FOUNTAIN Large Low Side Table, by Tokujin Yoshioka from Glas Italia IN STOCK

The Fountain side table shown here, is in the small size. The precious and poetic round low tables with Murano poured glass bases, hand shaped and ...

Shimmer rounded table is shown here with laminated and glued glass, and in the medium size of the two rounded tables. The collection consists of low tables, low tables and consoles in laminated and glued glass, characterized by a special iridescent multichromatic finish; the nuance varies according to the angle of the light source and the vantage point. Reflected objects with a magical and ethereal appearance emerge. The high tables bases can be dismantled and are fixed to the top by means of metal plates, concealed by a circular decorated covering. Patricia Urquiola was born in Oviedo (Spain) in 1961. Lives and works in Milan. She attended the School of Architecture of Madrid Polytechnic and Milan Polytechnic, where she graduated in 1989 with Achille Castiglioni. From 1990-1992 she was assistant lecturer to both Achille Castiglioni and Eugenio Bettinelli in Milan and Paris. From 1990-1996 she was responsible for the new product development office of DePadova, working with Vico Magistretti. In 1996 she became head of Lissoni Associati’s Design Group. In 2001 she opens her own studio working on product design, architecture, installations. Amongst her last projects of architecture: Mandarin Oriental Hotel in Barcelona and W Retreat&Spa a Vieques (Porto Rico); a villa in Udine; scenography of the opera “L’incoronazione di Poppea” by Monteverdi; showroom and installations for Hermès, Gianvito Rossi, Flos, Moroso, H&M and the general concept of Pitti Immagine Firenze. She designs for the most important Italian and international firms as Agape, Alessi, Andreu World, Artelano, Axor, B&B Italia, Bart Design, Bisazza, BMW, Bosa, Budri, Chevalier Edition, Il Coccio...

Shimmer rounded table is shown here with laminated and glued glass, and in the medium size of the two rounded tables. The collection consists of low tables, low tables and consoles in laminated and glued glass, characterized by a special iridescent multichromatic finish; the nuance varies according to the angle of the light source and the vantage point. Reflected objects with a magical and ethereal appearance emerge. The high tables bases can be dismantled and are fixed to the top by means of metal plates, concealed by a circular decorated covering. Patricia Urquiola was born in Oviedo (Spain) in 1961. Lives and works in Milan. She attended the School of Architecture of Madrid Polytechnic and Milan Polytechnic, where she graduated in 1989 with Achille Castiglioni. From 1990-1992 she was assistant lecturer to both Achille Castiglioni and Eugenio Bettinelli in Milan and Paris. From 1990-1996 she was responsible for the new product development office of DePadova, working with Vico Magistretti. In 1996 she became head of Lissoni Associati’s Design Group. In 2001 she opens her own studio working on product design, architecture, installations. Amongst her last projects of architecture: Mandarin Oriental Hotel in Barcelona and W Retreat&Spa a Vieques (Porto Rico); a villa in Udine; scenography of the opera “L’incoronazione di Poppea” by Monteverdi; showroom and installations for Hermès, Gianvito Rossi, Flos, Moroso, H&M and the general concept of Pitti Immagine Firenze. She designs for the most important Italian and international firms as Agape, Alessi, Andreu World, Artelano, Axor, B&B Italia, Bart Design, Bisazza, BMW, Bosa, Budri, Chevalier Edition, Il Coccio...

XXX low table is shown here in the transparent pink, orange and yellow coloured glass, and in the large size of the two tables. Low table realized in transparent pink, orange and yel...

Terraliquida low table is shown here in the transparent extralight glasss. Low table composed of a parallelepiped Limestone stone with a monolithic appearance and an element in tempered 15 mm. thick glued 45° transparent extralight glass that rests on it. The stone parallelepiped has the sides in a split-face finish, whereas the top is flamed. The materiality, the gravity and the solidity of the stone juxtapose the lightness, the purity and the ethereality of the glass. Born in 1954, Claudio Silvestrin studied under A. G. Fronzoni in Milan and at the Architectural Association in London. His integrity, clarity of mind, inventiveness and concern for details is reflected in his architecture: austere but not extreme, contemporary yet timeless, calming but not ascetic, strong but not intimidating, elegant but not ostentatious, simple but not soulless. Claudio Silvestrin Architects was established in 1989 with offices in London, and since 2006 in Milan also. The work of the practice encompasses real estate developments, newly built houses, spas, private residences, art galleries and museums, domestic and retail interiors and furniture design. Clients include Giorgio Armani, illycaffé, Anish Kapoor, Calvin Klein, Poltrona Frau, Victoria Miro...

Shimmer coffee table is shown here in the laminated and glued glass, and in the small size of the rectangular coffee tables. The collection is ava...

Invisible table designed by Tokujin Yoshioka combines lightness and solidity, grace and elegance and practicality and style. Its simplicity and purity ...

A piece of clean, linear, minimal design, the aesthetic synthesis of the designer's Japanese culture. Invisible Side is a light and elegant multi-functional product which can be easi...

A piece of clean, linear, minimal design, the aesthetic synthesis of the designer's Japanese culture. Invisible side is a light and elegant multi-functional product which can be easi...

Invisible Table designed by Tokujin Yoshioka combines lightness and solidity, grace and elegance and practicality and style. Its simplicity and purity of form makes it adaptable to a...

Invisible table designed by Tokujin Yoshioka combines lightness and solidity, grace and elegance and practicality and style. Its simplicity and purity ...

Invisible table designed by Tokujin Yoshioka combines lightness and solidity, grace and elegance and practicality and style. Its simplicity and purity ...