Fabric Furniture

This beautiful table lamp is made of Chinese glazed pottery and has a light-grey and sand-colored tone. The round shaped glazed pottery lamp is a simple yet stylish eyecatcher. Glaze...

COLOUR: Orange MATERIAL: 65% Tibetan wool, 35% Chinese silk QUALITY: 100 knot / inch ORIGIN: Hand-knotted rug produced in Nepal RUG SIZE DISPLAYED: 120cm x 120cm shape Fleur is a...

Lion feet ottoman upholstered in Antique textile from Katie’s personal collection. Complete with 4200 and green tape trim. 22″d x 32″w cushion, 37″ d x 27″ w including legs. 19″ ov...

Nepal ist bekannt für seine hochwertigen handgeknüpften Produkte. Dieser Teppich ist aus hochwertiger Tibet Hochland Wolle gefertigt. Die Verwendung hochwertiger MATERIALIEN traditi...

oil on canvas landscape by Philip Erskine (South African 1933- ) Philip Erskine is a South African Postwar & Contemporary painter who was born in 1933, South Africa, 2006 signed and...

Modernes Design ID 597 aus der Master-Loom Collection, hergestellt in Indien. Die Größe ist 170cm x 240cm, handgeknüpft und besteht aus einer einzigartigen Mischung aus hochwertiger ...

Arguably one of the most elegant desk chair designs from the mid-century era, this Morrison/Hannah design for Knoll Studios is utilitarian sculpture at its best. Chair features a cur...

Danish Cocktail Chairs 1960s

Beautiful iron bench with curved and looped base painted in a matte black finish. Rectangular cushioned seat upholstered in a green linen fabric or can be COM. Multiple available, so...

An original abstract portraiture titled "My Teacher" by listed artist Norman Liebman. Signed on back. Framed in black. Norman Liebman: Abstract Expressionist Painter Norman Liebman,...

Dieser Teppich ist handgetuftet in Premiumqualität. Die besten Materialen, wie hochwertige Neuseelandwolle und Tencel werden verarbeitet. Eine integrierte rutschfeste Unterlage sorgt...

Dieser Teppich ist aus unserer Master-Loom Kollektion. Das Format ist 170cm x 240cm, handgeknüpft und besteht aus einer einzigartigen Mischung aus hochwertiger Wolle und Bambus-Seide...

COLOUR: Original MATERIAL: 100% Recycled wool QUALITY: Flatweave ORIGIN: Handwoven rug produced in Istanbul, Turkey STOCK SIZE DISPLAYED: 101cm x 356cm This Kilim has been hand-...

Antique Persian Baluch Rug, Late 19th Century Additional Information: Dimensions: 2'10" W x 4'8" L Origin: Persia Period: Late 19th Century

A fantastic pair of antique carved side chairs. They were made in continental Europe, possibly Denmark, or somewhere close and they are quite...

A large 19th century oil on canvas painting by Italian artist Charles Wicker. The scene, signed in the upper right corner with Firenze below, features the result of a successful day'...

Objekt: Hocker Entwurf: Jacob & Josef Kohn, Wsetin-Austria um 1900 Modell-Nummer: - Ausführung: Jacob & Josef Kohn, Wsetin-Austria um 1900 Maße in cm (H x B x T): 46 x 43 x 40 Materi...

19th Century Irish Mahogany Open Armchair. This desk chair in the Georgian style with a solid carved splat and top rail, outswept arms, oval seat, with scallop scroll seat rail, sitt...

COLOUR: Natural MATERIAL: 50% Linen, 50% Nettle QUALITY: Flatweave ORIGIN: Handwoven rug produced in Nepal RUG SIZE DISPLAYED: 200cm x 300cm Part of the Knots Rugs Textures collec...

Meticulously crafted, this rug employs the most intricate traditional weaving techniques in India, guided by the expertise of skilled artisans. Crafted from the finest, most exquisit...

Listed for sale is a circa 1975 production oak and dark tan fabric armchair designed by renowned architect and furniture designer Warren Platner. This piece was part of a series that Platner designed for CI Designs...

Nepal ist bekannt für seine hochwertigen handgeknüpften Produkte. Dieser Teppich ist aus hochwertiger Tibet Hochland Wolle und Bambus-Seide gefertigt. Die Verwendung hochwertiger MA...

Vintage hand sewn quilt. Features a red and green rose motif with ribboned border. Perfect for the holiday season. Dimensions: 82" x 81" (Length x Wi...

This armchair embodies ease, plushness, and coziness. Crafted from linen and solid wood structure with swivel base. The secret lies in the intricate particulars, which is why the sta...

Adapted from the original artwork by Juan Del Prete, Untitled, 1978. LALANA RUGS is an applied arts initiative born from the desire to combine proposals by contemporary artists wit...

Using form and texture, Conversation illustrates the human interaction in a surrealistic fashion that simultaneously, feels playful and sophisticated. This is a hand-knotted wool rug...

