Nicely Grained Eames for Herman Miller Rosewood 670 671 Lounge Chair w/ Ottoman
About the Item
- Creator:Charles and Ray Eames (Designer),Herman Miller (Manufacturer)
- Design:
- Dimensions:Height: 33 in (83.82 cm)Width: 33 in (83.82 cm)Depth: 33 in (83.82 cm)Seat Height: 16 in (40.64 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1978
- Condition:Wear consistent with age and use. Fine original . Some surface pin pricks in one cushion .
- Seller Location:Ferndale, MI
- Reference Number:1stDibs: LU848227855102
Eames Lounge Chair and Ottoman
Long before it was the pièce de résistance in a collector’s office or an upscale bachelor pad — landing in ample design magazines, on television and in well-appointed offices over the years — the Eames lounge chair was a fresh, subversive new take on a classic club chair and a culmination of experimentation by its inventive creators.
Charles and Ray Eames (1907–78; 1912–88) met while studying at the Cranbrook Academy of Art, the prestigious Michigan institution that drew such illustrious design minds as Florence Knoll, Eero Saarinen and more. After graduation, they formed the Eames Office, where they spent much time exploring and formulating new techniques in bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. The Eames lounger, on the other hand — with its signature wood-grain back and sumptuous (usually black) leather seat — was different.
While the couple’s DCW chairs, introduced in the 1940s, prioritized ease of production and affordability of materials, the lounge, which debuted in 1956, was Charles and Ray’s interpretation of luxury furniture. And to the Eameses, luxury meant, above all, comfort. The couple famously called the lounge chair and ottoman “a special refuge from the strains of modern living” and described their design as having the “warm receptive look of a well-used first baseman’s mitt.”
Although the seat makes use of the same bentwood technique the Eameses pioneered using their famous “Kazam! Machine” (a handmade apparatus for molding plywood) for their DCW chairs, it tops off this frame with supple leather over a plump, upholstered shape.
Ever fascinated by ergonomics, the Eameses carefully calibrated the pitch of the seat. It has enough flexibility for comfort but not so much that stability is sacrificed. This precise shape comes by way of three connected plywood pieces, which, on early models were covered in five layers of Brazilian rosewood; owing to an early 1990s-era embargo on the material, however, the Brazilian rosewood has since been replaced with either ash, walnut or palisander. The accompanying ottoman is the icing on the comfort cake, inviting the sitter to quite literally kick back and relax.
Today, imitations of the Eames lounge chair and ottoman abound. The seat is currently manufactured by both Herman Miller and Vitra, and when it was launched initially by the former, the supporting marketing blitz emphasized the chair’s versatility — an effort that, given the seat’s current ubiquitousness, was clearly successful.
Charles and Ray Eames
Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.
As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.
Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.
His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.
The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.
The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.
Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.
The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.
- ShippingRetrieving quote...Ships From: Ferndale, MI
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Pair of Early Base Eames Herman Miller Aluminum Group Swivel Lounge ChairsBy Don Albinson, Charles and Ray Eames, Herman MillerLocated in Ferndale, MIPair of high back swivel Aluminum group chairs. These are of earlier production with the flat aluminum base. Original purple naugahyde covers are in very good to excellent condition. Ever so slight wear shows at leading edge corners. Part of the 'Aluminum Group' released in 1958, the Eames Aluminum...Category
Mid-20th Century American Mid-Century Modern Lounge Chairs
MaterialsAluminum
- Custom Covered Eames for Herman Miller LCWBy Charles and Ray Eames, Herman MillerLocated in Ferndale, MIVery nice Charles and Ray Eames ebonized lounge chair wood legs LCW for Herman Miller . Covered in lambskin hide . Earlier chair with foil label .Category
