Hand Carved and Hand Painted Pergolessi Chair

Made to Order Carved Back and Legs Fontain Dining Side Chair, Finish Hand Painted and Gold Leaf Accents and Upholstered in Fortuny Fabric, This a Showroom Model Upholstery: Customer ...

Made to Order Louis XV Style Dining Side Chair, Upholstered in Black Leather with Antique Brass Nail Head Trim at Seat and Inside Oval Back, Solid Wood Frame, This a Showroom Model U...

Pair of unique carved wood Savonarola side chairs for a entry way, dining table, slipper chairs. Very sturdy. Ornate Italian carving at the top.

Made to Order Skirted Genovese Dining Side Chair with Distressed Walnut Finish, this a Showroom Model Upholstery: Customer Own Material

This was most likely was originally an over the door console table or shelf, but can be used as a wall-mounted console table. 18th century Italian with scalloped edge detail and new ...

10 Available (Sold individually). Retail $1,971 plus tax each. Buy now with no lead time. Top of the line custom made Catina 53 chairs made by Arper in Italy. They have steel ...

A very stylish pair of Heppelwhite style salon chairs featuring a carved, shaped backrest on tapered fluted legs with rattan seats.

We are delighted to offer this lovely antique hand carved throne chair with embossed hand painted coat of arms to the back and Knights helmet to the top What a chair! This is a fi...

A pair of beautifully hand carved, painted and gilt side chairs. Having original paint and horse hair batting. Recently upholstered. Italy...

This fascinating rustic chair has a traditional tri-leg design with extensive hand-carved details, including scroll work along the seat and names that frame the back. Please examine the close up photos to appreciate the numerous carved aspects and unique hand-crafted workmanship of this truly one of a kind chair...

Rare hand carved and hand painted knight chair, Spain 1960s.

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...