Modern Drypoint Etching Peter Voulkos

1927 - 2016 Elaine Lustig Cohen was an artist / graphic designer. She was a modernist at heart, like her ex husband graphic designer Alvin Lustig. She was influenced by modern architecture and graphic design. These two paintings explore those concepts of linear hard-edge and concrete art aesthetics. Gouache on arches water color paper...

Esoteric art. One-of-a-kind. Hand torn / sculpted canvas, black gesso with thin wood fame. Mr. Di Vincente lives and works in Los Angeles. He studied at the San Francisco Art Institu...

1922-1992, Craig Ellwood was an influential Los Angeles based architect. His building designs were the quintessential post and beam structures that were part of the California modern...

An elegant pair of decorative modern art tapestries. Great pinstripe design with a zen aesthetic They appear to be one-offs. Made of a type of li...

Great modern art sculpture. One-of-a-kind. Found in the wild. Welded steel bars with new powder coated paint. It has a Frank Lloyd Wright design influence. It was found with some surface rust / pitting at the base (before after...

Esoteric modern art. Controlled torn canvas on canvas with black gesso and thin wood frame. Mr. Di Vincente studied at the San Francisco Art Institute. He lives and works in Los Ange...

Vintage lithograph "Abstraction #1" by Peter Voulkos. Great condition and vibrant colors. Edition size of 200. Large format print that has great presence and visual weight. Saturated...

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...

" Flux de L' Aimant " drypoint & color aquatint on BFK Rives paper by Joan Miro; circa 1964. Signed lower right, and numbered 20/75, lower left, in pencil. Published by Maeght Editeu...

Pop Art screen-print on silver metallic board featuring graphic magenta, blue, orange bullseye targets. Signed Peter Gee 1967. Professionally framed in a white wood frame with glare ...

Hans Fischer "Beasties" etchings, circa 1959. These etchings are from the limited edition folio ''Homme Deguise en Homme" and dep...

Woman “Nude” figurative etching by Renato Guttuso. Very important Italian artist. Signed on the lower right. This etching, never before on the market, comes from a private collection...