Pair of Anton Lucas Art Deco Armchairs in Oak and Macassar Ebony, 1925

This rare floor lamp was designed by the Dutch designer and architect Cor Alons in the early 1930s. The design is defined by the geometric, triangular shape of the base which was exe...

This striking pair of armchairs was produced in the late 1940s. The rare design is attributed to the Hungarian designer Lajos Kozma. Kozma was working in the specific Central Europe...

These striking armchairs were designed by Marguerite Dubuisson in 1947. Dubuisson was a French artist mostly working in textile design. However, in the late 1940s she designed a few ...

This striking Art Deco armchair was manufactured in Belgium in the mid 1920s. The distinct tiered and angular shape of the design is a great example of the influence of cubism in this particular era. The originality of the design and the craftsmanship of the production make this a unique piece. The chair has a rounded and curved backrest and a deep seat. The optional loose pillow adds additional seating comfort to the back. The elegant frame is executed in solid European maple wood which has been finished in a darker brown stain. The chair is upholstered in a sumptuous deep pile mohair velvet in a beautiful vermilion color. Provenance: Yves de Smet, Gent, Belgium Literature: Paul Maenz...

This unique architect's desk was designed by Frits Spanjaard in 1932. With its generous proportions, striking asymmetry, contrasting woods and the large knobs in solid Macassar ebony, the desk can be considered as an important example of the Haagse School (The Hague School) style. The desk has four large drawers on the right, which can be simultaneously locked with a single key. The interior on the left features six drawers and additional storage, and can be locked altogether as well. Particularly noteworthy are the four cleverly incorporated pull-out shelves of different dimensions creating additional space: two on the front, one on the right side and one large shelf on the back side. The desktop is executed in dark stained oak and features a dark grey leather insert. in 1932, the prosperous Van Stolk & Reese company commissioned Spanjaard to design the interior and furniture of their offices located on the Ceintuurbaan in Rotterdam. This custom desk was most likely designed for the office of the company’s director, which was designed by Spanjaard in a radically modernist way, combining his own sumptuous designs with the functionalist tubular steel furniture made by W.H. Gispen. Between 1925 and 1935 the work of Spanjaard was strongly connected to the Haagse School movement of which he’d become a main proponent. This style was not so much inspired by the Classic European Art Deco capitals such as Paris and Vienna but more by other national and international architectural developments such as the work of Frank Lloyd Wright. The influential magazine Wendingen published a series of articles on Wright still relatively unknown at the time in 1925 and the renowned architect Jan Wils also played an important role in the orientation towards Wrights work in The Netherlands. In its particular application of geometric shapes, primary colours and its sophisticated cubist division of the surface, the Haagse School designers were also aware of De Stijl movement, lead by contemporaries such as Gerrit Rietveld and Piet Mondriaan. At the same time the geometry, the harmonious proportions and the understated decorations were primarily based on the rationalist design principles of H.P. Berlage, who would later become one of Spanjaard’s clients himself. Design had to meet the functional demands of the user but purely utilitarian ideas were certainly not the most important. Due to his frequent travels to Germany, Spanjaard was also familiar with the designs of Marcel Breuer and Mies van der Rohe, especially appreciating the simplicity and purity of their designs. Biography Frits Spanjaard (1889-1978) started his career as the artistic director of the LOV furniture...

This rare side/occasional table was designed by P.E.L. Izeren and produced by the Dutch company Genneper Molen in 1930. The frame and top are made of solid and veneered oak, with the...

Pair of Armchairs Art Deco Solid Oak armchair desk chairs, 1925 Features: Stable & comfortable Faux leather upholstery like new Geometric art deco design Beautiful patina A...

SET of 6 French Art Deco Ebony de Macassar armchairs featuring a tapered rectangular back, scroll arms with armrests, upholstered in an earth tone geometric patterned fabric with pip...

Pair of Art Deco mahogany armchairs circa 1925

French Art Deco pair of pull-up armchairs by Jacques Adnet, circa 1936. Solid macassar ebony with bronze mounts. Red leather upholstery. 22" wide x 19" deep x 35" high. Documented. ...

After 1910 Dufrêne’s work took on the forms of neoclassicism, and at last, an aesthetic that would coalesce into the Art Deco. While he didn’t shy from metal, ceramic, glass, or fabr...

Magnificent and ultra rare pair of Art Deco Modernist lounge chairs. Design by Anton Lucas for N.V. Meubelkunst Leiden. Striking Dutch design from the 1920s. Solid oak frames with or...