17th C. Dutch Painting of a Flock of Chickens, Attrib. to Melchior Hondecoeter

This oil on board pastoral painting of two cattle is signed and dated by the artist in the lower right corner “F.J. Dierckxsens 1858”. There is also a handwritten paper affixed to th...

Nature morte (French for “still life”) paintings first became popular in the Netherlands in the 16th century. Assemblies of flowers, fruit, and dead game were the main subject matters, and hundreds of artists from Western Europe would eventually participate in the genre. French artists such as Jean-Baptiste Oudry painted some exquisite scenes, depictions of hunt motifs including game and dogs. These subjects remained highly popular and were used in hunt lodges throughout France. The pair of paintings seen here are very well done 19th century examples of such hunt scenes, each one measuring over 57 inches wide. Both of our paintings depict hunting trophies displayed on an outdoor veranda. The balcony is elaborately styled with cavetto molding, volute scrolls, and a shaped cartouche beneath a bulbous gadrooned finial. Both paintings contain half of the cartouche and most of the finial, as if they were a continuous panoramic scene, complete with a blue sky and large trees in the background The left painting features three felled birds piled on top of a deer carcass, with fruit scattered around them. Beneath the trophies is a coiled horn with a red tassel tied to it. A similar scene can be found on the right painting, with three birds displayed on the edge of the balcony. The birds lie on top of a pale green fabric with tassels that has been loosely folded. Under the textile is a hunting rifle and another horn. A garland of fruit is draped across the rifle’s stock, rising onto the balcony. A beige fabric matte board and molded giltwood frame surround this pair of 19th century nature morte hunt trophy...

Once installed architecturally in a chateau in Normandy, France, this large pair of overdoors was painted in the 1700s and executed in a technique known as verdaille. Verdaille utilizes various shades of green to achieve a mesmerizing monochromatic effect. This technique’s rich history traces back to the 12th century when it was initially employed to create stained glass for Cistercian monasteries, where colorful art was prohibited, making these overdoors not only aesthetically captivating but also a piece of living art history. Interestingly, there is a hand-written transport note on the back of one of the overdoors (see detail photo) that mentions the paintings were to be shipped to a Madame DeFrance in Paris, at the rue St. Honore corner of la rue Dufour (freight pre-paid). These exquisite pieces are encompassed by wood frames adorned with lavish foliate carvings, beautifully painted in a soothing French gray hue. Each overdoor encapsulates a unique musical scene that transports you to the heart of 18th-century Europe. In the first painting, a man plays the uilleann pipe, a unique instrument with a bellow-driven mechanism that distinguishes it from a bagpipe. The musician has quite an audience, as two women, one cradling a sheep, and four more sheep next to a dog have gathered nearby. In the second painting, witness a captivating moment of courtship as a gentleman kneels before a woman with a tambourine in her hands. He presents a long woodwind instrument, possibly a carnyx, while a faithful dog rests nearby amidst a backdrop of gardening tools. These stunning French verdaille overdoors were once part of a themed boiserie room (most likely green in color and centered around music). They can once again be used to create a theme above a pair of interior doors or they can be hung as a unique set of artwork.

After the original 17th-century by the famed Flemish painter, David Teniers II (usually referred to as “David Teniers the Younger”, as his father David Teniers the Elder was also an accomplished painter), this fabulous painting depicts a vibrant scene, both in color and theme. Our version, which was painted in the 1700s, is by an unknown, but very talented artist. The painting is surrounded by a giltwood frame with two layers of beading. Both Teniers were known for developing the “peasant genre” or “tavern scene”, where members of the working class were shown actively celebrating life. The earthy tones of the interior of the inn (brown and beige) are offset by citizens in brightly colored attire consisting of green, red, black, and gray. The scene is divided into two rooms, with seven patrons (mostly men) gathered around a barrel table in front of a very large fireplace. Two of the men are playing cards and there are two tankards visible. The calmness of this group is a drastic difference from the 11 people gathered in the foreground. A man in blue stands on top of a wine barrel table...

Saint-Malo, France is located on the Northern coast of Brittany and has a long history of overseas adventures, exploration, and of course, piracy. Saint-Malo eventually became a wealthy French port city over the centuries, allowing for such leisure activities as horse displays, including parading and racing. It is thought that horse racing on the beaches was taking place by at least the early 1800s in Saint-Malo. The oil on canvas painting seen here is a fantastic depiction of such an event during the 1840s. A giltwood frame with thick cavetto molding surrounds the colorful and vivacious scene. In the center of the painting, jockeys ride galloping horses between two flagpoles. There is a definitive international flair, with flags ranging from French to Swedish affixed to a judges’ platform on the side. In the foreground, a procession of petite noblesse arrives, led by a quartet of well-dressed gentlemen on horseback. Two carriages follow, one blue and one green, each led by a team of two horses. Soldiers dressed in blue overcoats and red pants walk the grounds with a leashed dog in tow as a woman in a long, deep blue dress rides by with a green train flowing from her black hat. A sea of spectators gathers behind the judges, lined against the wall surrounding the city. Some enterprising fans are perched atop pruned trees beneath the wall as well. A blue sky filled with white fluffy clouds fills the background, above even more spectators lining the balconies of buildings behind the wall. The wall extends further down the beach, in front of cream colored houses and windmills at the end of the city. At over three and a half feet wide, this 19th century painting of horse racing...

Inspired by his voyages as a sailor, the French painter Charles Kuwasseg painted this impressive coastal landscape painting in the 1870’s (the canvas ...

We present you this extremely antique grey pastel artwork that captures a tranquil pastoral scene depicting two shepherds guiding their livestock beneath the grand arch of an imposin...

17th century painting J.Castano 17th century Spain

By van Olsen or Von Olsen. Probably, 19th or 20th century 1-11-18-8-5 Condition: Overall condition frames have some ware. Size frame 23 x 23 x 3cm Period: 20th century.

17th century, oil on canvas Dutch painting with hunting scene Oil on canvas. Dimensions: frame W 81 x H 75 cm, canvas 58 x 49 cm The oil on canvas painting depicts a hunting scene in a predominantly rocky landscape. On the right, at the center of the canvas is depicted a group of characters dressed for hunting according to the 17th century fashion of northern Europe. The men stop with their horses and dogs; one of them points downstream, while another one sounds a Horn, used as a call sign in hunting trips. In the foreground on the left another character sits on the ground, turning his back on the observer, in the company of two hunting dogs. The scene takes place in the open air, in a rocky context and the landscape widens towards a valley, beyond which the horizon is lost among mountain reliefs with blue tones. The bright sky is characterized by some clear clouds. The color palette of the canvas is characterized by brown tones; a ray of light that emphasizes the right group, where it stands out illuminated a dog and the spotted steed on which is rising a man with a red mantel...

Oil on board painting by Pieter Jacobsz Codde, 1599 to 1678, a Dutch artist. The artwork represents an interior genre scene, a company drinking and playing cards. The artist's monogr...

A sensational Dutch 17th century Oil on Wood painting in the manner of Frans Francken. The painting depicts the scene of a feast with a young male and female enjoying a feast while musicians are playing music in the background. To the left of the table that are spectators who are turning their heads away from two guards killing a traitor seated at the table. In the background you have architectural buildings and additional figures. At the bottom center is a pet monkey...