Late 19th Century Gilt Bronze-Mounted Vernis Martin Cabinet by Paul Sormani

A late 19th century Louis XVI style gilt bronze-mounted mahogany cabinet by François Linke. Surmounted with a marble top, above a frieze and a bronze-mounted upper cupboard doo...

A wonderful late 19th century Napoleon III gilt bronze mounted carved ebonized cabinet. By J.B.A. Lanneau. Top drawer surmounted by a black portor marble-top, large single door with floral bronze designs, centered by a carved shield. Gilt bronze lion paw feet. Stamped Lanneau to the carcass. The firm was founded by Lanneau Pere circa 1855-1880 at 9, rue Saint-Ambroise. They exhibited at the Paris Exposition Universelle in 1867 and Vienna World Exposition...

A rare and palatial late 19th century gilt bronze-mounted Louis XVI style marquetry and parquetry cabinet. A heavy marble-top above a bronze frieze with three paneled doors decorated with inlaid floral marquetry designs. The center door with gilt bronze bearded men faces, the bottom is centered by a mask of a beautiful woman with two lion paws on her sides and a pair of floral cornucopia above her. The sides of the cabinet are quartered veneered, standing on six spiral bronze...

A unique late 19th century gilt bronze mounted parquetry cabinet by François Linke and Léon Messagé François Linke and Léon Messagé This unusual cabinet features a cube parquetry top with a back splash centered with a plume of bronze feathers and flowers, above a long single drawer with a bronze leaf-clasped scallop shell and two handles shaped as wings, the sides headed by foliate and flower-cast clasps. The cabinet was most likely made to store magazines or original phonograph records. Stamped FL under many of the bronze mounts, the lock stamped CT LINKE/PARIS Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new, Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

A fine late 19th century gilt bronze mounted Transitional style Marquetry cabinet By Durand The marble top above two long inlaid floral doors which o...

A very fine late 19th century Louis XVI style gilt bronze-mounted commode. By Paul Sormani Beautiful marble top, above a bronze frieze, with one long drawer above two deep long...

A Gilt-Bronze Mounted Credence, Designed By Edouard Lievre, Attributed To Paul Sormani, In the neo-Renaissance style, the spreading pediment with Vitruvian scroll-fitted frieze, c...

A Vernis Martin cabinet in the Louis XVI manner Constructed in mahogany, with extensive ormolu mounts; the square rectangular tapering legs, d...

Late 19th century the rectangular three-quarter galleried top with eared corners above the conforming case fitted with a fall-front opening to gilt and tooled leather-inset writing s...

Chinoiserie wood cabinet with ormolu mounts and a fitted marble top by Paul Sormani (French, 1817-1877) rectangular two-door cabinet, gilded and lacquer painted panels Measures: H...

Gervais Durand was an exceptional furniture maker of the later 19th century, known especially for his reproductions of 18th Century works, but also responsible for some strikingly or...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...