Pedro Friedeberg, Hand Foot Stool, MEX

About the Item

Pedro Friedeberg is a Mexican artist and designer known for his surrealist work filled with lines colors and ancient and religious symbols. His best known piece is the “Hand-Chair” a sculpture/chair designed for people to sit on the palm, using the fingers as back and arm rests. Friedeberg began studying as an architect but did not complete his studies as he began to draw designs against the conventional forms of the 1950s. His work caught the attention of artist Mathias Goeritz, who encouraged him to continue as an artist. Friedeberg became part of a group of surrealist artists in Mexico which included Leonora Carrington and Alice Rahon, who produced highly provocative art works, rejecting the social and political art forms that were dominant at the time. Since his first solo exhibitions in the late 1950s, Friedeberg has become one of Mexico’s most recognized artists, with his surreal artworks found in the collections of prestigious galleries and museums around the world. Often referred to as the last great eccentric, Friedeberg creates absurd and irreverent works that challenge convention and push the limits of the impossible. Friedeberg has had a lifelong reputation for being eccentric, and states that “art is dead because nothing new is being produced.”

Creator:
Pedro Friedeberg (Artist)
Dimensions:
Height: 20 in (50.8 cm)Width: 21 in (53.34 cm)Depth: 36 in (91.44 cm)
Materials and Techniques:
Mahogany
Place of Origin:
United States
Period:
1990-1999
Date of Manufacture:
1995
Condition:
Wear consistent with age and use.
Seller Location:
New York, NY
Reference Number:
1stDibs: LU800823305382
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Pedro Friedeberg

The sculptor and painter Pedro Friedeberg works in a richly detailed, Surrealist and eccentric artistic style that blends influences from neoclassical art, M.C. Escher and native Mesoamerican symbolism. He is best known for his Hand chair — a functional sculpture that is an icon of design-as-art.

Friedeberg was born in Florence to German parents and moved with his mother to Mexico at the outset of World War II. As a university student in Mexico City in the 1950s, he initially studied architecture, but his designs for fantastical buildings ran afoul of his rationalist, Bauhaus-oriented teachers.

By chance, Friedeberg’s drawings came to the attention of Mathias Goeritz, the German-born Dadaist painter and sculptor. He encouraged Friedeberg and made him a protégé. Friedeberg credits his mentor for instilling in him a fanatical attention to detail in his work. Friedeberg produced his first Hand chair in 1961, and has since created numerous iterations. He has also made several variants using other human limbs in different functional forms such as tables and clocks.

While Friedeberg’s sculptures have a gentle character that is sometimes described as spiritual, his paintings and prints are something entirely different. He employs deep perspective to create hypnotic, painstakingly rendered canvases that suggest rooms and cityscapes.

Whatever the medium, Friedeberg’s work is arresting and instantly recognizable. The Hand chair, though familiar, remains a captivating piece — both furniture and artwork — that stands apart in any interior. Examples are often priced between $20,000 and $30,000, depending on formal variations (such as a foot-shaped pedestal), material and condition. Smaller functional items such as tabletop clocks bring about $9,000. His paintings and drawings require space; they are meant to be contemplated. Prices on original examples start at about $30,000; prints generally sell in the region of $900.

As you will see on 1stDibs, the art and design of Pedro Friedeberg is singular and memorable.