Italian Bronze Lotus Leaf Coffee Table, 1950s

A stunning English, early 19th century, carved wood fragment in oak, detailing a lions mask with a garniture of oak leaves and acorns and the outer frame work with scrolling acanthus...

Mid-century design Italian coffee table, circa 1950s, in wood, brass and painted metal. Dimensions: H 50 x W 105 x W 61 cm.

A low and large table manufactured in Italy during the 1950s As we normally prefer, the original finish has been completely removed to bring the wood back to its original state, the...

Original coffee table from the 60s with a beautiful Italian design, with double wooden shelf covered with formica wood effect and aluminum frame with curved legs It measures 60 cm...

Italian Mid-Century Modern Rationalist coffee table 1950s Rare lacquered wood low table in two tiers with a red drawer. This well maintained coffee table is elegant and sleek. Ther...

Coffee table in walnut wood by Osvaldo Borsani, c.1950s. Walnut wood, cut and coloured glass Dimensions: W100 x D65 x H45 cm.  

Round coffee table realized in walnut wood with metal details, the tabletop presents an elegant circular decorative motif. Attribuited to Gio Ponti, Italian manufacturer from the 1950s Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...