John Piper, Abstract, Landscape, Tetbury, 1957, Watercolor, Gouache, Pastel

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

JOHN PIPER CH (BRITISH,1903-1992) :CHIESA DELLA SALUTE, VENICE Screenprinted fabric, printed by Sandersons, 1959 In the late 1950's to the early 60's there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked colour "The monumental grandeur of many artists' textiles in the early 1960's was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics". The painterly design is one of five fabrics designed by John Piper (1902-1993) for A Century of Sanderson 1860-1960, Sanderson's prestigious Centenary Collection. This study of the Chiesa della Salute church in Venice was taken from Piper's 1959 travels when he was commissioned by the Arthur Jeffress Gallery in London. He then regularly made paintings of the city, and drew illustrations for an edition of Adrian Stokes...

JOHN PIPER CH (BRITISH,1903-1992) : 16. EASTON, PORTLAND, DORSET: ST GEORGE REFORNE, AN 18TH CENTURY CHURCH AMONG THE QUARRIES, NUMBERED 2/70 LOWER...

John Piper (British,1903-1992) : Stones of bath, blue screenprinted fabric, by Sandersons, London, 1962 In the late 1950's to the early 60's there was interest in painterly textiles...

Henri Cartier-Bresson (FRENCH 1908-2004) : Woodland scene, pencil, initialled & dated 1978 A lovely example of Cartier-Bresson’s fine detailing, demonstrating his delicate palette and artistic skill responding to the colour, light, air and texture in the rural landscape Henri Cartier-Bresson (French: August 22, 1908 – August 3, 2004) was a French humanist photographer considered a master of candid...

Michael Canney (British : 1923-1999) Rhinoceros Etching with aquatint and plate tone 1947, Signed and dated Most likely originated from Canney’s w...

Calming blue abstract Zebras in watercolor and or gouache on paper, signed Virginia P We are unable to decipher complete signature. 25 H x 27.5 x .75Thick (frame), Art 14 x 21 Origin...

A striking gouache on paper by Robert Freiman, signed and dated 1957. Robert J Freiman (b. 1917 - d. 1991), deaf from birth, was born in New York City and attended the Lexington School for the Deaf. He studied art at the National Academy of Design, Pratt Institute, the Art Students League, the Parsons School of Design, and, in Paris, at the Ecole des Beaux Arts. Freiman’s spectrum of styles evolved considerably over the course of his long career, ranging from early portraiture and realistic landscape to mixed-media works using watercolor, acrylic, and pen. He was a regular exhibitor at the Sidewalk Art...

Continental school, 19th-20th century "Cherubs" Gouache and Watercolor on paper Size with frame: 19 x 11 in. (48.26 x 27.94 cm.)  

Contemporary abstract painting in gouache and pencil on paper in a black rectangular frame (TOM JOHN, 2010) (12 more similar pieces: JOH6200-JOH6212)

Contemporary abstract painting in gouache and pencil on paper in a black rectangular frame (Untitled, 2010. Tom John) 12 more similar pieces: JOH6201-JOH6212.

A Classic midcentury watercolor and ink on paper by Robert Freiman, signed and dated 1957. Robert J Freiman (b. 1917 - d. 1991), deaf from birth, was born in New York City and attended the Lexington School for the Deaf. He studied art at the National Academy of Design, Pratt Institute, the Art Students League, the Parsons School of Design, and, in Paris, at the Ecole des Beaux Arts. Freiman’s spectrum of styles evolved considerably over the course of his long career, ranging from early portraiture and realistic landscape to mixed-media works using watercolor, acrylic, and pen. He was a regular exhibitor at the Sidewalk Art...