An Italian carved and painted giltwood King size headboard with upholstered panel circa 1900. This headboard is designed to be hung on the wall and can be used with or without the pl...

Handwoven silk Rug: Experience serenity and grace with the "Peace" rug – a mesmerizing creation by Dena Lawrence, handwoven in silk in Kashmir. This extraordinary rug embodies tranq...

This exquisite handwoven rug hails from the masterful artisans of Pakistan, where generations of weaving expertise and a profound appreciation for the art of rug making come together...

19th Century Irish mahogany square footstool with tapestry top terminating on hairy paw feet. The weight and detail of the wood carving strongly indicates that it is likely a piece p...

The two club armchairs are in original comndition. They provide comfortable seating. The unique colour of the upholstery will fit in rooms with period furniture.

Dieser Teppich ist handgetuftet in Premium Qualität. Die besten Materialen, wie hochwertige Neuseelandwolle und Tencel werden verarbeitet. Eine integrierte rutschfeste Unterlage sorg...

Step into a realm where the elegance of contemporary design gracefully intertwines with the essence of traditional craftsmanship. Our hand-knotted rugs are not just floor coverings; ...

A luxurious traditional hand-knotted rug, which has been meticulously crafted, is made from the finest wool. This rug transcends its utilitarian purpose, becoming a work of art that ...

Listed for sale is a Gunilla Allard for Lammhults of Sweden cinema settee, produced circa 1994. This is a terrific original example, which appears to have been reupholstered circa ea...

Antique Chinese Peking Rug, c. 1900 Additional Information: Dimensions: 9'0" W x 11'9" L Origin: China Period. c. 1900 Rug ID: 17504

Rug ‘Sun Spots’ designed by Barbro Nilsson for Märta Måås-Fjetterström AB, Sweden, 1966. Wool. Signed. Tapestry technique. Provenance: From a private Swedish collection. The int...

Oil Painting on Canvas Measurements approximate

Every inch of this rug is meticulously hand-knotted by skilled artisans in India. The design reflects a traditional timeless aesthetic. Crafted from a harmonious blend of silk and su...

An Antique Sultanabad Rug adorned with an All-Over Design is a masterpiece that transcends time, blending the rich heritage of Persian craftsmanship with an enchanting symphony of pa...

This exquisite handwoven rug hails from the masterful artisans of Pakistan, where generations of weaving expertise and a profound appreciation for the art of rug making come together...

ENYO est une tête de lit en trois modules qui s'adapte à la taille de votre lit. Cette version est proposée en Velours Titan Nobilis, autres couleurs sur ...

Antique Persian Baluch Bagface Rug, Late 19th Century Additional information: Dimension: 2'9" W x 3'0" L Origin: Persia Period: Late 19th Century Condition: Good condition with a s...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

This exquisite handwoven rug hails from the masterful artisans of Pakistan, where generations of weaving expertise and a profound appreciation for the art of rug making come together...

Yellow Mellow Pouf Yellow Mellow Pouf, a fun and colorful addition to your living spaces. Its vibrant color adds energy, while the soft details of its form highlight a neotenik style...

gilt bronze mounted rose velvet letter box with putti flanking an elaborate central shield / cartouche in the style of Edward F. Caldwell & Co, New York. New York, the interior is fi...

Persian Tabriz Pictorial Rug, c. 1960 Additional Information: Dimensions: 8'4" L x 5'5" W Origin: Persia Period: c. 1960 Rug ID: 23103

Our modern wall sconce combines symmetry and candle-like geometry to create a striking silhouette suitable for a variety of environments. A narrow shade and single column of luxuriou...

vintage "String" chairs chairs Tranekaer set of 4 period 70s-80s designs Niels Jorgen Haugesen Tranekaer Denmark conditions good light signs of use size 72 x 57 x 47 (hxwxd) se...

This is a set of four DKR-2 wire dining chairs, designed by Charles & Ray Eames for Herman Miller in 1951. This particular set of four chairs dates to circa 1958. They have steel wir...

Ziegler Mahal Rug, c. 1900 Additional Information: Dimensions: 4'7" W x 6'6" L

Antique Persian Afshar Bagface Bag, c. 1900 This highly graphic Afshar bag face draws a large central indigo-blue hexagon against a complimentary contrasting terra cotta field. Both...

By deconstructing the pattern in line and shape, this rug brings a more architectural approach to its form, while still eluding to its true, floral identity. Erik Lindstrom offers a...

Meticulously crafted, this rug employs the most intricate traditional weaving techniques in India, guided by the expertise of skilled artisans. Each rug is a labor of love, with hand...

Meticulously crafted, this rug employs the most intricate traditional weaving techniques in India, guided by the expertise of skilled artisans. Each rug is a labor of love, with hand...

Chinese carpets and textiles have a rich history of weaving, dating back many centuries, particularly in the northern region of Ningxia. As these ...

Monumental in its scale, this work represents a close-up of an Egyptian figure. Painted by Spanish illustrator Carme Solé Vendrell born in 1944, this oil painting is part of the Nubi...