Enamel Ceramic Sculpture by Abele Jacopi Signed Lenci, Italy

Painted ceramic sculptrure "bimba e Mastello" by Sandro Vacchetti sigend Lenci. Italy, Torino, circa 1933.

Painted ceramic sculpture by Tizziano Galli, Italy, circa 1940. Tiziano Galli, (1908-1986).

Glazed ceramic sculpture, Italy, circa 1940.

Set of three pieces. Green mushroom dimensions: 42 cm height, 31 cm diameter top. Red mushroom dimensions: 42 cm height, 32 cm width, 24 cm depth. White cactus dimensions: 51 cm height, 41 cm width, 41 cm depth. Desiree De Ridder, argentine contemporary artist. Studies 1991-1995 Painting Professorship, Prilidiano Pueyrredón (UNA). 1999 Animation, Central Saint Martins College of Art and Design, London, UK 2002-2004 Graciela Olio and Alejandra Jones´s Ceramic Workshop. 2018 Residency in Coatlicue Workshop, Oaxaca, Mexico. Solo exhibitions 2018 Waiting for the alarm call. Calvaresi Gallery, Buenos Aires, AR 2017 Acuchilla una piedra, Urbano Poggi Museum, Rafaela, Santa Fe, AR. 2016 Exodus, Elsi del Rio Gallery, CABA, Argentina. 2014 Desirée De Ridder. Mujica Láinez Museum, Córdoba, Argentina. 2013 Desirée De Ridder Installations, Bellas Artes Pavilion, UCA, Bs As, AR 2010 21 gramos esenciales. Installation. La Guanaca Azul Art Gallery, Bs As, AR 2009 Argentine Animals. Installation. Metropolitan Museum, Bs As, AR 2008 Patrimonio Animal Installation. Metropolitan Museum, Bs As, AR 2007 Pingüinera. Installation. Javier Baliña Gallery, Buenos Aires, Argentina. 2006 Javier Baliña Gallery, Sculptures, Buenos Aires, Argentina. 2005 Paintings. Arguibel Art, Buenos Aires, Argentina. 2001 Halle Pajol, París, France. 2000 Galerie Argentine. Embassy of Argentina, Paris, France. Cultural Center of San Salvador de Jujuy, Jujuy, Argentina. 1998 Halle Pajol. Paris, France. Awards and distinctions 2018 Receives the Municipal Found of Arts from Tigre Municipality. 2017 Is part of the Jury in the National Salon of Visual Arts – Ceramics. Argentinian National Cultural Ministry 2016 Third Prize in the National Salon of Visual Arts (Ceramics) Argentina. 2015 Andreani Foundation Award for Visual Arts. (Selection) 2014 103° National Salon of Visual Arts (Ceramics) Argentinian National Cultural Ministry (Selection) 2013 Prize for Honorable Mention, San Isidro Municipality. 2009 98° National Salon of Visual Arts (Ceramics), Argentinian National Cultural Ministry (Selection) 2006 Annual Ceramics Exhibition (Selection). Buenos Aires Center of Museums, Argentina. 2006 XXIII Exhibition of New Artists (Ceramics). Buenos Aires Stock Exchange, AR Collective exhibitions 2018 La otra mitad del arte, Philippe Cyroulnik curatorship, Borges Cultural Center 2017 FACA, Ambos Mundos, Buenos Aires, Argentina. 2016 Requiem for a story. Cecilia Caballero Gallery, CABA, AR 105° National Salon of Visual Arts (Ceramics) Palais de Glace, Buenos Aires, AR 2015 Andreani Foundation Award for Visual Arts. Borges Cultural Center, Bs As, AR Poetics of the Noble Savage. De Ridder-Orlowski. Praxis Gallery, Bs As, AR Diseño de Raíz (Design from the Root). Contemporary Argentine Designers. Sívori Museum, Bs As, AR Ivera. Provincial Museum of Fine Arts, Corrientes, Argentina. 2014 ArteBa, Zavaleta Lab. CABA, Buenos Aires, Argentina. 103° National Salon of Visual Arts (Ceramics) Palais de Glace, Bs As, AR 2013 Casa FOA, Arts and Crafts Space, Palacio Tornquist, Bs As, AR San Isidro Municipality Prize. (Honorable Mention) 2012 Grillo Art Gallery, Punta Del Este, Uruguay...

Ceramic woman with sled sculpture signed Friedrich Goldscheider. Austria, circa 1900.

Painted ceramic "Aida Odalisque" by Josef Lorenzl signed Goldscheider. Art Deco period, Vienna, circa 1925.

In 1919, Helen Konig and her husband Enrico Scavini, founded in Turin, Italy, a small artisan factory of wooden toys and doll furniture. After a few months of activity, they put into production a series of felt dolls that were soon a great commercial success and the company "Lenci" hired hundreds of employees. In 1925 the company participates with its dolls at the Exposition of Decorative Arts in Paris where it wins three Grand Prix, seven diplomas of honor, six gold medals and three silver ones. Around 1928, "Lenci" decided to undertake the production of ceramics and in the same year he presented his first creations at the International Exhibition of Turin, immediately gaining great success and the praise of Giò Ponti. Although the production is centered on multiples, made by casting but always individually decorated, thanks to the collaboration of about twenty great artists the creations of "Lenci" cross the boundaries of craftsmanship to achieve plastic and chromatic results of art sculpture. Production ceased permanently in 1964, but Lenci is still present in the Italian houses as part of the present that remembers a wonderful past, made of Sunday lunches and grandparents. Here this wonderful example of "Abyssinian Mother" designed by Abele Jacopi...

Sculpture of Mother Mermaid 1930 Lenci Italian Design with child Abele Jacobi.

Ceramic bas-relief depicting soccer players LENCI production signed Enrica Robecchi 1930s. Enrica Robecchi has worked with the Turin-based "Lenci" factory since the early 1930s as a painter and decorator. Her decorations, often made on ceramics modeled by Helen Konig Scavini...

Lenci “Avvocatino” ceramic, 1930, Italy.

Lenci.

LENCI “Donna Sarda”Ceramic 1940 Italy