lifetime casting of Charles Korschann's Putto Riding a Doe, the model is steeped in the elements of the Art Nouveau with a distinct celebration of the naturalistic. The putto grasps a simple harp in his hand while a loose garment bound in a belt encircling his waist billows in the unseen wind. The doe looks on with disinterest, unconcerned about its surroundings and almost at one with its rider. It is a carefully composed idealization of the natural world and the potential for harmony between man and beast. The casting is exquisite, typical of work from Louchet, and is finished in a medium-brown translucent patina. Charles Korschann Born in Brno, Monrovia in 1872 as Charles Korschmann, later dropping the "m" to appear less Germanic, he studied at the fine arts academies of Vienna, Berlin and Paris before finally establishing himself in Paris in 1894. He spent his entire career working in Paris, exhibiting at the 1900 Exposition Universelle where he was awarded a Bronze Medal and from 1894 through 1905 at the Société des Artistes Français. His work is very distinctive and immediately recognizable, a most important trait as an artist and a particular accomplishment in light of the output of his contemporaries. He was to sculpture what Alphonse Mucha was to graphics, both men originating from the same province in Czechoslovakia and having similar influences in Paris. It is rather fitting that he would execute a bust of Alphonse Mucha for the Museum of Brno in honor of his accomplishments. Artist Listings...