Gio Ponti Ceramic Tile for Richard Ginori, Italy, 1930s

An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism.

Ponti (1891–1979) designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.

The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.

His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.

Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.

Find a range of Gio Ponti furniture on 1stDibs.

The striking elegance and craftsmanship associated with vintage Richard Ginori porcelain and ceramics are hallmarks of the distinguished Italian manufacturer's deep heritage. Over nearly 300 years, the company has established a legacy of enduring design — its exquisite handmade serving pieces, tea sets, tableware, vases and more are coveted all over the world.

Richard Ginori traces its long history back to the village of Doccia, Italy, where marchese Carlo Ginori opened the Doccia Porcelain Manufactory in 1735. The factory employed talented Viennese painters and modelers, and although it took time for Carlo to perfect his models and molds, the company eventually became known for its impeccable white porcelain, inspired by Ginori's love of white gold. By 1779, the factory’s refined porcelain decorated palaces and stately residences.

In 1896, the factory expanded and merged with the Società Ceramic Richard of Milan. The new company was named Richard Ginori, and the early 20th century marked a period of artistic revival for the manufacturer.

In 1923, the influential Italian architect, publisher and furniture designer Gio Ponti was appointed as the company's artistic director (a role he held until 1933). He was still a young man at the time, but the now-celebrated polymath was fearless in his efforts to innovate at Richard Ginori — he introduced a contemporary spirit at the manufacturer and integrated ancient Roman art and other neoclassical elements into his richly ornate designs for decorative objects and ceramic vessels. At the 1925 International Exhibition of Modern Decorative and Industrial Arts in Paris — the design fair that brought the Art Deco style into the world — both Richard Ginori and its bold artistic director won a Grand Prix.

In the decades that followed, offerings at the storied porcelain manufacturer showed an adoption of the modern style that had taken shape in furniture design and decorative arts during the mid-20th century. In 1954, the company was renamed Ginori 1735, a reference to its inaugural year. Over time, Richard Ginori has partnered with numerous renowned designers such as Giovanni Gariboldi, Antonio Piva, Franco Albini and Aldo Rossi. In 2013, Gucci purchased the Ginori 1735 brand and factory.

On 1stDibs, find a collection of vintage Richard Ginori serveware and decorative objects.