Large 'Pinecone' Table Lamp in Opaline Glass & Chrome for Fontana Arte

The radiant Pinecone table lamp by Italian designer Paola Navone (b. 1950) owes to an ancient glass technique for its modern take on lighting design. The unusual shape of the lamp’s diffuser is formed by a glassmaker blowing molten glass into a metal cage and allowing the material to naturally expand. The undulating surface, an effect of the tension between the expanding glass and the frame of the cage that constrains it, resembles the layers of a pinecone.

Navone initially studied architecture in her hometown of Turin before moving to Florence and then Milan to work in design, where her elevation of imperfections and the uniqueness of handcrafted objects has distinguished her decades of work. Navone’s career has spanned a diversity of disciplines, from her 1980s’ involvement in the avant-garde Alchimia group to her joyous embrace of global culture in industrial design, art direction, curation and interiors. A consistently in-demand designer in a male-dominated field, Navone’s collaborations include major clients, such as Swarovski, Roche Bobois, Knoll International and even McDonald’s, for whom she redesigned several stores in France.

The 2016 Pinecone table lamp was produced for the Italian lighting and design firm Fontana Arte, which continues to manufacture the original as well as a suspension version. A single interior bulb is employed to illuminate the Pinecone's diamond pattern of lines. Offered in white acid-etched and transparent blown glass — the latter casting lattices of light — with a chrome or gold finish on its cage, Navone's fixture makes an elegant statement on the beauty of its materials that's both sculptural and functional.

Best known for its elegant and innovative vintage lighting fixtures, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Gio Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.

The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard Ginori ceramics workshop and the editor of the influential magazine Domus — at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere.

The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art.

Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass.

Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels, bold lighting pieces such as the Parola series and the Giova, a combination flower vase and table lamp. As a key incubator of modern design under Aulenti’s tenure, Fontana Arte remained true to its long-held commitment — creating objects that have never been less than daring.

Find vintage Fontana Arte lighting fixtures such as pendants, table lamps and more on 1stDibs.