Dining Table by Luigi Saccardo for Armet, 1970s

Rare large dining table by Gio Pomodoro created in a number of copies, this table is number 4. The top is in wood with the centre and legs in marble. Signed Gio Pomodoro. Wear due to...

White and black formica table by Superstudio. Wear due to time and age of the table.

Black marble table with black aluminium legs. Stamped knoll under the foot and shelf. Wear due to time and age of the table.

Wooden dining table. The leg of the table is made of solid wood discs, with a band of chromed brass on the lower part of the leg. Wear due to time and age of the table

Round wooden table by Tobia and Afra Scarpa. Stamped concrete block inside the table for stability. Wear due to time and age of the table.

Pair of Italian methacrylate side tables in the style of Christian Dior. Wear due to time and age of the tables.

Dining table with circular glass top, 130 cm diameter, brushed aluminum base, signed Luigi Saccardo produced by Arrmet, Italy around 1970 Fair condition. More photos on demand

Luigi Saccardo for Arrmet, dining table model 'Ufo', metal and glass, Italy, 1972 This outstanding dining table is based on a well thought out construction that is aesthetically pl...

Great minimalistic round UFO dining table designed by Luigi Saccardo and manufactured by Arrmet in Italy in 1972. It gets its modern appearance from t...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...

Dining table, designed by Romeo Rega. France, Metalarte, c1975. A large dining table in brass and chromed metal feet and structure with nine separate smoked glass panel inserts. B...

This Sandro Petti dining table for Angolometallarte from Italy the 1970s is one of our favorite items. We love the combination of the black chromed metal, brass feet, and glass top. ...