Mid-20th Century American Mid-Century Modern Lounge Chairs
MaterialsPlywood
- Eames Herman Miller DKR Chair on Early Production Low X-BaseBy Charles and Ray Eames, Herman MillerLocated in Ferndale, MICharles and Ray Eames for Herman Miller DKR lounge chair. The chair is earlier production evidenced by the solid steel "X" base. Original burlap back...Category
Vintage 1950s American Mid-Century Modern Lounge Chairs
MaterialsSteel
- Fine Charles Eames for Evans Sold by Herman Miller Ash Grain DCM Dining ChairBy Charles and Ray Eames, Evans Products Company, Herman MillerLocated in Ferndale, MIVery nice early production Charles and Ray Eames designed dining chair metal (DCM ). Clean chrome frame supports ash grain seat and back. Retains original Eames Evans Herman Miller w...Category
Mid-20th Century American Mid-Century Modern Dining Room Chairs
MaterialsChrome
- Eames LAR Cats Cradle Base Fiberglass Armshell Lounge ChairBy Charles Eames, Ray Eames, Charles and Ray Eames, Herman MillerLocated in Ferndale, MIFrom the fiberglass chair series developed by Charles and Ray Eames immediately after WW2. Widely distributed by Herman Miller. This low arm rod (LAR) chair has zinc finished base wi...Category
Mid-20th Century American Mid-Century Modern Lounge Chairs
MaterialsSteel, Zinc
- Two Charles and Ray Eames Herman Miller DCW chairsBy Charles and Ray Eames, Herman MillerLocated in Ferndale, MITwo Herman Miller DCW ( dining chair wood ) chairs . From the Charles and Ray Eames office design studio . Both chairs are Walnut finish . They are priced individually . Estate fresh...Category
Mid-20th Century American Mid-Century Modern Dining Room Chairs
MaterialsPlywood
- Classic Eames for Herman Miller Lounge Chair and Ottoman in Rosewood and LeatherBy Charles and Ray Eames, Herman MillerLocated in New York, NYArguably the most iconic Midcentury design ever produced, the Eames 670 /671 chaired ottoman remain as important and relevant today as when it was first introduced. This example feat...Category
Vintage 1970s American Mid-Century Modern Lounge Chairs
MaterialsRosewood, Leather
- Vintage Rosewood Charles Eames 670 Lounge Chair & 671 Ottoman for Herman MillerBy Charles and Ray EamesLocated in Pemberton, NJA very clean example of a vintage modern icon. Charles Eames 670 & 671 Lounge chair and an ottoman produced by Herman Miller. Beautiful striations in...Category
Vintage 1980s American Mid-Century Modern Lounge Chairs
MaterialsLeather, Rosewood
- Charles Eames Aluminum Group Lounge Chair and Ottoman for Herman MillerBy Herman Miller, Charles and Ray EamesLocated in Dallas, TXCharles and Ray Eames 'Aluminum Group' lounge chair model EA124 and ottoman model EA125. This is an early production one-owner example that has been very well ...Category
Mid-20th Century American Mid-Century Modern Lounge Chairs
MaterialsAluminum
- Eames Herman Miller Aluminum Swivel Lounge ChairBy Herman Miller, Charles and Ray EamesLocated in New York, NYNice early example of iconic Eames design Aluminum Group lounge chair in dark gray vinyl, circa 1950-1970. This example features the earlier version of the bases, please see images. ...Category
Mid-20th Century American Mid-Century Modern Lounge Chairs
MaterialsAluminum
- Charles Eames for Herman Miller 670/671 Lounge Chair and Ottoman, 2021By Charles and Ray EamesLocated in Costa Mesa, CACharles Eames for Herman Miller 670/671 Lounge Chair and Ottoman, 2021. Beautiful near new Charles Eames Lounge chair with ottoman in desirable 2100 series smooth black leather. Ch...Category
2010s American Mid-Century Modern Lounge Chairs
MaterialsLeather, Walnut
- Charles and Ray Eames for Herman Miller 670 Rosewood Lounge Chair and OttomanBy Charles and Ray Eames, Herman MillerLocated in Philadelphia, PACharles and Ray Eames 670 Rosewood Lounge Chair and Ottoman. Black leather with down filled cushions. Wood grain on this example is really nice! ...Category
Vintage 1970s American Mid-Century Modern Lounge Chairs
MaterialsAluminum
Recently Viewed
View AllRead More
The 21 Most Popular Mid-Century Modern Chairs
You know the designs, now get the stories about how they came to be.
Iconic Furniture Makes This 1958 Midwestern Home a True Mid-Century Gem
Designer Susan Yeley turned to 1stDibs to outfit an Indiana home with standout pieces that complement its modernist style.