Milo Baughman Dresser for Drexel

While vintage Drexel Furniture dining tables, dressers and other pieces remain highly desirable for enthusiasts of mid-century modern design, the manufacturer's story actually begins decades before its celebrated postwar-era Declaration line took shape.

In 1903, in the small town of Drexel in the foothills of North Carolina’s Blue Ridge Mountains, six partners came together to found a company that would become one of the country’s leading furniture producers. The first offerings from Drexel Furniture were simple: a bed, washstand and bureau all crafted from native oakwood, sold as a bedroom suite for $14.50.

One of Drexel’s early innovations was to employ staff designers, something the company initiated in the 1930s. This focus on design, which few other furniture companies were committing to at the time, allowed Drexel to respond to a variety of new and traditional tastes. This included making pieces inspired by historic European furniture, like the popular French Provincial–style Touraine bedroom and dining group that borrowed its curves from Louis XV-era furniture. Others replicated the ornate details of 18th-century chinoiserie or the embellishments of Queen Anne furniture. Always ready to adapt to new customer demands, during World War II, Drexel built a sturdy desk designed especially for General Douglas MacArthur.

In the postwar era, Drexel embraced the clean lines of mid-century modernism with the Declaration collection designed by Stewart MacDougall and Kipp Stewart that featured elegant credenzas and more made in walnut, and the Profile and Projection collections designed with sculptural shapes by John Van Koert. In the 1970s, Drexel introduced high-end furniture in a Mediterranean style.

Drexel changed hands and visions throughout the years. It was managed by one of the original partners — Samuel Huffman — until 1935, at which time his son Robert O. Huffman took over as president. It was then that the company began to expand, with several acquisitions of competitors in the 1950s, including Table Rock Furniture, the Heritage Furniture Co. and more. With the manufacturer’s success — spurred by its embrace of advertising in home and garden magazines — it opened more factories in both North and South Carolina. By 1957, the company that had started with a factory of 50 workers had 2,300 employees and was selling its furniture nationwide.

Drexel underwent a series of name changes in its long history. Its acquisition of Southern Desk Company in 1960 bolstered its production of institutional furniture for dormitories, classrooms, churches and laboratories. In the following decades, contracts with government agencies, hotels, schools and hospitals brought its high-quality furniture to a global audience. U.S. Plywood-Champion Papers bought Drexel Enterprises in 1968, and it became Drexel Heritage Furnishings.

In 2014, the last Drexel Heritage plant, in Morganton, North Carolina, reportedly closed its doors. The company rebranded as Drexel in 2017.

The range of vintage Drexel furniture for sale on 1stDibs includes end tables designed by Edward Wormley, walnut side tables designed by Kipp Stewart and lots more.

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, such as chairs, sofas and benches. He had a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. He was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on seating and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating.

As you will see from the furniture presented on 1stDibs, Milo Baughman’s designs for the likes of Drexel Furniture, Glenn of California and — for five decades — Thayer Coggin are ably employed as either the heart of a décor or its focal point.