Paper Table S, Console Table, in Polished Steel Finish by UMÉ Studio

Where metal implies sturdiness, and calls for strong industrial motifs - the I/ the H, the beam / the cross, the Paper Table is a play on our own sense of balance. It questions the...

Where metal implies sturdiness, and calls for strong Industrial motifs - the I/ the H, the beam / the cross, the Paper Table is a play on our own sense of balance. It questions t...

Where metal implies sturdiness, and calls for strong industrial motifs, the I/ the H, the beam / the cross, the Paper Table is a play on our own sense of balance. It questions th...

Where metal implies sturdiness, and calls for strong industrial motifs - the I/ the H, the beam / the cross, the Paper Table is a play on our own sense of balance. It questions t...

Where metal implies sturdiness and calls for strong industrial motifs - the I/ the H, the beam / the cross, the Paper Table is a play on our own sense of balance. It questions the ...

An ever-changing living vertical divider, the draped flowers curtain contains over 100 pockets where fresh flowers can be placed, transforming the spac...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...

Wonderful and unusual 19th century, Swedish Biedermeier lyre pedestal table in a rich deep honey French polish finish. This table has a pullout ...

6 Lobed petal stand Cream Lacquer Hand Made Metal Base Repoussé Each piece is individually crafted and is unique. Lacquer is a technique that dates back to the Shang dynas...

This simple round pedestal stands out when made in the rare and unique Rainbow Teakwood stone. An occasional piece, a side table, or a garden elem...

The Impossible console table from Christopher Duffy builds on Duffy London’s repertoire for illusionary design, with a three-dimensional trompe-l'œil played out in eye-catching polished and matte black steel. A shimmering and mysterious construction that proves robust and sturdy, despite a rather delicate appearance. Stepped facets highlight the sudden transition from solid to negative space with the top half appearing to be detached and floating, unsupported, above its base. Conceived as much a piece of contemporary sculpture and visual trickery as it is conventional furniture, The Impossible table...

Pedestal table 1925 in oak and marquetry to restore since it lacks the top tray. Height dimension 80 cm for a diameter of 72 cm. Additional information: Style: 30s Material: Oak.